Tag Archives: writing

10 things all writers should know before signing a contract.

author, writing, screenwriter, screenwriting, amazon, ebooks, epublishing, publishing For some reason I’ve never been able to fathom, I receive a lot of mails asking me for advice about contracts, both publishing and screen.

Now to be clear, whilst I have done a lot of deals during my agent free days, I am certainly no expert in this field and should not be considered as such. In fact, what knowledge I have accrued is generally a result of my own mistakes and trust me, I have made some corkers over the years. However, as someone who’s always happy to help if I can (and as long as you don’t hold me accountable in any way should you choose to follow my advice and it all goes wrong) here are my top 10 tips. Take ’em or leave ’em.

1.  Arguing with editors or producers over terms can cause some serious rifts in a working relationship which is obviously best avoided. Therefore, if you have an agent you should leave everything, and I mean everything, to them.

It stands to reason that their job is to get you a great deal because whilst they might be fabulous people who you adore with a passion, the stark reality is that the more you earn, the more they earn. So if they are happy with the deal they put in front of you, you certainly should be.

2.  If you don’t have an agent, then you are in a weakened position because the people you are negotiating with will inevitably assume that you are either naive and/or desperate which gives them the upper hand. Therefore, you should write the following three words down and stick them somewhere which places them in your eye line at all times: TRUST NO ONE.

Believe me, no matter what anyone else might tell you, when it comes to deals there is only one person who has your interests at heart and if you don’t have an agent, that person is you.

Remember, it’s not personal, it’s business. The film BUSINESS, the publishing BUSINESS. As such, everyone you negotiate with might well come across as your best mate but the truth is that they are desperate to give you as little as possible or better still, strike a deal which means they don’t actually have to give you anything at all. This is because the less they give you, the more they keep for themselves or their employer. So read everything as many times as you have to and question anything you are unsure of. When it comes to contracts, there is no such thing as a stupid question, there are however, plenty of stupid writers who didn’t ask the questions they should have.

3.  It’s human nature to avoid asking for what we think we are worth and since most negotiators know this, their first words will be ‘so what do you want?’ thus putting you on the back foot from the off. Therefore to avoid this, it is vital that before a deal is even discussed, you take the time to work out what you have and how much will get it from you.

Remember, everything has a value be it your finished manuscript, your experience, your time, your backlist or even ‘From the writer of Green Street’. So be professional, quantify everything and work out both a starting point and a bottom line because pound to a pinch, the person asking you the question you will have.

4.  Publishing royalties should be on a sliding scale. For example, 7.5% for the first 10 thousand sales, 10% for the following 40 thousand and anything over 50 thousand should earn you 12.5%. All publishers will baulk at that but the reality is that most novels won’t get anywhere near sales of 10 thousand anyway so what have they got to lose? 

Should your novel be a success however, you’ll be quids in. As of course, will they.

5.  Unless you are knowingly going into an agreement for a film which is designed to kick start a career or you are willing to work on some kind of profit share, a contract for a screenplay with a production company should always include a fee on signature for one very specific reason; commitment.

If someone is prepared to put their money where their mouth is, it’s fairly obvious that they will be a lot more enthusiastic about taking your script through to the day the camera’s roll than someone who has nothing invested save a couple of lunches (if you’re lucky). Indeed, if someone is asking you to sign something but are not prepared to invest in you, you should be asking them (or yourself) why.

The remainder of the total fee will be staggered anyway so make sure you know what will be due to you and when.

6.  Unless a major star or studio is involved, back end payments are generally worthless so take whatever is offered with a pinch of salt and laugh at any offers of increased back end payments in lieu of a smaller front end fee. This is generally a simple tactic to save money so you should always squeeze every penny you can from the front end.

However, always make sure that a back end payment is included just in case it’s a smash and the creative accountants can’t cover it up.

7.  Watch the clauses! You want invites to premieres, involvement in promotions (at their expense), a cut of any soundtrack profits and if there’s a sequel, you want to be the one to write it. If not, you want a slice of the action including payment for the use of any characters you have created.

