Tag Archives: UK Film

The saga of ‘Carry On Sothcott’.

sothcott,Carry On,indiefilm,HMRC,tax,top dog,wsktowAs some of you may be aware, Top Dog and We Still Kill The Old Way producer Jonathan Sothcott has been spread across various media outlets lately amid allegations of financial impropriety.

The response from the man who most recently announced that he was going to reboot the Carry On franchise, was, somewhat predictably, to claim that it was all the work of one crazed stalker and that no one was investigating him. Least of all the police or HMRC. Furthermore, there were/are legitimate explanations for each of the nine or so companies he’s had shut down over the last few years.

Thankfully, more by luck than judgement, The Hollywood Reporter picked up on this story, smelt a rat or two and began to dig in search of the truth. The result of their hard work can be found here and it makes for interesting reading. Not least because one of the names mentioned is mine.

I won’t go into all of the reasons why I first got involved as the investigations are still ongoing but what I will say is that it wasn’t for financial gain as I am not actually owed any money. However, I do take offence at being associated with something that ripped people off and in my opinion, that’s exactly what was happening here so I stepped in and tried to do something about it.

As for the Hollywood Reporter article, I’ll leave you to form your own opinions on the content but suffice to say that whilst it answers a lot of questions, it leaves many more unanswered. The primary one for me being why, when much of this was an open secret within the industry, did so many people continue to ignore what he was up to and carry on working with him?

That of course, is a question only they and there conscience can answer. However, whilst the majority are of little interest to me personally, there are a few involved in this sordid episode who should be called to account, if not named and shamed.

They know who they are (and if you’re curious, a quick trawl of his IMDB page will reveal which names frequently pop up) and they are the people who were more than happy to profit from his exploits in the belief that he, and they, would never get caught. They were wrong.

Jonathan Sothcott may well be the first name to hit the headlines, but it won’t be the last.

@dougiebrimson

Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes

Why writers should embrace the blank page.

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Ever since I have been writing, two things have been regularly thrown in my direction.

The first is that at some point all writers get writers block, the second is that a blank page is a scary thing.

I’ve written about writers block numerous times before so I won’t go over that again (however, to paraphrase it for any newbies, in essence I believe it’s a myth designed to excuse one of any number of basic failings) but the issue of the blank page is something I’ve rarely discussed. As I sit here facing a new one today, now seems as good a time as any.

Now, however unlikely it might be, all writers have to believe that somewhere deep inside us is the ability to pen a booker prize winning novel, a ‘Harry Potter’ style literary phenomenon or an Oscar winning screenplay.

The blank page signifies what is possibly the beginning of the journey toward the creation of that very book or script and like the start of any journey, there are two ways of looking at it. You can either be pessimistic or optimistic. Which one you choose, or rather which one chooses you, is wholly dependent on the type of person you are.

The pessimist of course, will suspect that it is highly likely that within a first few pages, they will realise that this new project won’t be the big break they are dreaming of and instead, even as they sit there hammering away, they are going to be accompanied by that awful sense of hope evaporating.

And as hope rolls away, it will be replaced by the standard writers fears of exposure, of failure, of making yourself look stupid and possibly worst of all, of being boring. Who on earth would want to risk any of that let alone willingly put themselves through it?

Yes, all of that and more lurks on that single A4 page or a blank screen filled with nothing but white. Having written 15 books and numerous screenplays, I can state that with authority.

Thankfully, these days I tend to be a bit more confident and far from fearing the blank page, I love it! And for one very specific reason: it signifies power. Power to create anything I want to create be it non-fiction, fiction, thriller, comedy, male, female, sex, crime, football… anything.

A blank page gives me freedom to develop characters from my own imagination and make them do whatever I want them to do be it good, bad or even evil. I can make them love, hate or even kill them off, horribly if I want. And all of that comes from nothing other than my imagination. That’s what I call power! Real power!

That, in essence, is exactly what I’m facing at the moment. For today I start work on a new novel based on a recently completed screenplay.

It’s very different from my previous novels in that it’s about the military but in many ways, that makes it even more exciting as I can call on my own experiences in uniform. However, if the novel proves half as enjoyable to write as the movie version was, it’s going to be brilliant fun and since I write primarily for me, that’s all that matters.

Blank page… don’t be frightened of it, love it. It’s everything any writer could ever want.

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Despite being over 14 years old, The Crew and Top Dog continue to sell well with an audio version of Top Dog now available to download via here!

Wings of a Sparrow also continues to do well in both paperback and eBook formats and I’m hoping that like the movie version of Top Dog, this will also make the leap to the screen at some point very soon.

All being well, I’ll also be able to pass on news of another movie project in the very near future.

 

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