Tag Archives: screenwriting

Why we love football.

football,comedy,humour, soccer,premier league,championship,As someone who is lucky enough to converse with people from pretty much every point of the spectrum on which human life sits, I frequently find myself responding to questions of some kind or another.

Inevitably, the bulk of these will revolve around subjects linked to writing and be of the ‘how can I?’ variety which is fine as my work or writing will be the thing which brought us together and if someone takes the time to contact me, it’s only right that I afford them the courtesy of a reply.

Occasionally however, I’ll get a curveball question and the range of issues these can cover is, to say the least, broad. Only recently for example, I found myself explaining to someone from the other side of the world why we British drive on the ‘wrong’ side of the road.

To be honest, I like this kind of random stuff. Not only does it tax the brain (or test my proficiency on google) but I find it quite rewarding to think that people actually feel comfortable enough to ask me these things. Especially when in some cases, I’ll have been the first Englishman they’ll have ever emailed.

My favourite question however, is one which lands in my inbox on a regular basis. It is quite simply, why football?

Usually of course, this will be used in the context of violence or hatred of some kind but increasingly, it’s being asked by people who don’t follow the game and want to know why those of us who do are so fanatical about it.

My response to this is that there is no such thing as a standard answer because there is no such thing as a standard football fan. To the uninitiated we might well come across as sheep (or even mugs) but when you look a little deeper, you’ll quickly discover that there are all kinds of reasons to explain why we are all unique in our love of the great game and our respective teams. There are even different degrees of obsession but if you want to know more about that, then you best read this.

Amongst those of us who actually get off our backsides to attend games in the flesh however, there is one common thread and that is that being a fan of the game is not just about the 90 minutes of actual football. And I mean football, not even great football. For it’s fair to say that some of the best days I’ve had as a supporter have been on days when Watford have lost and I’d bet that most fans reading this will be nodding in agreement.

For the simple reality is that watching football is about one thing, hope. Hope that things will get better, or at least not get worse. Hope that you will win promotion, not get relegated, beat your local rivals or even just carry on for one more season. And with that hope comes every kind of emotional experience possible all wrapped up in one simple word, passion.

To be a part of that passion and share those experiences with other like minded souls is why we do it and why we love it because it’s where we feel that we belong.

Don’t ask me why we do it, just try and explain to me why you don’t.

@dougiebrimson

football,soccer,protest,premier league,fans,supportersSpeaking of football and fans, my old book Rebellion is now available as an ebook.

First published in 2006, it tells the background to some of the more infamous fan protests including those at Charlton, Wimbledon, Manchester United, Manchester City, Norwich and Bournemouth amongst many others.

Details of my other books, including the football comedy Wings of a Sparrow, as well as links to buy can be found by clicking here!

 

soccer, football, writing, write, author

How movies happen. Part One.

film, screenwriting, script, CannesFirst off, I must apologise for the title of this blog.

The truth is, as a simple writer I am but a tiny cog in the movie making machine and if I did know how they happened, I would have bottled it, patented it, franchised the shit out of it and be long gone by now.

What I do know however, is how mine happen although to be fair, my experience is hardly standard. After all, my first feature came about as a result of a conversation on a dodgy internet forum and my next one (that will  be #4) is the product of a simple one line pitch thrown in at the end of a meeting about another film. A film which remains as yet, unmade.

This proves to me, and should do to you, that there is no actual ‘way’ for a movie to happen but there are instead, a myriad of ‘ways’. And for the average writer, most of those will be entirely out of your control and more often than not dependent on huge amounts of luck. Sad, but undoubtedly true. 

That said, there are plenty of ways to heighten your chances of escaping the anonymity of the slush pile although in truth, none will ever guarantee success.

For a start, turning in a script which is both properly formatted and free of either spelling or grammatical errors should be a given (and if you don’t do that anyway, then you don’t deserve to have your script read let alone produced) whilst having a decent title certainly helps. Attaching a star is also a great way to gain attention but all of this should be the territory of your agent or manager if you have one. On which note, if you don’t, then get one. They are effectively filters who keep crap away from script readers and so a pile of paper coming from an agent is going to have far more of a chance of being looked at and taken seriously than one that doesn’t.