If there’s a chance of a novelisation, you want to write it but if you don’t, you want a cut of any profits, etc, etc.

If it’s for a book, you want details of the marketing publicity budget as well as an approximate publication date if at all possible.

Seriously, if you don’t ask, you don’t get.

8. If the deal is for a screenplay, always ensure that there is a clause in the contract whereby if the film isn’t made, the rights to your work revert to you (for free) after a reasonable period. That way, if nothing comes of it, you will at least have a script you can try to sell somewhere else.

9.  Always, always, always get everything read by either a lawyer, the Writers Guild or the Society of Authors before you sign it. That’s what they are there for so use them.

If a lawyer comes back with some concerns about a contract, act on their advice and fight your corner. Producers are used to brinkmanship so take them all the way and always be prepared to walk away if need be.

You might well come under pressure to avoid this step and just sign on trust or good faith and this will come in many forms from threats that the financiers are about to pull out if you don’t sign to female directors sobbing on the phone in the middle of the night. You should treat all such tactics as bullshit.

If someone doesn’t want a lawyer to see a contract they’ve put in front of you it’s almost certainly because they have something to hide (see point 2 above). Therefore, resist this pressure, stay cool and make them wait until you are ready to sign on the line. It’s your time, your money and your future income.

10.  Believe me, signing a dodgy deal is an awful experience so only sign on the line when you are sure that it’s as good as it can be for all sides, but especially you!

And finally, always trust your gut because if something feels wrong, it usually is.

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpool I desperately need to do some work on my Amazon author page  this page, primarily by adding some new titles to it! So I’m happy to pass on news that there will be at least two, maybe even three new ones coming in 2018! 

In the meantime, you can buy all the existing books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog from either Amazon or iTunes.  

Please click on the relevant link for more information.

author, writing, writer, screenwriting, screenwriter, publishing, indiefilm, low-budget, self-publishing, brimson, hooligan,veteran 

The joy of a shit list. And a bit of karma.

writing, amwriting, screenwriting, prompt, tipsGiven my youthful good looks (sic) it might shock you to discover that I’ve been around for a long time. Truth is, I’ve made so many trips around the block that I frequently navigate it in my sleep.

Along the way, I’ve been fortunate enough to meet some incredible people but inevitably, I have also encountered some who are, shall we say, less than incredible.

That’s life of course. It would be a bizarre world indeed if we liked everyone we met just as it would be extremely odd if everyone who met us were dazzled by our individual charms. I’ve certainly met plenty of people who have come to regard me as an arsehole. Or worse.

But I can live with that. Life’s too short to work with people you don’t like and that obviously works both ways.

However, whilst normally I consign these individuals to the ‘bad experiences’ folder of my meagre brain, there will occasionally be someone who irks me to such an extent that they make it onto my s**t list. And if you make it onto that, watch out. Because I know it’s petty and it’s childish, but trust me when I say that at some point I will repay you in kind. 

Oh yes, I carry a grudge.

I mention it here simply because I was recently given the opportunity to dust off said list and cross two people off it. Not because I had forgiven them for their transgressions, but because the opportunity had arisen for the delivery of some payback. Obviously, it was an opportunity I grabbed it with both hands.

Yes, I know that at my age I should be above such things, but when I’m looking at a potential cast list and see that two of the actors on it also feature on my s**t list, there is no way on earth that either is ever going to get a sniff.

The only sad thing, as I sit here basking in a warm glow of revenge, is that I doubt either of them will ever know that karma paid them a visit on my behalf. 

But I know. And ultimately, that’s all that matters.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes

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How to write a fight scene.

green street, top dog, violence, sex, fightingI’m not usually one for taking part in online debates about writing, mostly because I’m not that clever and have an adversity to making myself look stupid.

There is of course, also the risk that people will discover that I’ve been winging it all this time which wouldn’t do my agents heart rate any good.

