Tag Archives: screenwriting

The two keys to keeping your inner writer motivated.

writer,writing,motivation,author,screenwriterAs a professional writer, I’m often asked what I find most difficult about my job. Aside from the obvious answer of ‘getting paid’ my usual response isn’t finding an idea, nor is it getting motivated, it’s remaining motivated. Indeed, when a project will inevitably take many months to put together, it takes a special kind of commitment (or madness) to keep the enthusiasm and motivation going long enough to be able to sit down every day and drive it along to completion.

However, it is important to remember that motivation isn’t within us, it’s something we have to provide for ourselves. And having been at it for over twenty year now, I have learned that key to doing that are two things: routine and reward.

WRITING ROUTINE
There is no way to write, only ways. Therefore it is vital that you find what works for you and stick with it.

For some, that will mean an office, a quiet corner or even the sofa whilst for others, it will mean Starbucks or even the local beach. Some like to write in silence, others like noise, some in the morning, some late at night. Whatever it is, once you have established a routine, stepping into it will help your creative mindset and you’ll be away.

WRITING REWARD
 A simple love of writing or a desire to tell a specific story may well be all the reward you need but for others, like me, there have to be two specific and personal incentives. The first when you hit your daily word count can be something as simple as a glass of wine or a Mars bar and the second, when you hand over the finished work, can be something major such as a holiday or even a new motorbike.

Whatever they are, keep them fixed firmly in your mind (maybe even write them as your screensaver) and make sure that when you’ve earned them, you take them and you savour them.

Fairly soon, these, like your routine, will become part and parcel of your writing life and with any luck, the process of writing won’t ever be a chore, it’ll become relatively easy. Which is pretty much what’s happened to me although to be fair, I have been doing it a long time.

So I know what works for me, the question is, what works for you?

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all of my books and DVD’s are available from bothAmazon and iTunes

 

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Why we write movies. (The Curse of Bovver).

bovver,greenstreet,hooligans,indiefilmAs anyone who knows me will know, I rarely describe myself as either a screenwriter or an author. Not out of any kind of false modesty, but because I’ve never felt that I’ve earned that right.

Yes, I know I’ve written a few books and a number of movies but I’ve always considered the ’S’ and ‘A’ words to be far too grandiose for the likes of someone like me who basically got lucky. And let’s face it, given the lack of acknowledgment or recognition from either industry over the years, I have a feeling I’m not alone in that thinking although that’s another debate.

However, the other day I had an experience which has actually made me rethink things and consider the fact that I haven’t actually done that bad. It happened, ironically, in a pub where I was having a late afternoon drink with the actor Leo Gregory who starred in both Green Street and Top Dog.

As we were chatting, the door burst open and in came a group of Man City fans on their way to their FA Cup tie at West Ham. Within seconds, they’d recognised Leo and as the cries of ‘fuck me, it’s Bovver’ went up they came across and surrounded us. As gracious as ever, Leo took the time to shake hands and pose for selfies and fairly soon, the pub settled back into normality.

Now this is a fairly routine occurrence when you’re with Leo and god only knows what it must be like to have the shadow of Bovver follow you around all the time as it surely must. But as I reflected on it later, it struck me that whilst that’s my fault for creating that role, I have every right to feel pretty pleased with myself.

After all, Green Street was released in 2005 and whilst huge credit must go to Leo for what he did with him, to have created a character that people still recognise in the street 12 years later is an achievement to be proud of.

And d’you know what, I bloody am.

.

Talking of movies, thanks for all the messages about my next project, Three Greens. As is the way with these things, there’s not much I can say at the moment but I’ll release more details as soon as I can.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, ebooks, kindle, green street, writing

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I wish to announce my retirement.

author, screenwriting, writing, veteran, publishing, football A couple of weeks ago, whist sitting at my computer as I do most days, I had one of those gut-wrenching writing related moments when I begrudgingly accepted that what I was working on wasn’t working.

These, as you can imagine, are painful times for a writer because not only do they signify wasted creative effort, but wasted time. Worse than that, they inevitably kick off feelings of frustration and anger and can even signal the start of what some people refer to as writers block (and my feelings on that are well documented).

Anyway, when such a moments occur in Brimson Towers, any one of a number of things will happen:

1. I will make tea before simply dumping everything I’ve written and starting again.

2. I will make tea and settle into a few hours of quiet reflection (sulking) before going back and finding a way to make it work.

3. I will make tea, curse my life and lack of talent and settle into a few days of quiet reflection (sulking) before going back and finding a way to make it work.