If you’re not adverse to networking (and I am, I hate it) then get out there and sell yourself as often and as hard as you can. In the film industry, people buy people as much as they buy what they can actually do. If you can’t or won’t do that and aren’t getting anywhere via any other means, then entering and hopefully winning one of the numerous screenwriting competitions will at least get your work in front of the right people.

And that’s what all of the above is designed to do; get your work in the hands of someone who will hopefully read your script. That’s when it’s all turns back around and you really do influence what happens next.

Because aside from your screenplay looking professional, the single most important thing to do with a script is the one thing you have the most control over. It’s the story. Because whilst a great story will sell a crap script, a crap story won’t sell a great script.

So nail your story from day one and if you do the work and get it right, it’ll happen. 

On which note, if all goes to plan, details of my next movie will be announced at the Cannes Film Festival which begins a week today.

For reasons which will become obvious in the fullness of time, details of this project are being kept a closely guarded secret for the time being but rest assured, I will pass them on as soon as I’m allowed.

What I can tell you is that it’s going to be a cracker and is certain to shock a few people. More than a few hopefully.

And that’s all you’re getting for now.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 


Trolled on Twitter? Then it’s your own fault.

twitter, troll, trolling, writer, green street, top dog, You can’t possibly have failed to notice that the subject of abuse on social media is once again back in the news.

Leading the charge has been the wonderful Mayor of London who for reasons best known to himself (although I can guess) has established a dedicated ‘task force’ to tackle the issue of hate crime head on.

This is wrong, very wrong.

Now as anyone who follows me on Twitter will know, I am a huge fan. To me it’s a great source of both news and amusement as well as being a fantastic way to promote my books and well, what I do. Most importantly for me at least, it’s a great way to interact with readers and it’s fair to say that I’ve made some great mates though twitter with I hope, many more to come.

However, I’ve also encountered some proper dicks over the years and received more than my share of abuse from all kinds of trolls. In recent months for example, besides the usual ‘shit writer’ fair I’ve been accused of condoning child abuse, being a child abuser, being sexist, homophobic and racist. None of which is particularly nice I’m sure you’ll agree but, and this is the crux of this whole matter, I know how to deal with it. And by that I mean me. Not twitter, not my ISP and not the police, me.

And at the heart of that is one simple statement, ‘it’s not personal, it’s Twitter’.

The day you start screaming blue murder about something mean said about you by some anonymous idiot on a social networking site is the day your life begins to spiral out of control. No, it’s not nice to be accused of being a Nazi and I’m fairly certain that it’s not nice to read that someone wants to rape you but by reacting, you do exactly what the person who wrote it wants you to do. You give them power by taking them seriously.  And power is all they’re after.

This is where people are getting it wrong when they claim Twitter should be clamping down on trolls because Twitter doesn’t have to. You do, as the individual.

Would you walk down a dark alley in  a dodgy area in the middle of the night? No. Would you leave you front door wide open if you went on holiday? No. You take appropriate action to protect yourself.

So why don’t you apply that same thinking when it comes to social media?

Ignore, delete, block. Those three words should be beaten into the brains of everyone who uses either Twitter or Facebook because those three actions place you totally in control of what appears on your feeds.

And if it’s not on your feed, why do you care? Seriously, why?

Social media isn’t like real life. If someone is bad mouthing you to colleagues at work, there are processes in place to deal with it. If you’re having trouble with neighbours, then you tackle it face to face or if it’s beyond that, involve the authorities.

But social media is simple words. And unlike sticks and stones, they don’t break bones.

Yes, of course there are exceptions just as there are to every rule and yes, there will be instances where the police should and must get involved. But in the main, it’s a personal choice to react, ignore, delete or simply hit the block button which Twitter already provides for you to use in just such cases.