However, I recently became involved in a fascinating discussion with a group of writers on the use of gratuitous violence in both books and film. Or to be more specific, the duty of the writer in the way they portray it.

I won’t go too deeply into the way it unfolded other than to say it veered from one extreme to the other and back again at least more than once. But whilst it was extremely interesting to learn how others perceive their creative responsibilities, little or nothing was said which made me change the way I think about mine. And mine, as I see them, are relatively simple. Indeed, they can be encapsulated in one single sentence. For when it comes to anything fictional, my job is to tell a decent story as honesty and realistically as I can.

This is underpinned by something I have said many times and that is the fact that the most important person in the writing process is the person at the end of the chain be that the reader or the viewer. And when you write the kind of things I do for the kind of people I primarily write them for (lads), then my sole duty is to give them something which they can not only recognise but hopefully, put themselves into the centre of without any difficulty.

In the case of a subject like hooliganism, that means street fighting and anyone who has ever been involved in a row at football knows that it isn’t Queensbury Rules Boxing or Tae Kwon Do, it’s short periods of scruffy, disjointed mayhem. It’s still violence, but it’s real violence as opposed to the stylised fighting we see in too many films and computer games and whilst for some it can be little short of a  terrifying experience, for others it can border on hilarity.

That’s how I have to write it because that’s how it is. Anything else would be a betrayal and I’d lose my readers (and viewers) in a heartbeat.

Quite rightly too.

.

thriller, screenwriting, film, writingThe next few weeks will hopefully see a couple of announcements on the movie front. The first will almost certainly be related to my thriller, Three Greens which has now attracted funding from one of the major distributors and the second will be details of the sale of my latest co-written project, Pizza & Miracles.

The latter script was only finished last week but has actually been a really interesting project to work on not least because it is as far from my usual genre as it is possible to get given that the subject matter centres around the subject of spiritualism and the power of the universe. But in many ways, that challenge is what made it the most fun. More of that as and when!

I can also tell you that work is progressing nicely on the third book in the The Crew/Top Dog trilogy as well as on Billy’s Log 2.

My intention at the moment is to self-publish both books but it may well be that someone comes along who will take them along the more traditional publishing route.

On which note, if you didn’t know, I’ve been publishing extracts of the latter online at Billys Blog. Feel free to take a look by clicking here! 

5 reasons why I love writing for older actors.

ebooks, self publishing, veteran, writer, screenwriting, author, indie, film, green street, football, soccer, actor, script, sex, men, women, sexism, racism, homophobia,I shall, from the outset, put my cards on the table and say that I am, at least numerically speaking, old. 

I don’t feel it mind (and I certainly don’t act it) but it is fair to say that at 58 I’m much closer to my closing scene than I am to the opening act.

The reason I mention this is because for fairly obvious reasons, my age impacts on my writing output. Rule number three in Doug’s Guide To Writing is ‘write what you know’ and since I know more about being a male over 50 in 2017 than I do about being a teenage lad in 2017, my central characters tend to be older and I hope, more realistic. There will after all, be a part of me in all of them.

Thankfully, this is working to my advantage. For example when I  worked on We Still Kill The Old Way it received a great deal of press because of the age of the main cast. Great for me, the film and the actors involved, most of whom were actually older than I am which leads me nicely into the central reason for this blog.

You see generally speaking, when I start thinking about a project, be it book or film, one of the first things I consider is who is going to read or watch it. But recently, when it comes to screenplays, I also think about who might be can cast. Something which helps me actually create the role.

Therefore with that in mind, what follows are 5 reasons why these days my mind tends to wander to those actors who have actually been around for a while.

Choice – We have a huge untapped source of talent in this country and it isn’t lurking in acting classes or talent schools, it’s working in small theatres or sitting at home waiting for the phone to ring. Sad for them but great for writers like me when you’re working on something and putting together a dream cast because you know that there’s a bigger chance of actually getting them.

