Tag Archives: writing

How movies happen. Part One.

film, screenwriting, script, CannesFirst off, I must apologise for the title of this blog.

The truth is, as a simple writer I am but a tiny cog in the movie making machine and if I did know how they happened, I would have bottled it, patented it, franchised the shit out of it and be long gone by now.

What I do know however, is how mine happen although to be fair, my experience is hardly standard. After all, my first feature came about as a result of a conversation on a dodgy internet forum and my next one (that will  be #4) is the product of a simple one line pitch thrown in at the end of a meeting about another film. A film which remains as yet, unmade.

This proves to me, and should do to you, that there is no actual ‘way’ for a movie to happen but there are instead, a myriad of ‘ways’. And for the average writer, most of those will be entirely out of your control and more often than not dependent on huge amounts of luck. Sad, but undoubtedly true. 

That said, there are plenty of ways to heighten your chances of escaping the anonymity of the slush pile although in truth, none will ever guarantee success.

For a start, turning in a script which is both properly formatted and free of either spelling or grammatical errors should be a given (and if you don’t do that anyway, then you don’t deserve to have your script read let alone produced) whilst having a decent title certainly helps. Attaching a star is also a great way to gain attention but all of this should be the territory of your agent or manager if you have one. On which note, if you don’t, then get one. They are effectively filters who keep crap away from script readers and so a pile of paper coming from an agent is going to have far more of a chance of being looked at and taken seriously than one that doesn’t.

If you’re not adverse to networking (and I am, I hate it) then get out there and sell yourself as often and as hard as you can. In the film industry, people buy people as much as they buy what they can actually do. If you can’t or won’t do that and aren’t getting anywhere via any other means, then entering and hopefully winning one of the numerous screenwriting competitions will at least get your work in front of the right people.

And that’s what all of the above is designed to do; get your work in the hands of someone who will hopefully read your script. That’s when it’s all turns back around and you really do influence what happens next.

Because aside from your screenplay looking professional, the single most important thing to do with a script is the one thing you have the most control over. It’s the story. Because whilst a great story will sell a crap script, a crap story won’t sell a great script.

So nail your story from day one and if you do the work and get it right, it’ll happen. 

On which note, if all goes to plan, details of my next movie will be announced at the Cannes Film Festival which begins a week today.

For reasons which will become obvious in the fullness of time, details of this project are being kept a closely guarded secret for the time being but rest assured, I will pass them on as soon as I’m allowed.

What I can tell you is that it’s going to be a cracker and is certain to shock a few people. More than a few hopefully.

And that’s all you’re getting for now.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 


Is Twitter the force to clean up football? Hell Yeah!

twitter, facebook, socialmediaAs you may have noticed, I am a huge fan of social media.

I use for everything from promotion and research though to networking and talking bollocks with people I barely know.

Surprisingly, one thing I rarely use social networking for is talking about football.  The main reasons being that I don’t really care too much what is happening at any other club than Watford and certainly have little or no interest in the day to day trivia of players lives or for that matter, their opinions. More importantly, I find if far too easy to get sucked into arguments and being the type of person who loves the last word, can find myself involved in pointless debates for days!

In truth, I actually find the whole idea of social networking quite ridiculous and like many things to do with the internet, I consider its prime function is to waste time and avoid facing up to the realities of life. However, it is an undeniable fact that social media does have real power and central to that is the ability to spread or even occasionally, create news. In that sense, Twitter is pretty much unrivalled.

I mention this here because this morning I have been reading the responses to last nights Match of the Day and in particular, the issue of diving which was a key factor in two of the games shown.

To a man, and woman, the response has been one of anger. Not merely at the guilty parties, but at the fact that the pundits on Match of the Day were so loathe to call it what it actually is, cheating.  More importantly, there was an inference that the fault lie not with the player, but the referee for missing making the wrong decision.

Now let’s face it, we’ve all seen things happen in games which players have got away with simply because the referee missed them. And even though they will have been picked up by the TV cameras and shown later on, we also know that thanks to the stupid rules relating to retrospective action in regard of cheating, it is extremely unlikely that anything will ever be done by way of punishment.