If you don’t understand that and don’t accept that in many ways, Twitter is the greatest manifestation of free speech we have, then rather than scream blue murder about the need for censorship (yes, censorship) why not take total control yourself and employ the ultimate sanction, delete your account.

Because you do actually have that option at your disposal and speaking as a Twitter fan, if you do indeed think that social media is there to serve you and not the other way round, then I’d urge you to do just that.

I for one won’t miss you one bit.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 

Writers: The single and brutal truth about rejection.

writing,rejection,autor,screenwriterLet’s get this out in the open from the start, rejection sucks. It sucks big.

Unfortunately, if you want to write, be it for publication or screen, you had best get used to it because like it or not, it’s coming your way.

The only comfort you’ll have to draw on is that you’ll be in good company. I’m not just talking about J.K Rowling who was famously rejected by numerous agents and publishers before someone finally noticed the pot of gold under her arm, I’m talking about all of us. For with very few exceptions, every single author, screenwriter and journalist has to deal with the dreaded R word on a regular basis. I know I do. In fact my current hit rate is one script in three actually getting anywhere near being filmed.

To be fair, I am happy to acknowledge that to most writers a 33.3% success rate will actually look half decent but to me, whilst I’m obviously delighted with the one that gets through, I’m just as pissed off about the two that don’t. For each one represents a very personal failure.

You see I’m a lazy screenwriter and by that I mean that generally speaking, I’ll only write a script when I’m being paid. Therefore, if I write one on spec, it means that I think it’s something special and so if it subsequently gets rejected, it’s personal. Very personal. However, what makes it even tougher to handle is that often, the rebuff will come after I’ve already taken a few steps along the development path and the anticipation of a dream actually coming true has begun to take hold.

To give you an example; a few years ago I wrote a script called Boots on the Ground which examines the thorny issue of PTSD amongst British military veterans. For obvious reasons, this is a subject that has special significance to me and so once we were happy with it, we went out and pushed it as hard as we could.

Eventually, it landed on the desk of the head script reader at a studio who took it to his boss claiming it to be the best script he’d read all year. After reading it for himself, the studio head rang me to give me his word that he would put up most of the money to get it made and then introduced me to a very high-profile British director who was all over it like a rash. We even had BAFTA making some very positive noises about putting money in.

Then, as soon as it began and for reasons which I’ve never quite been able to fully fathom, it all went cold. And now, like Wings of a Sparrow and numerous other scripts I’ve written, it sits languishing on my hard drive until we stumble across the right person to put it in front of next.

Gutted? No, I was devastated, and continue to be so. Not just because it’s possibly the best thing I’ve ever written but because it talks about something that this country HAS to talk about.

But as I say, rejection is a part of the writers job so the question is, how do you get used to it?

The answer is that you don’t. And nor should you because if you want to write for a living, rejection HAS to hurt. And for one very specific reason.

A mate of mine, Brad Burton, is a motivational speaker and one of his ‘braddisms’ is that if you have a plan B, don’t get upset when others don’t believe in your plan A. In other words, if you prepare for rejection, it means that somewhere in the back of your head, you’re expecting it. And if you’re expecting it, how can you possibly put everything you have into your script?

The answer is that you can’t. But what you can do is to take the gut wrenching pain of being knocked back and pour it into your next script or book. Keep doing that and eventually that pain will be replaced by the ecstasy of success. And it will. Because if you want to call yourself a proper writer, you have to have absolute and total belief that it will.

Because if you don’t, if you’re not totally committed to yourself and your work, what the hell are you wasting your time for?

Speaking of being committed, my latest thriller, Three Greens, is moving swiftly toward production with casting of the major roles currently underway. In addition, I am delighted to announce that another project has now been given the green light and with finance in place, is also heading toward casting.

For reasons which will soon become obvious, I can’t say much about this new movie at the moment other than I can guarantee that when it’s announced, it’s going to cause quite a stir in certain circles.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing,author,writing,amazon,kindle,independent film,ebooks,

 

So, you want to be a writer.