4. i will switch on the internet and waste hours of time arguing with someone in the name of research and/or spend loads of money on eBay before going back and finding a way to make it work.

5. I will go out on a motorbike for a few hours and return with not only a way to make it work, but a way to make it better.

Sadly, due to the ravages of time on my knackered back, number 5 is no longer an option which left me with only four choices, or so I thought. Because as I switched on the obligatory kettle, it suddenly struck me that I wasn’t actually enjoying writing. Not just the project I was actually working on, but at all. This light-bulb moment instantly presented me with a fifth option and it was one which, as someone who lists ‘laziness’ as a personal attribute, had an obvious appeal. So much so that right then and there, I grabbed it with both hands. It was retirement.

Yes, that’s right. I didn’t tell anyone about it but early on in November I made the conscious decision to retire from writing altogether. It was bliss, and it lasted approximately two days.

But what dragged me back to my keyboard wasn’t boredom, it was a series of phone calls informing me that two scripts I’d written had taken major steps forward along the development path whilst another idea I’d thrown into the mix had begun to generate some serious excitement.

As motivational tools go, mentions of A-List actors and doubled budgets sit pretty high on the list and so I am happy to announce that my short-lived retirement is now at an end. In fact my writing life is more hectic than it has been in ages. 

Watch this space.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, ebooks, kindle, green street, writing

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So you want to write a book?

writer,writing,screenwriting,screenwriter,author,amazon,kindleI’ve received a number of mails recently from people who are keen to write books and need advice on how to go about it.

Invariably, these mails ask about finding an agent and/or a publisher as well as any one of twenty questions relating to the actual process of getting a book from brain to bookshelf. However, whilst I’m always keen to encourage new writers, it’s fair to say that most of the people who contact me need (and receive) a reality check.

The truth is that when you’re starting out on the rocky road of penmanship, you don’t need an agent and unless you are incredibly famous or staggeringly lucky, the chances of you securing a publishing deal are pretty much zero. What you do need however, are words on pages. Lots of them.

So if you want to write a book, the best way to start is to simply sit down and get writing. And once you have a few thousand words on your hard drive, you’ll soon realise any number of things. Not least if you have the imagination and drive to actually see it through. Most don’t, but if you actually reach the point where you can say ‘yes’ to both of those questions, that’s when you need to start thinking about the next stage in the process.

Until then, it’s all about actually doing the graft. And you do know it’s hard graft right?

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information can be found at dougiebrimson.com

screenwriting, author, ebooks, kindle, green street, writing

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Why we love football.

football,comedy,humour, soccer,premier league,championship,As someone who is lucky enough to converse with people from pretty much every point of the spectrum on which human life sits, I frequently find myself responding to questions of some kind or another.

Inevitably, the bulk of these will revolve around subjects linked to writing and be of the ‘how can I?’ variety which is fine as my work or writing will be the thing which brought us together and if someone takes the time to contact me, it’s only right that I afford them the courtesy of a reply.

Occasionally however, I’ll get a curveball question and the range of issues these can cover is, to say the least, broad. Only recently for example, I found myself explaining to someone from the other side of the world why we British drive on the ‘wrong’ side of the road.

To be honest, I like this kind of random stuff. Not only does it tax the brain (or test my proficiency on google) but I find it quite rewarding to think that people actually feel comfortable enough to ask me these things. Especially when in some cases, I’ll have been the first Englishman they’ll have ever emailed.

My favourite question however, is one which lands in my inbox on a regular basis. It is quite simply, why football?

Usually of course, this will be used in the context of violence or hatred of some kind but increasingly, it’s being asked by people who don’t follow the game and want to know why those of us who do are so fanatical about it.

My response to this is that there is no such thing as a standard answer because there is no such thing as a standard football fan. To the uninitiated we might well come across as sheep (or even mugs) but when you look a little deeper, you’ll quickly discover that there are all kinds of reasons to explain why we are all unique in our love of the great game and our respective teams. There are even different degrees of obsession but if you want to know more about that, then you best read this.

Amongst those of us who actually get off our backsides to attend games in the flesh however, there is one common thread and that is that being a fan of the game is not just about the 90 minutes of actual football. And I mean football, not even great football. For it’s fair to say that some of the best days I’ve had as a fan have been on days when Watford have lost and I’d bet that most fans reading this will think the same.

For the simple reality is that watching football is about one thing, hope. Hope that things will get better, or at least not get worse. Hope that you will win promotion, not get relegated, beat your local rivals or even just carry on for one more season. And with that hope comes every kind of emotional experience possible all wrapped up in one simple word, passion.