Gratitude – The main reason why they’re sitting at home is because the phone rarely rings. And it rarely rings because there are so few decent roles being written for people over 50 (let alone 60 or 70). As a consequence, if you create these age specific roles and cast accordingly, not only are the actors grateful, but they give you everything from vast experience to PR gold!

Talent – To me, it’s criminal that all this amazing acting talent is being allowed to go to waste. Aside from the ones I’ve already worked with, I can think of ten amazing actors and actresses I’d crawl over broken glass to hear reading my words yet I doubt one has had a decent film or TV role in ten years. That’s tragic, not least because, as has been proven with We Still Kill, the public genuinely want to see these great actors on screen.

Fun – If you don’t think working with legends of the entertainment world is fun, you really shouldn’t be writing screenplays.

Inspiration – When an actor you’ve watched for years and who you have nothing but respect for comes up and not only praises your script but thanks you for the opportunity you’ve given them, it’s both humbling and gratifying. But equally, such praise drives you on to create more of the same which is exactly why I currently have two projects in development that will feature ensemble casts of actors over 60. And d’you know what? I can’t wait to get them moving primarily because above all, they’re going to be fun. And isn’t that why we got into this business in the first place?

The problem of course, is that the production process isn’t down to the writers or the actors, it’s down to those mythical beasts called producers. So what’s really needed are a few of those to step up and take a chance or two.

The talent is there, the ideas are there and as movies such as The Best Exotic Marigold Hotel (1&2) and Philomena have proved, the audience is certainly there. So how about it?

Who knows, the results might even shock you!

@dougiebrimson

romance, life, love, beer, sexAs some of you may be aware, I’ve been beavering away on the sequel to Billy’s Log for some time now and am currently publishing extracts online in ‘Billy’s Blog’.

Please click here to visit and if you enjoy it, feel free to spread the word!

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

Gender, gender neutral, beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football

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Why we love football.

football,comedy,humour, soccer,premier league,championship,As someone who is lucky enough to converse with people from pretty much every point of the spectrum on which human life sits, I frequently find myself responding to questions of some kind or another.

Inevitably, the bulk of these will revolve around subjects linked to writing and be of the ‘how can I?’ variety which is fine as my work or writing will be the thing which brought us together and if someone takes the time to contact me, it’s only right that I afford them the courtesy of a reply.

Occasionally however, I’ll get a curveball question and the range of issues these can cover is, to say the least, broad. Only recently for example, I found myself explaining to someone from the other side of the world why we British drive on the ‘wrong’ side of the road.

To be honest, I like this kind of random stuff. Not only does it tax the brain (or test my proficiency on google) but I find it quite rewarding to think that people actually feel comfortable enough to ask me these things. Especially when in some cases, I’ll have been the first Englishman they’ll have ever emailed.

My favourite question however, is one which lands in my inbox on a regular basis. It is quite simply, why football?

Usually of course, this will be used in the context of violence or hatred of some kind but increasingly, it’s being asked by people who don’t follow the game and want to know why those of us who do are so fanatical about it.

My response to this is that there is no such thing as a standard answer because there is no such thing as a standard football fan. To the uninitiated we might well come across as sheep (or even mugs) but when you look a little deeper, you’ll quickly discover that there are all kinds of reasons to explain why we are all unique in our love of the great game and our respective teams. There are even different degrees of obsession but if you want to know more about that, then you best read this.

Amongst those of us who actually get off our backsides to attend games in the flesh however, there is one common thread and that is that being a fan of the game is not just about the 90 minutes of actual football. And I mean football, not even great football. For it’s fair to say that some of the best days I’ve had as a supporter have been on days when Watford have lost and I’d bet that most fans reading this will be nodding in agreement.

For the simple reality is that watching football is about one thing, hope. Hope that things will get better, or at least not get worse. Hope that you will win promotion, not get relegated, beat your local rivals or even just carry on for one more season. And with that hope comes every kind of emotional experience possible all wrapped up in one simple word, passion.

To be a part of that passion and share those experiences with other like minded souls is why we do it and why we love it because it’s where we feel that we belong.