When I first started out on what is laughingly called my writing career, I imagined that at some point, I would end up sitting somewhere warm doing pretty much sod all whilst my bank account was being drip fed a steady stream of royalty payments.

This money would then be spent fuelling my passions for motorcycles, stock car racing and Adidas Gazelles with the remainder being wasted on expensive holidays and flash restaurants. Sadly, it has not turned out like that.

Instead, like most writers battling against the combined curses of mid-list anonymity and the explosion of electronic publishing, I find myself working long hours developing new projects whilst waiting for decisions from people who are either barely qualified to make them or are simply too terrified to. These days, saying ‘no’ is both easier and safer than saying ‘yes’ or even ‘maybe’.

Given that I am keen to eat once in a while (well, this belly doesn’t maintain itself!) what this means in real terms is that since time is one of only two tools I have for the generation of income (the other being what could jokingly be called ‘talent’) it has become an extremely valuable commodity. One which once consumed, is irreplaceable.

I mention this not in an effort to elicit any kind of sympathy but for a very specific reason. For I recently read an amazing article by a best-selling American writer called Leslie Banks in which she talked about the demands placed on a writer’s time and in particular, the value placed on that time by other people. And what she says is correct.

Abso-fucking-lutely correct.

You see, like most writers I receive a steady stream of unsolicited mails from people asking for either help or advice and in the main I’ve always welcomed these and been happy to help if I can. After all, we all started somewhere right?

Recently however, increasing numbers of these mails have gone beyond simple questions about the basics of writing or publishing into requests to critique whole manuscripts, help find an agent and/or publisher or even come on board to help develop a project from scratch. This would be fine were there ever the offer of any money to carry out this work but this is rarely, if ever the case. Remember that, because I will return to it in a moment.

I’d also ask you to consider another point raised by the fabulous Ms Banks. For like her I rarely read anything else whilst I’m writing because I have learned from experience that if I do, I tend to adopt that authors style in my own work. But equally, whatever I’m reading sinks into my brain and on one occasion, something actually fell out of my subconscious and made it onto a page I’d written. Thankfully, I caught it whilst editing but supposing I hadn’t noticed it and it had made it into print only to be picked up by some eagle eyed reader who went on to point it out to the offended author. Can you imagine?

Indeed, with more and more people paranoid about the theft of ideas, it’s only a matter of time before a writer is dragged into court and accused of ripping off a plot line.

Now, put all this together and you might start to understand why more and more writers are not simply reluctant to respond to requests for help but are becoming increasingly angry about them. Because when that mail drops in my inbox what it’s actually asking is “Dear Mr Brimson, can I take advantage of your 20 odd years worth of experience and a shed load of your time and at the same time, would you be happy to run the risk of getting sued to shit and back? Oh, and can you do it all for free?”

Not exactly the most attractive proposition and in all honesty, it’s actually quite insulting. After all, would you go to any other experienced professional and ask for their time free of charge? What do you think a lawyer would say to that? Or a plumber? What would you say if I came to you at your place of work? I rest my case.

So the bottom line is this; if you want to be a writer, then write. And if you want to be a published author or a credited screenwriter, then as you write, learn. Learn about the delights of plotting, the fineries of character arcs, the stress of editing, the nightmare of pitching, the complexities of contracts, the (occasional) thrill of PR, the gut-wrenching pain of rejection and the never-ending irritation of waiting.

But if you want to circumnavigate any of that then be prepared to put your hand in your pocket. It might cost you in the short-term but it will almost certainly save you an awful lot of time.

And as Leslie Banks says only too well, time is money. My money.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, publishing, british film, football, soccer, sport, politics, work, green street, gang, hooligan,

 

 

Why we write: The screenwriter.

ebooks,selfpublishing,screenwriter,screenwriting,author,indiefilm,green street,actor,script,sex, When people ask you what you do for a living and you say ‘I’m a screenwriter’ one of two things will happen.

Either they will look at you as if you’re some kind of head case or they will say something along the lines of ‘that must be awesome’.