But like most supporters I am sick to death of the diving and the cheating that is ruining the game I love and if the authorities, the clubs or the players union won’t do anything to stop it even though they know it is wrong, then maybe pressure from the fans will finally force them into action.

Just as importantly, if through the use of social networking fans are finally able to interact more directly with players, maybe they won’t be so quick to feign injury if they know that they are going to have to justify their behaviour to the people who pay their wages. After all, embarrassment is the biggest deterrent known to man!

There will of course be those who think this is the very worst of developments but in all honesty, I don’t care. For too long now we fans have been forced to sit back and put up with the demise of fair play and the shame that this disgraceful cheating brings onto the sport and by association, us.

If through social networking we finally have the chance to force football into bringing about a return to sportsmanship, that can only be a good thing for the game.

So let’s do it.

Finally, a lot of people have been asking about my next movie project and whilst Three Greens continues to head toward production, I can tell you that if all goes to plan, details of another movie I’ve been working on will be released at the Cannes Film Festival next month.

And that’s all you’re getting for now!

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 

Dear Doug, I’ve written this amazing script….

brimson, screenwriting, writer, script, authorAs someone who has pulled it off more than once, I’m often asked how to go about selling a script.

Whilst an obvious question, it is actually the wrong question. For the truth is that anyone can sell a script just as anyone can buy one. So what people should be asking is what are the chances of selling a script into the industry. Be it to a producer, a studio or even to an agent.

The answer, for a first time writer is slim, very slim. In fact the odds are stacked firmly against you. Not because  the film industry is some kind of closed shop -although in many respects it is exactly that- but because of simple mathematics.

You may well have written an awesome script, maybe even a potential Oscar winner, but the second you send it out into the world you’re entering a competition for attention and that competition is fierce. Not merely in terms of quality, but because of pure numbers.

The Writers Guild of America register anywhere between 30 and 50 thousand scripts every year. A number that can probably be doubled if you factor in screenplays written by writers who don’t register their work but still punt it out. That’s EVERY year, and the average screenplay floats around for at least 5 years, usually longer. So even using conservative figures, that’s 250,000 spec scripts floating around waiting to be picked up at any one time.

Since the vast majority of movies which actually get made are written by writers with some kind of track record, as a first time writer the chances of anyone even reading your script let alone buying it are reduced even further. Indeed it is estimated that even in a good year, only 50 spec scripts are actually sold into the business.

In real terms, that’s 1 per 5000 or 5000 to one. Or, to put it in more realistic terms, you’re twice as likely to die by falling in the shower as you are of someone buying your script.

Simple as that.

(It’s also important to remember that selling a script, whilst a great achievement in itself, does not guarantee that it will ever get anywhere near actually being filmed. And before anyone asks, it’s also worth noting that many spec scripts are sold for nominal fees, sometimes as low as £1!)

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing, author, writing, amazon, kindle, independent film, ebooks, screenwriting, writing, writingtips, amwriting, screenwriter, green street, 

 

Writers: The single and brutal truth about rejection.

writing,rejection,autor,screenwriterLet’s get this out in the open from the start, rejection sucks. It sucks big.

Unfortunately, if you want to write, be it for publication or screen, you had best get used to it because like it or not, it’s coming your way.

The only comfort you’ll have to draw on is that you’ll be in good company. I’m not just talking about J.K Rowling who was famously rejected by numerous agents and publishers before someone finally noticed the pot of gold under her arm, I’m talking about all of us. For with very few exceptions, every single author, screenwriter and journalist has to deal with the dreaded R word on a regular basis. I know I do. In fact my current hit rate is one script in three actually getting anywhere near being filmed.

To be fair, I am happy to acknowledge that to most writers a 33.3% success rate will actually look half decent but to me, whilst I’m obviously delighted with the one that gets through, I’m just as pissed off about the two that don’t. For each one represents a very personal failure.

You see I’m a lazy screenwriter and by that I mean that generally speaking, I’ll only write a script when I’m being paid. Therefore, if I write one on spec, it means that I think it’s something special and so if it subsequently gets rejected, it’s personal. Very personal. However, what makes it even tougher to handle is that often, the rebuff will come after I’ve already taken a few steps along the development path and the anticipation of a dream actually coming true has begun to take hold.