To be a part of that passion and share those experiences with others is why we do it and why we love it because it’s where we feel that we belong.

Don’t ask me why we do it, just try and explain to me why you don’t.

@dougiebrimson

football,soccer,protest,premier league,fans,supportersSpeaking of football and fans, my old book Rebellion is now available as an ebook.

First published in 2006, it tells the background to some of the more infamous fan protests including those at Charlton, Wimbledon, Manchester United, Manchester City, Norwich and Bournemouth amongst many others.

Details of my other books, including the football comedy Wings of a Sparrow, as well as links to buy can be found by clicking here!

 

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The film pitching process (and 6 reasons why it sucks).

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordA lot of people have been contacting me recently to ask if my football comedy novel, Wings of a Sparrow is ever going to make the leap from book to screen. My response is always the same, I’m working on it. However, the truth is that whilst I continue to push it as much as I can, the next step isn’t really up to me. I wish it were.

In an ideal world, I would write a script, show it to someone and they would hand me a few million pounds to get it made. Better still, they’d buy it off me and I could sit back while they did all the hard work. However, it doesn’t work like that, not for me anyway. Instead, like hundreds if not thousands of other scripts, Wings is having to go through what is called ‘the pitching process’ and since I suspect that many of you don’t understand how that works, I thought I’d put together a layman’s guide and tell you where my baby is currently sitting.

1. You write a script. – Done. Both film and TV versions have been written together with various outlines ranging from two sentences to 15 pages. Plus there’s the best-selling novel of course.

2. You send it all to your agent who identifies those production companies who might be interested and sends it out to them. – Done.

3. You wait. And wait. And wait. In the meantime, you network the shit out of it and maybe attach potential cast members or even a director. If you can add a well known name, this is a huge plus. – Doing.

4. If you’re lucky, one or two (from up to ten or even more of the companies it will have been sent to) will actually come back to you and say that whilst they like it, it’s not for them. This is normal as many production companies will only be looking for certain types of films although in many cases, some of the reasoning for the rejection is questionable (but never open for discussion). ’Football films don’t ever work’ being the most irritating response we’ve had to Wings. – Done.

5. You wait some more, and possibly follow up with those who haven’t responded. You also send it out to more potential producers and maybe a director or two. Then you wait, again. – Done/doing.

6. You give up pitching it and go onto the next project in the hope that one day, someone will possibly stumble across it and like it enough to show interest. – Pretty much done.

And unless someone actually comes in with an offer to either option or make it, which can be at any point in the process or the future, that’s the brutal and frustrating reality of how it works for most of us. It’s even harder for those writers who have never had anything produced because you have no track record to back you up. However, we all know that and as I’ve said many times, if you don’t like it, don’t do it.

Do I think that Wings would make an awesome and very funny low-budget movie? Of course! Do I think it would work on TV as either a two part comedy drama or even a sit-com? Too right!  But what I think doesn’t matter. It’s all down to what a person sitting behind a desk at a production company or studio thinks and more importantly, what they are looking for at that moment in time.

For whatever reason, Wings of a Sparrow isn’t it. Yet.

PS: If anyone in the business would like to have a read of the script, please drop me a line at dougiebrimson@me.com

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all my books and DVD’s are available from bothAmazon and iTunes

Five reasons why writing a novel is better than writing a screenplay.

author,screenwriter,ebook,self publishing,indie filmThe other day, someone pointed out that I am one of a very few writers who have enjoyed a degree of success with both books and screenplays. Not only that, but according to them I also hold the dubious honour of covering a range of genre which very few writers anywhere can match.

Whilst I’m not sure about any of that, it is fair to say that in a writing sense I have certainly been about a bit. Mostly, it has to be said, because I get bored easily.

However, whenever the subject of my work comes up it inevitably leads to one particular question and that is ‘which one do you enjoy the most?’

Whilst both have their merits, and leaving aside the simple truth that I’ll write anything for anyone who pays me, the answer is always the same. Because if I have a blank page and am left to my own devices, I will start writing a book. All day, every day. And for five very specific reasons.

It’s easier to write – That might shock a few people but the truth is that I can have far more creative fun constructing a 75,000 word novel than I can working on a 110 pages script. And if I’m having fun, I can promise you that the words will be pouring out of me as opposed to having to be dragged out. Something which not only makes it easy for me to write but which will almost certainly make for a better read once it’s finished. 