Don’t ask me why we do it, just try and explain to me why you don’t.

@dougiebrimson

football,soccer,protest,premier league,fans,supportersSpeaking of football and fans, my old book Rebellion is now available as an ebook.

First published in 2006, it tells the background to some of the more infamous fan protests including those at Charlton, Wimbledon, Manchester United, Manchester City, Norwich and Bournemouth amongst many others.

Details of my other books, including the football comedy Wings of a Sparrow, as well as links to buy can be found by clicking here!

 

soccer, football, writing, write, author

From the writer of Green Street….

wordcount, writing, writer, greenstreetThis isn’t something I would normally do, but with three projects currently in development and taking the bulk of my time, I have a number of additional scripts in work so thought I would offer a few out via my blog. All are at the second draft stage so if any are of interest to anyone in the industry, please drop me an email via dougiebrimson@me.com

Boots on the Ground:  Drama (feature or TV): A soldier loses his legs after an ambush in Afghanistan and returns home to the brutal realisation that his real war has only just begun.

Wings of a Sparrow: Comedy (feature or TV): A fanatical football fan inherits a multi-million pound fortune and thinks that all of his dreams have come true. However, his dreams soon turn to nightmares when he learns that the money comes with some very unsavoury strings attached!

First Parallel: Supernatural Drama (returnable TV): A shy, unassuming woman girl discovers that she is the only hope for mankind in a supernatural war being fought against an army of evil led by the malevolent spirit of her dead mother.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screen

How movies happen. Part One.

film, screenwriting, script, CannesFirst off, I must apologise for the title of this blog.

The truth is, as a simple writer I am but a tiny cog in the movie making machine and if I did know how they happened, I would have bottled it, patented it, franchised the shit out of it and be long gone by now.

What I do know however, is how mine happen although to be fair, my experience is hardly standard. After all, my first feature came about as a result of a conversation on a dodgy internet forum and my next one (that will  be #4) is the product of a simple one line pitch thrown in at the end of a meeting about another film. A film which remains as yet, unmade.

This proves to me, and should do to you, that there is no actual ‘way’ for a movie to happen but there are instead, a myriad of ‘ways’. And for the average writer, most of those will be entirely out of your control and more often than not dependent on huge amounts of luck. Sad, but undoubtedly true. 

That said, there are plenty of ways to heighten your chances of escaping the anonymity of the slush pile although in truth, none will ever guarantee success.

For a start, turning in a script which is both properly formatted and free of either spelling or grammatical errors should be a given (and if you don’t do that anyway, then you don’t deserve to have your script read let alone produced) whilst having a decent title certainly helps. Attaching a star is also a great way to gain attention but all of this should be the territory of your agent or manager if you have one. On which note, if you don’t, then get one. They are effectively filters who keep crap away from script readers and so a pile of paper coming from an agent is going to have far more of a chance of being looked at and taken seriously than one that doesn’t.

If you’re not adverse to networking (and I am, I hate it) then get out there and sell yourself as often and as hard as you can. In the film industry, people buy people as much as they buy what they can actually do. If you can’t or won’t do that and aren’t getting anywhere via any other means, then entering and hopefully winning one of the numerous screenwriting competitions will at least get your work in front of the right people.

And that’s what all of the above is designed to do; get your work in the hands of someone who will hopefully read your script. That’s when it’s all turns back around and you really do influence what happens next.

Because aside from your screenplay looking professional, the single most important thing to do with a script is the one thing you have the most control over. It’s the story. Because whilst a great story will sell a crap script, a crap story won’t sell a great script.

So nail your story from day one and if you do the work and get it right, it’ll happen. 

On which note, if all goes to plan, details of my next movie will be announced at the Cannes Film Festival which begins a week today.

For reasons which will become obvious in the fullness of time, details of this project are being kept a closely guarded secret for the time being but rest assured, I will pass them on as soon as I’m allowed.

What I can tell you is that it’s going to be a cracker and is certain to shock a few people. More than a few hopefully.