To give you an example; a few years ago I wrote a script called Boots on the Ground which examines the thorny issue of PTSD amongst British military veterans. For obvious reasons, this is a subject that has special significance to me and so once we were happy with it, we went out and pushed it as hard as we could.

Eventually, it landed on the desk of the head script reader at a studio who took it to his boss claiming it to be the best script he’d read all year. After reading it for himself, the studio head rang me to give me his word that he would put up most of the money to get it made and then introduced me to a very high-profile British director who was all over it like a rash. We even had BAFTA making some very positive noises about putting money in.

Then, as soon as it began and for reasons which I’ve never quite been able to fully fathom, it all went cold. And now, like Wings of a Sparrow and numerous other scripts I’ve written, it sits languishing on my hard drive until we stumble across the right person to put it in front of next.

Gutted? No, I was devastated, and continue to be so. Not just because it’s possibly the best thing I’ve ever written but because it talks about something that this country HAS to talk about.

But as I say, rejection is a part of the writers job so the question is, how do you get used to it?

The answer is that you don’t. And nor should you because if you want to write for a living, rejection HAS to hurt. And for one very specific reason.

A mate of mine, Brad Burton, is a motivational speaker and one of his ‘braddisms’ is that if you have a plan B, don’t get upset when others don’t believe in your plan A. In other words, if you prepare for rejection, it means that somewhere in the back of your head, you’re expecting it. And if you’re expecting it, how can you possibly put everything you have into your script?

The answer is that you can’t. But what you can do is to take the gut wrenching pain of being knocked back and pour it into your next script or book. Keep doing that and eventually that pain will be replaced by the ecstasy of success. And it will. Because if you want to call yourself a proper writer, you have to have absolute and total belief that it will.

Because if you don’t, if you’re not totally committed to yourself and your work, what the hell are you wasting your time for?

Speaking of being committed, my latest thriller, Three Greens, is moving swiftly toward production with casting of the major roles currently underway. In addition, I am delighted to announce that another project has now been given the green light and with finance in place, is also heading toward casting.

For reasons which will soon become obvious, I can’t say much about this new movie at the moment other than I can guarantee that when it’s announced, it’s going to cause quite a stir in certain circles.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing,author,writing,amazon,kindle,independent film,ebooks,

 

So, you want to be a writer.

When I first started out on what is laughingly called my writing career, I imagined that at some point, I would end up sitting somewhere warm doing pretty much sod all whilst my bank account was being drip fed a steady stream of royalty payments.

This money would then be spent fuelling my passions for motorcycles, stock car racing and Adidas Gazelles with the remainder being wasted on expensive holidays and flash restaurants. Sadly, it has not turned out like that.

Instead, like most writers battling against the combined curses of mid-list anonymity and the explosion of electronic publishing, I find myself working long hours developing new projects whilst waiting for decisions from people who are either barely qualified to make them or are simply too terrified to. These days, saying ‘no’ is both easier and safer than saying ‘yes’ or even ‘maybe’.

Given that I am keen to eat once in a while (well, this belly doesn’t maintain itself!) what this means in real terms is that since time is one of only two tools I have for the generation of income (the other being what could jokingly be called ‘talent’) it has become an extremely valuable commodity. One which once consumed, is irreplaceable.

I mention this not in an effort to elicit any kind of sympathy but for a very specific reason. For I recently read an amazing article by a best-selling American writer called Leslie Banks in which she talked about the demands placed on a writer’s time and in particular, the value placed on that time by other people. And what she says is correct.

Abso-fucking-lutely correct.

You see, like most writers I receive a steady stream of unsolicited mails from people asking for either help or advice and in the main I’ve always welcomed these and been happy to help if I can. After all, we all started somewhere right?

Recently however, increasing numbers of these mails have gone beyond simple questions about the basics of writing or publishing into requests to critique whole manuscripts, help find an agent and/or publisher or even come on board to help develop a project from scratch. This would be fine were there ever the offer of any money to carry out this work but this is rarely, if ever the case. Remember that, because I will return to it in a moment.