Both of these things are true of course, at least occasionally, but the reality sits somewhere in the middle. Or to be more precise, closer to the former. For the norm for most of us who follow this path is a life spent in solitude, wallowing in self-doubt or waiting for either inspiration, feedback or decisions.

This obviously begs the question as to why we do it and the answer to that is simple. At least it is for me. In fact it can be encapsulated into one single word. It’s a word that comes rarely but it’s arrival is greeted with every kind of emotion from relief to pure joy. But equally, it provides justification for the hours, days and weeks spent toiling away on something you have the utmost faith and belief in.

That word is ‘yes’.

I’ve heard that word twice in recent months. Once for a movie called Three Greens which is currently in pre-production with a truly massive budget and the second time was for a project that we should be able to announce fairly soon but which I already know is going to be a cracking movie to work on.

As a consequence, features number four and five are on their way which makes me a happy writer at the moment. And it’s not often you’ll hear me say that.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com


How to keep your inner writer motivated.

writer,writing,motivation,author,screenwriterAs a professional writer, I’m often asked what I find most difficult about my job.

Aside from the obvious answer of ‘getting paid’ my usual response isn’t finding an idea, nor is it getting motivated, it’s remaining motivated. Indeed, when a project will inevitably take many months to put together, it takes a special kind of commitment (or madness) to keep the enthusiasm and motivation going long enough to be able to sit down every day and drive it along to completion.

However, it is important to remember that motivation isn’t within us, it’s something we have to provide for ourselves. And having been at it for over twenty year now, I have learned that key to doing that are two things: routine and reward.

WRITING ROUTINE
There is no way to write, only ways. Therefore it is vital that you find what works for you and stick with it.

For some, that will mean an office, a quiet corner or even the sofa whilst for others, it will mean Starbucks or even the local beach. Some like to write in silence, others like noise, some in the morning, some late at night. Whatever it is, once you have established a routine, stepping into it will help your creative mindset and you’ll be away.

WRITING REWARD
 A simple love of writing or a desire to tell a specific story may well be all the reward you need but for others, like me, there have to be two specific and personal incentives. The first when you hit your daily word count can be something as simple as a glass of wine or a Mars bar and the second, when you hand over the finished work, can be something major such as a holiday or even a new motorbike.

Whatever they are, keep them fixed firmly in your mind (maybe even write them as your screensaver) and make sure that when you’ve earned them, you take them and you savour them.

Fairly soon, these, like your routine, will become part and parcel of your writing life and with any luck, the process of writing won’t ever be a chore, it’ll become relatively easy. Which is pretty much what’s happened to me although to be fair, I have been doing it a long time.

So I know what works for me, the question is, what works for you?

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all of my books and DVD’s are available from bothAmazon and iTunes

 

hooligan,hooliganism,writing,writer,author,screenwriting,greenstreet,sex,

Why we write movies. (The Curse of Bovver).

bovver,greenstreet,hooligans,indiefilmAs anyone who knows me will know, I rarely describe myself as either a screenwriter or an author. Not out of any kind of false modesty, but because I’ve never felt that I’ve earned that right.

Yes, I know I’ve written a few books and a number of movies but I’ve always considered the ’S’ and ‘A’ words to be far too grandiose for the likes of someone like me who basically got lucky. And let’s face it, given the lack of acknowledgment or recognition from either industry over the years, I have a feeling I’m not alone in that thinking although that’s another debate.

However, the other day I had an experience which has actually made me rethink things and consider the fact that I haven’t actually done that bad. It happened, ironically, in a pub where I was having a late afternoon drink with the actor Leo Gregory who starred in both Green Street and Top Dog.

As we were chatting, the door burst open and in came a group of Man City fans on their way to their FA Cup tie at West Ham. Within seconds, they’d recognised Leo and as the cries of ‘fuck me, it’s Bovver’ went up they came across and surrounded us. As gracious as ever, Leo took the time to shake hands and pose for selfies and fairly soon, the pub settled back into normality.