And that’s all you’re getting for now.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 


Is Twitter the force to clean up football? Hell Yeah!

twitter, facebook, socialmediaAs you may have noticed, I am a huge fan of social media.

I use for everything from promotion and research though to networking and talking bollocks with people I barely know.

Surprisingly, one thing I rarely use social networking for is talking about football.  The main reasons being that I don’t really care too much what is happening at any other club than Watford and certainly have little or no interest in the day to day trivia of players lives or for that matter, their opinions. More importantly, I find if far too easy to get sucked into arguments and being the type of person who loves the last word, can find myself involved in pointless debates for days!

In truth, I actually find the whole idea of social networking quite ridiculous and like many things to do with the internet, I consider its prime function is to waste time and avoid facing up to the realities of life. However, it is an undeniable fact that social media does have real power and central to that is the ability to spread or even occasionally, create news. In that sense, Twitter is pretty much unrivalled.

I mention this here because this morning I have been reading the responses to last nights Match of the Day and in particular, the issue of diving which was a key factor in two of the games shown.

To a man, and woman, the response has been one of anger. Not merely at the guilty parties, but at the fact that the pundits on Match of the Day were so loathe to call it what it actually is, cheating.  More importantly, there was an inference that the fault lie not with the player, but the referee for missing making the wrong decision.

Now let’s face it, we’ve all seen things happen in games which players have got away with simply because the referee missed them. And even though they will have been picked up by the TV cameras and shown later on, we also know that thanks to the stupid rules relating to retrospective action in regard of cheating, it is extremely unlikely that anything will ever be done by way of punishment.

But like most supporters I am sick to death of the diving and the cheating that is ruining the game I love and if the authorities, the clubs or the players union won’t do anything to stop it even though they know it is wrong, then maybe pressure from the fans will finally force them into action.

Just as importantly, if through the use of social networking fans are finally able to interact more directly with players, maybe they won’t be so quick to feign injury if they know that they are going to have to justify their behaviour to the people who pay their wages. After all, embarrassment is the biggest deterrent known to man!

There will of course be those who think this is the very worst of developments but in all honesty, I don’t care. For too long now we fans have been forced to sit back and put up with the demise of fair play and the shame that this disgraceful cheating brings onto the sport and by association, us.

If through social networking we finally have the chance to force football into bringing about a return to sportsmanship, that can only be a good thing for the game.

So let’s do it.

Finally, a lot of people have been asking about my next movie project and whilst Three Greens continues to head toward production, I can tell you that if all goes to plan, details of another movie I’ve been working on will be released at the Cannes Film Festival next month.

And that’s all you’re getting for now!

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 

Dear Doug, I’ve written this amazing script….

brimson, screenwriting, writer, script, authorAs someone who has pulled it off more than once, I’m often asked how to go about selling a script.

Whilst an obvious question, it is actually the wrong question. For the truth is that anyone can sell a script just as anyone can buy one. So what people should be asking is what are the chances of selling a script into the industry. Be it to a producer, a studio or even to an agent.

The answer, for a first time writer is slim, very slim. In fact the odds are stacked firmly against you. Not because  the film industry is some kind of closed shop -although in many respects it is exactly that- but because of simple mathematics.

You may well have written an awesome script, maybe even a potential Oscar winner, but the second you send it out into the world you’re entering a competition for attention and that competition is fierce. Not merely in terms of quality, but because of pure numbers.

The Writers Guild of America register anywhere between 30 and 50 thousand scripts every year. A number that can probably be doubled if you factor in screenplays written by writers who don’t register their work but still punt it out. That’s EVERY year, and the average screenplay floats around for at least 5 years, usually longer. So even using conservative figures, that’s 250,000 spec scripts floating around waiting to be picked up at any one time.

Since the vast majority of movies which actually get made are written by writers with some kind of track record, as a first time writer the chances of anyone even reading your script let alone buying it are reduced even further. Indeed it is estimated that even in a good year, only 50 spec scripts are actually sold into the business.