I’d also ask you to consider another point raised by the fabulous Ms Banks. For like her I rarely read anything else whilst I’m writing because I have learned from experience that if I do, I tend to adopt that authors style in my own work. But equally, whatever I’m reading sinks into my brain and on one occasion, something actually fell out of my subconscious and made it onto a page I’d written. Thankfully, I caught it whilst editing but supposing I hadn’t noticed it and it had made it into print only to be picked up by some eagle eyed reader who went on to point it out to the offended author. Can you imagine?

Indeed, with more and more people paranoid about the theft of ideas, it’s only a matter of time before a writer is dragged into court and accused of ripping off a plot line.

Now, put all this together and you might start to understand why more and more writers are not simply reluctant to respond to requests for help but are becoming increasingly angry about them. Because when that mail drops in my inbox what it’s actually asking is “Dear Mr Brimson, can I take advantage of your 20 odd years worth of experience and a shed load of your time and at the same time, would you be happy to run the risk of getting sued to shit and back? Oh, and can you do it all for free?”

Not exactly the most attractive proposition and in all honesty, it’s actually quite insulting. After all, would you go to any other experienced professional and ask for their time free of charge? What do you think a lawyer would say to that? Or a plumber? What would you say if I came to you at your place of work? I rest my case.

So the bottom line is this; if you want to be a writer, then write. And if you want to be a published author or a credited screenwriter, then as you write, learn. Learn about the delights of plotting, the fineries of character arcs, the stress of editing, the nightmare of pitching, the complexities of contracts, the (occasional) thrill of PR, the gut-wrenching pain of rejection and the never-ending irritation of waiting.

But if you want to circumnavigate any of that then be prepared to put your hand in your pocket. It might cost you in the short-term but it will almost certainly save you an awful lot of time.

And as Leslie Banks says only too well, time is money. My money.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, publishing, british film, football, soccer, sport, politics, work, green street, gang, hooligan,

 

 

5 ways for authors to handle bad reviews.

author,writing,review,amazon,ebook,self publishingFor any writer, be it of book, script, article or blog, reviews are not just important, they are vital.

This is especially true of those just setting out along the rocky path of penmanship and who have followed the self-published author route.

However, as much as we’d like every review to be a glowing endorsement of our creativity, the reality is that not everyone is going to like what we produce. Sadly, those readers are increasingly happy to hit the internet and slaughter both a book and its author if they feel disappointed or worse, cheated.

That is their right of course, they are customers after all, but make no mistake, when this happens to you (and it will happen) it hurts. Bad. After all, if you’ve put your heart and soul into a book, having the former ripped from your chest and publicly stamped on is not exactly a barrel of laughs.

review,author,selfpublishing,amazon,writing,ebook
Just one of many I’ve had over the years.

Yet the sad fact is that no matter how good a writer you are, bad reviews are an inevitability and dealing with them goes with the territory. 

So how do you do it?
  1. Accept them for what they are: an individual opinion. Yes, they’re tough to accept and trust me when I tell you that a bad review can eat away at you forever. However, if you’re happy to wallow in the affirmation of a 5* review, you’re got to learn to take the 1* criticism. 
  2. Never respond. Whilst it’s always tempting to rip into a bad reviewer like a rabid dog, leaving aside the fact that it’s bad manners, it’s also inviting trouble. Trolls love a good author spat and if they get hold of you they can do more damage to both your book and your career than you can ever imagine so don’t give them that opening.
  3. Develop a thick skin, and fast. The more books you produce, the more negative reviews you’re going to get. Conversely, you’re also going to get more positive reviews so keep re-reading those to balance things out.
  4. Be honest. Reviews aren’t just feedback, they’re market research so if you’re getting more bad than good, it might well be that there is actually some truth in what’s being said. So whereas good reviews will always tell you what works, bad ones will often tell you the rest. Use both as learning tools and use that information to help you make your next book better.
  5. Enjoy them. Even a bad review means that someone has read your book, YOUR book! Be proud of that and remember, not only does each and every review push your book up the amazon rankings, it also means income. Why do you think authors are so desperate for them? Even bad ones.