Now this is a fairly routine occurrence when you’re with Leo and god only knows what it must be like to have the shadow of Bovver follow you around all the time as it surely must. But as I reflected on it later, it struck me that whilst that’s my fault for creating that role, I have every right to feel pretty pleased with myself.

After all, Green Street was released in 2005 and whilst huge credit must go to Leo for what he did with him, to have created a character that people still recognise in the street 12 years later is an achievement to be proud of.

And d’you know what, I bloody am.

.

Talking of movies, thanks for all the messages about my next project, Three Greens. As is the way with these things, there’s not much I can say at the moment but I’ll release more details as soon as I can.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, ebooks, kindle, green street, writing

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I wish to announce my retirement.

author, screenwriting, writing, veteran, publishing, football A couple of weeks ago, whist sitting at my computer as I do most days, I had one of those gut-wrenching writing related moments when I begrudgingly accepted that what I was working on wasn’t working.

These, as you can imagine, are painful times for a writer because not only do they signify wasted creative effort, but wasted time. Worse than that, they inevitably kick off feelings of frustration and anger and can even signal the start of what some people refer to as writers block (and my feelings on that are well documented).

Anyway, when such a moments occur in Brimson Towers, any one of a number of things will happen:

1. I will make tea before simply dumping everything I’ve written and starting again.

2. I will make tea and settle into a few hours of quiet reflection (sulking) before going back and finding a way to make it work.

3. I will make tea, curse my life and lack of talent and settle into a few days of quiet reflection (sulking) before going back and finding a way to make it work.

4. i will switch on the internet and waste hours of time arguing with someone in the name of research and/or spend loads of money on eBay before going back and finding a way to make it work.

5. I will go out on a motorbike for a few hours and return with not only a way to make it work, but a way to make it better.

Sadly, due to the ravages of time on my knackered back, number 5 is no longer an option which left me with only four choices, or so I thought. Because as I switched on the obligatory kettle, it suddenly struck me that I wasn’t actually enjoying writing. Not just the project I was actually working on, but at all. This light-bulb moment instantly presented me with a fifth option and it was one which, as someone who lists ‘laziness’ as a personal attribute, had an obvious appeal. So much so that right then and there, I grabbed it with both hands. It was retirement.

Yes, that’s right. I didn’t tell anyone about it but early on in November I made the conscious decision to retire from writing altogether. It was bliss, and it lasted approximately two days.

But what dragged me back to my keyboard wasn’t boredom, it was a series of phone calls informing me that two scripts I’d written had taken major steps forward along the development path whilst another idea I’d thrown into the mix had begun to generate some serious excitement.

As motivational tools go, mentions of A-List actors and doubled budgets sit pretty high on the list and so I am happy to announce that my short-lived retirement is now at an end. In fact my writing life is more hectic than it has been in ages. 

Watch this space.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, ebooks, kindle, green street, writing

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So you want to write a book?

writer,writing,screenwriting,screenwriter,author,amazon,kindleI’ve received a number of mails recently from people who are keen to write books and need advice on how to go about it.

Invariably, these mails ask about finding an agent and/or a publisher as well as any one of twenty questions relating to the actual process of getting a book from brain to bookshelf. However, whilst I’m always keen to encourage new writers, it’s fair to say that most of the people who contact me need (and receive) a reality check.

The truth is that when you’re starting out on the rocky road of penmanship, you don’t need an agent and unless you are incredibly famous or staggeringly lucky, the chances of you securing a publishing deal are pretty much zero. What you do need however, are words on pages. Lots of them.

So if you want to write a book, the best way to start is to simply sit down and get writing. And once you have a few thousand words on your hard drive, you’ll soon realise any number of things. Not least if you have the imagination and drive to actually see it through. Most don’t, but if you actually reach the point where you can say ‘yes’ to both of those questions, that’s when you need to start thinking about the next stage in the process.

Until then, it’s all about actually doing the graft. And you do know it’s hard graft right?

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information can be found at dougiebrimson.com

screenwriting, author, ebooks, kindle, green street, writing

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