It’s easier to produce – Working with publishers can be hard work sometimes but if all else fails, I always have the option of self-publishing. It might not see the shelves of Waterstone’s or WH Smiths but let’s face it, it will certainly see Amazon and if it sells and is earning, who cares? Certainly not me.

With a film, the whole process is a nightmare which can fall apart at any moment. That’s if it gets anywhere at all which to be frank, it often doesn’t.

Control – With a book, I have no restrictions on subject matter, genre or even length. Being able to write what I want, when I want and just as importantly, say what I want, is not only liberating, it makes the whole thing both more interesting and enjoyable for me. If you need any more proof of that, have a look at my backlist and you’ll see a book about farting. Case rested. 

With a screenplay, once I hand it over I have no control over anything. At all.

The End Result – A book is mine. All mine. Praise or criticism are therefore personal and either enjoyed or dealt with as appropriate and I’m fine with that. A film however, is only mine if someone slags off the script even though by the time the camera’s roll, my input into the development process will have ended ages ago. 

The people – For an author, publishing is a relatively solitary game and as someone who prefers his own company, that’s exactly how I like it. For a screenwriter, the writing process is part solitude, part collaboration, part chaos. This would be great if it were an industry inhabited solely by nice hard-working honest people but sadly, it isn’t. Instead, amongst the many awesome individuals I’ve worked with are far too many arseholes who, if they aren’t simple crooks, are either bullshitters or incapable of making a decision. Or both.

So there you have it. Five reasons why I’d write a book over a movie any day of the week. And with that in mind, I’m happy if not delighted to announce that work is currently well underway on the sequel to my novel Billy’s Log. Indeed, starting work on this has underlined everything I’ve written above and more because I’m loving it.

All being well, it’ll be finished by the time we start moaning about the cold but more as and when. I might even post a teaser or two!

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all my books and DVD’s are available from bothAmazon and iTunes

How to write: Motivation.

sex, lads romance, love, vibrator, george clooney, fartAs someone who earns their living by writing, I am often asked what motivates me. Is it for example, a burning desire to create or is it a desperate need to put my thoughts into print? Or is it a hope that I can somehow make a difference or possibly even a yearning to leave behind a legacy of some kind?

Truth is it’s none of those things. I might have written 15 books and a few movies but there are three simple reasons why I write.

  1. I’m a lazy bastard who likes sitting down all day.
  2. I need to make money to facilitate item 1.
  3. I live in desperate hope that one day soon numbers 1 & 2 will combine so successfully that I’ll be able to retire and live out my remaining days watching sport and riding motorbikes.

And to be fair, I reckon that retirement will be well earned. Growing up the son of a comedian was certainly an education but it was hard work and being one of 6 kids (with four brothers!) was certainly instrumental in my leaving home at 16 to begin what turned out to be 18 years as an engineer in the Royal Air Force.

As anyone who has served will know, military life isn’t suited to everyone but I loved every single day of it. Not just for the places it took me to and the people I met, but for the myriad of experiences I enjoyed. From going to war to swearing at royalty and all points in between.

Thankfully, my subsequent career as a writer has added considerably to those experiences but it has also provided me with an excellent way of cleansing my soul. Or to put it another way, telling everyone else. Not just about my life as a football fan but as an average bloke. 

Indeed, of all my books, my comedy novel Billy’s Log is the one of which I’m most proud chiefly because it’s the closest to my own persona. It could even be called semi-autobiographical given that so many of my own experiences are included which is one of the reasons why, as my 60th looms ever closer, I have decided to revisit it. In fact the preparation is already underway as I’m gathering anecdotes whilst also working on In The Know and another movie or to. 

The plan is to have both books out by the end of the year however I am not walking away from the world of film just yet. In fact the project I’m currently working on will be my biggest to date. Watch this space.

PS: I’ve given a few interviews recently and on a variety of subjects but one I really enjoyed allowed me to vent on the subject of publishing an ‘lad-lit’. Click here to take a look…      

@dougiebrimson

Just in case you didn’t know already, all of my books and DVD’s are available from both Amazon and iTunes

Decisions, decisions. The joy of writing professionally.

ebooks, self publishing, veteran, writer, screenwriting, author, indie, film, green street, football, soccer, actor, script, sex, men, women, sexism, racism, homophobia,As anyone who does it regularly will tell you, writing is a curious business. It is after all, one of the few activities where you can spend weeks, months or even years baring  your soul only to then throw it out into the public domain where people you don’t know will quite possibly, and often happily, tear you to shreds.