Away from books, my next movie, the thriller Three Greens, is moving swiftly toward production with casting of the major roles currently underway. In addition, I am thrilled to announce that another script has been given the green light and with finance in place, is also heading toward casting.

I can’t say much about this new project, but I can guarantee that it’s going to cause quite a stir!

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing,author,writing,amazon,kindle,independent film,ebooks,

Why we write: The screenwriter.

ebooks,selfpublishing,screenwriter,screenwriting,author,indiefilm,green street,actor,script,sex, When people ask you what you do for a living and you say ‘I’m a screenwriter’ one of two things will happen.

Either they will look at you as if you’re some kind of head case or they will say something along the lines of ‘that must be awesome’.

Both of these things are true of course, at least occasionally, but the reality sits somewhere in the middle. Or to be more precise, closer to the former. For the norm for most of us who follow this path is a life spent in solitude, wallowing in self-doubt or waiting for either inspiration, feedback or decisions.

This obviously begs the question as to why we do it and the answer to that is simple. At least it is for me. In fact it can be encapsulated into one single word. It’s a word that comes rarely but it’s arrival is greeted with every kind of emotion from relief to pure joy. But equally, it provides justification for the hours, days and weeks spent toiling away on something you have the utmost faith and belief in.

That word is ‘yes’.

I’ve heard that word twice in recent months. Once for a movie called Three Greens which is currently in pre-production with a truly massive budget and the second time was for a project that we should be able to announce fairly soon but which I already know is going to be a cracking movie to work on.

As a consequence, features number four and five are on their way which makes me a happy writer at the moment. And it’s not often you’ll hear me say that.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com


Writers, why your ideas are currency.

football, self publishing, soccer, money, inheritanceTalk to any writer for long enough and they will inevitably tell you that their heads are pretty messed up.

Not in the sense that they/we have some kind of mental issue (well, not all of us), but in the sense that our brains are constantly filtering random thoughts and ideas. Be they for books, characters or even simple scenes.

This is especially true of those writers who tackle contemporary issues because if we have any intention of injecting reality into our work it is vital to actually get out there and experience a bit of it. In my case, as someone who tends to feature football in most of my work, watching games really is research (which is why my local and most fabulous Watford FC supporting tax officer always tells me to deduct it against my tax!). It’s a tough job, but someone has to do it.

Sometimes of course, an idea will fly in and fly out, other times it’ll hang about for a bit and then be forgotten whilst a few will eventually find their way into a project. But there are others which, by virtue of the fact that they are just too good to ignore, simply wedge themselves into my consciousness like some kind of mental post-it note. And if an idea can survive my Alzheimer like memory, it generally means it is worth taking notice of.

I have a few of those hanging around and hopefully, most will see the light of day at some point in the near future. Indeed one in particular already has me buzzing even though I have two books to write before I can even think about tackling it. And much as I’d like to tell you what it is, I can’t. Or rather I won’t.

Because you see in my warped world, ideas are currency. They are after all, the very basis of my creative output and so I need to not only nurture, but protect them!

I mention this now because my new book, a comedy entitled Wings of a Sparrow, is the result of such a process because it stems from an idea I first had over six years ago. I actually pitched it to my publishers at the time and even though they turned it down, I knew it was a great idea which is why I kept tinkering with it. Now, thanks to the joys of self-publishing, it will very shortly see the light of day. Hopefully as soon as the first week in December.

Full details of what will be my fifteenth book (how did that happen??) can be found on its dedicated website but I have to say that I am genuinely excited about this one, more so in fact than I have been about a project for a long time. It just feels…. well, right, although ultimately of course, that will be for you lot to decide!

And now, having finished Wings, I am already onto the next one which is, as promised, the sequel to Top Dog, the third book in the Billy Evans trilogy.

The plot-line I’ve developed is quite possibly the best I’ve ever come up with and as I’ve been fleshing this out, I’ve been buzzing with ideas including some which will involve characters from the previous books. Indeed, I am almost certain that I’ll be writing this in a way which means it will be quite difficult to read it without having read the previous two. To me, and to others I’ve discussed it with, given the nature of the central character and the world he inhabits, that makes perfect sense but if you have any thoughts, please let me know.