In real terms, that’s 1 per 5000 or 5000 to one. Or, to put it in more realistic terms, you’re twice as likely to die by falling in the shower as you are of someone buying your script.

Simple as that.

(It’s also important to remember that selling a script, whilst a great achievement in itself, does not guarantee that it will ever get anywhere near actually being filmed. And before anyone asks, it’s also worth noting that many spec scripts are sold for nominal fees, sometimes as low as £1!)

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

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Writers: The single and brutal truth about rejection.

writing,rejection,autor,screenwriterLet’s get this out in the open from the start, rejection sucks. It sucks big.

Unfortunately, if you want to write, be it for publication or screen, you had best get used to it because like it or not, it’s coming your way.

The only comfort you’ll have to draw on is that you’ll be in good company. I’m not just talking about J.K Rowling who was famously rejected by numerous agents and publishers before someone finally noticed the pot of gold under her arm, I’m talking about all of us. For with very few exceptions, every single author, screenwriter and journalist has to deal with the dreaded R word on a regular basis. I know I do. In fact my current hit rate is one script in three actually getting anywhere near being filmed.

To be fair, I am happy to acknowledge that to most writers a 33.3% success rate will actually look half decent but to me, whilst I’m obviously delighted with the one that gets through, I’m just as pissed off about the two that don’t. For each one represents a very personal failure.

You see I’m a lazy screenwriter and by that I mean that generally speaking, I’ll only write a script when I’m being paid. Therefore, if I write one on spec, it means that I think it’s something special and so if it subsequently gets rejected, it’s personal. Very personal. However, what makes it even tougher to handle is that often, the rebuff will come after I’ve already taken a few steps along the development path and the anticipation of a dream actually coming true has begun to take hold.

To give you an example; a few years ago I wrote a script called Boots on the Ground which examines the thorny issue of PTSD amongst British military veterans. For obvious reasons, this is a subject that has special significance to me and so once we were happy with it, we went out and pushed it as hard as we could.

Eventually, it landed on the desk of the head script reader at a studio who took it to his boss claiming it to be the best script he’d read all year. After reading it for himself, the studio head rang me to give me his word that he would put up most of the money to get it made and then introduced me to a very high-profile British director who was all over it like a rash. We even had BAFTA making some very positive noises about putting money in.

Then, as soon as it began and for reasons which I’ve never quite been able to fully fathom, it all went cold. And now, like Wings of a Sparrow and numerous other scripts I’ve written, it sits languishing on my hard drive until we stumble across the right person to put it in front of next.

Gutted? No, I was devastated, and continue to be so. Not just because it’s possibly the best thing I’ve ever written but because it talks about something that this country HAS to talk about.

But as I say, rejection is a part of the writers job so the question is, how do you get used to it?

The answer is that you don’t. And nor should you because if you want to write for a living, rejection HAS to hurt. And for one very specific reason.

A mate of mine, Brad Burton, is a motivational speaker and one of his ‘braddisms’ is that if you have a plan B, don’t get upset when others don’t believe in your plan A. In other words, if you prepare for rejection, it means that somewhere in the back of your head, you’re expecting it. And if you’re expecting it, how can you possibly put everything you have into your script?

The answer is that you can’t. But what you can do is to take the gut wrenching pain of being knocked back and pour it into your next script or book. Keep doing that and eventually that pain will be replaced by the ecstasy of success. And it will. Because if you want to call yourself a proper writer, you have to have absolute and total belief that it will.

Because if you don’t, if you’re not totally committed to yourself and your work, what the hell are you wasting your time for?

Speaking of being committed, my latest thriller, Three Greens, is moving swiftly toward production with casting of the major roles currently underway. In addition, I am delighted to announce that another project has now been given the green light and with finance in place, is also heading toward casting.

For reasons which will soon become obvious, I can’t say much about this new movie at the moment other than I can guarantee that when it’s announced, it’s going to cause quite a stir in certain circles.

@dougiebrimson

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football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

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