Unattractive a prospect as this might be, writing professionally is even worse. For in addition to the above, you also face the joyous prospect of starving.

Having been doing it for over 20 years now and with a girth which suggests that it might actually do me good to miss a meal or two (OK, three or four), I think it’s safe to say that malnutrition is not something I need worry about any more but that does not mean I don’t face other concerns. Indeed, I have one right now and it’s one I need to address, and fast. It is, quite simply, what book to write next.

The problem is compounded by the fact that whatever decision I take will not be driven by a deadline but will in fact, be a spec project. As such, I get to choose it for myself which is fine until you consider the stark truth that not only do I have to ensure that I’m going to enjoy writing it, but that there is going to be a market for it. Trust me, the two are not necessarily the same thing.

I also face the problem of having three, possibly four distinct projects in mind all of which are totally different from the other. Two of those being sequels which have already been started but which fell victim to the demands of scripts which required urgent attention.

So do I, for example, finish the third book in the The Crew/Top Dog trilogy or do I carry on with the follow on from Billy’s Log?? Or do I venture into new genre, possibly with the supernatural thriller which has recently taken root in my increasingly confused brain?

Whatever it is, I need to make a decision and fast or I face the very real prospect of doing pretty much nothing. Which has its merits, but doesn’t pay the bills.

I’ve said it before and I’ll say it again, it’s a tough job being a professional writer. But it’s even tougher being me.

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpoolMy numerous books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog are available from both Amazon and iTunes.  

Please click on the relevant link for more information.

And the Oscar for best screenplay by an old fat white disabled male goes to…

With Oscar night almost upon us, it is sadly inevitable that the thorny issue of diversity will once again poke its head above the parapet. Or, as is more likely, be rammed down the throats of the millions watching around the world.

Now whilst I have every sympathy with many of the issues which taint the film industry on both sides of the pond, in particular the appalling lack of roles being written for older women, I have to say something about the notion that we need to implement a quota system to support those from minority groups. Because speaking as a member of a minority group, I am all for it.

Oh yes, in the business that we call film, when it comes to both minorities and the discriminated, I tick more than my fair share of boxes. What? You think I have it easier because I’m a white male? Seriously? OK, point me in the direction of the schemes that encourage writing from the white community? Or the over 50’s. Or the disabled. Or for that matter, men. Good luck with that.

I am of course, being sarcastic, but there are some serious points to be made here. Not least, if you’re going to start to impose quota’s on the creative process, where do you begin? Or for that matter, end? After all, how many races are there? Or religions, or disabilities? Will producers have to include one of each? Or will there be a quota of the quota? Will some groups be regarded as more ‘minority’ than others?

 The questions go on and on but there is one which is far more important than all of the others and it’s one which thus far, I haven’t seen asked let alone answered. How would you address the small matter of talent?

Because ultimately, any enforced quota system can only have a negative impact on the talent that appears on-screen and that can only be to the detriment of the finished product. Why on earth would anyone want that? Least of all those who may or may not end up winning some token statue.

Yes, of course there is potential for change, but we must never lose sight of the fact that the thing that sits at the very heart of the movie industry, both in front and behind the camera and irrespective of colour, creed, gender or anything else, is talent.

People even win Oscars for it.

@dougiebrimson

Apologies for repeating myself, but as some people are aware, I am one of a number of people involved in a legal dispute with film producer, Jonathan Sothcott.

I won’t go into details here as it’s now a matter for HMRC and the police who have already interviewed him in connection with our allegations. However, both Top Dog Films Ltd and We Still Kill The Old Way Ltd, have recently been wound up on account of unpaid invoices and as a consequence, the investigator for the Official Receiver has contacted me and requested that anyone remaining unpaid for work on Top Dog, We Still Kill or for that matter, any film made by one of Jonathan Sothcott’s companies, contact him direct as a matter of urgency.

His details are: Andrew Beckett, Official Receivers Office, The Insolvency Service (London), 2nd Floor, Abbey Orchard Street, London, SW1P 2HT .

Tel: 0207 637 6337 email: andrew.beckett@insolvency.gsi.gov.uk

Alternatively, contact the Metropolitan Police at Merton Police station quoting crime reference:  1404781/15

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpoolMy numerous books including the football comedy Wings of a Sparrow and the #1 thrillers, The Crew and Top Dog are available from both Amazon and iTunes.  

Please click on the relevant link for more information.

Oscar, Bafta, diversity, author, screenwriter, racism, racist, hollywood