Two things I am certain of are the title and the fact that it will be released as an eBook initially, all being well around late spring.

But in the meantime, I have the release of Wings of a Sparrow to deal with and that should hit the online stores in the first week of December. Test-reads have been universally positive and hopefully, given the subject matter (and the fact that there is no mention of hooliganism!) it should attract some decent press.

As ever… watch this space!!!

violence, racism, racist, anal sex, oral sex, bum,
The Crew. Still #1 after 15 whole months!

I know I seem to say this every month but thanks to everyone who continues to keep The Crew at number one on the free soccer book download charts of both Amazon and iTunes.

That’s into 15 straight months now which is some kind of achievement and something I am incredibly proud of. Top Dog also continues to sell really well (it’s currently at #2) so here’s hoping the new book does just as well.

Happy days indeed!

Offended on Twitter? Maybe the problem is you.

twitter, writing, social media, indiefilm, screenwritingTwitter, as anyone who uses it will know, is a funny old place.

From genuinely household names to people who are little more than legends in their own minds, it plays host to every kind of character from every corner of this planet we call earth.  And I love it.

It’s fair to say that I’ve met some brilliant people via the little blue bird and I’ve certainly sold lots of books. I’ve also obtained a reasonable amount of work and even achieved the odd thing of which I feel quite proud. But more than that, it’s a huge source of entertainment. 

From football to films or military to moron, there isn’t a subject or issue imaginable which isn’t being talked about at the exact moment you log in and want to talk about it. And in an age which is being increasingly dominated by Brexit and Trump, it has become the perfect place to poke and prod the opposition both for sport and for personal gratification. I mean,  what’s not to like about that?

There is of course, a flip side. There are some seriously deluded people out there and if you let it, Twitter can eat up time like nothing else on earth. Not so good when you’re a writer on a deadline, not so bad when you’re bored and there’s nothing on TV.

It’s also troll heaven but as long as you know how to deal with them and understand that most are too stupid to realise when they’re being mocked, they can actually be great fun. They certainly make me laugh.

But at the end of the day, Twitter is whatever you want it to be. Toy or tool, whatever works for you.

Just take it seriously at your peril.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fartMy numerous books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog are available from both Amazon and iTunes.  

Please click on the relevant link for more information.

How to keep your inner writer motivated.

writer,writing,motivation,author,screenwriterAs a professional writer, I’m often asked what I find most difficult about my job.

Aside from the obvious answer of ‘getting paid’ my usual response isn’t finding an idea, nor is it getting motivated, it’s remaining motivated. Indeed, when a project will inevitably take many months to put together, it takes a special kind of commitment (or madness) to keep the enthusiasm and motivation going long enough to be able to sit down every day and drive it along to completion.

However, it is important to remember that motivation isn’t within us, it’s something we have to provide for ourselves. And having been at it for over twenty year now, I have learned that key to doing that are two things: routine and reward.

WRITING ROUTINE
There is no way to write, only ways. Therefore it is vital that you find what works for you and stick with it.

For some, that will mean an office, a quiet corner or even the sofa whilst for others, it will mean Starbucks or even the local beach. Some like to write in silence, others like noise, some in the morning, some late at night. Whatever it is, once you have established a routine, stepping into it will help your creative mindset and you’ll be away.

WRITING REWARD
 A simple love of writing or a desire to tell a specific story may well be all the reward you need but for others, like me, there have to be two specific and personal incentives. The first when you hit your daily word count can be something as simple as a glass of wine or a Mars bar and the second, when you hand over the finished work, can be something major such as a holiday or even a new motorbike.

Whatever they are, keep them fixed firmly in your mind (maybe even write them as your screensaver) and make sure that when you’ve earned them, you take them and you savour them.

Fairly soon, these, like your routine, will become part and parcel of your writing life and with any luck, the process of writing won’t ever be a chore, it’ll become relatively easy. Which is pretty much what’s happened to me although to be fair, I have been doing it a long time.

So I know what works for me, the question is, what works for you?

@dougiebrimson

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