As I sit here watching the news on TV, the female news anchors are talking about the subject of equal pay and equality in the work place.
They are obviously pissed, as they should be of course. After all, the fact that in 2017 females don’t earn the same as a male colleague is somewhat shameful.
Yet interestingly, they are not saying as much. Instead, they are skirting around what they actually think and are generalising. Professional yes, but you can tell that inside they are seething at the injustice of it.
By a strange coincidence, I am also editing the sequel to my novel Billy’s Log and if you’ve read the original (and if not, why the f**k not?) then you will know that it examines many of the differences between the two sexes, albeit in a slightly tongue-in-cheek manner. Ironically, one of the subjects I tackle in both books is the issue of language.
As any male will know, one of the great complaints women have about us is that we don’t understand them and that’s true. What they don’t get of course, is that it’s because they talk a different language. So with that in mind, I thought this might be a good time to briefly tackle one particular element of the ongoing battle of the sexes. It’s one that is dear to my heart, mostly because I’ve fallen foul of it on more occasions than I care to remember, and is a particular word. One which actually has three genuine definitions within the English language but which, when it comes to female-speak, has multiple meanings, all of which spell trouble for the average bloke. It is, in effect, the relationship H-bomb.
That word is ‘fine’.
To us men, fine means either OK, thin or sunny. To females, it means only one thing: that she isn’t happy. If she says ‘it’s fine’ or ‘that’s fine’ and delivers the words through pursed lips, gritted teeth or in a tone that’s considerably lower or slower than normal, she isn’t happy at all. Incredibly, the average female is even able to convey this angst in email, messenger or tweet form when it will generally be delivered in a short and very sharp manner.
However it’s delivered, its arrival should start to ring alarm bells in the average bloke because irrespective of the reasons behind it -and it might not be your fault or even have anything to do with you- what she is actually doing is testing you as her partner. It could be your understanding of her, her emotions and her needs or even the importance you place on her but it is vital, for your own wellbeing, that you not only understand what the problem is but know how to respond. And you have literally seconds to act. Any longer and will pay. Be it in the form of a ‘you don’t understand me’ attack, or a simple sulk. Get it right however, and you’re quids in.
There is however, a relatively simple way for the male to totally neutralise the threat of fine. Depending on where you are in a relationship, it takes either forward planning or simple nerve but it is possible and all it takes is for you to sit your partner down and deliver this one simple sentence:
‘If you say you’re fine, from now on I’m going to assume that you are actually fine.’
This is of course, a risky tactic as you are in effect stripping them of weaponry and it may even be met with the response of ‘fine’ and all that goes with it (see above). But if you stick to your guns when the tests come -and they will come- and simply respond with a smile and ‘OK’ or ‘that’s good’ then you will inevitably force her to back down and say what she actually means.
I am, as many people will be aware, a male of a certain age. To be specific, I’ve just turned 58 and am proud to say that I have lived something of a life.
This has equipped me with all kinds of beliefs and opinions the bulk of which have been forged by two things that have sadly become under-rated commodities these days; experience and common sense. Indeed, I have often thought that politics should be divided not on the concept of left or right but on the basis of smart and stupid.
As a consequence, I have long held the opinion that the country, if not the planet, should be run by women. OK, they have their failings (handbags, cushions and the Kardashians being amongst the most obvious) but generally speaking, they are far more sensible and practical than we males. My dad for example, is a reasonably intelligent bloke but if bringing up 6 kids had been left to him we’d have been feral within weeks.
However, and it pains me to say this, that belief has been tossed aside in recent weeks. Not because of the laughable anti-Trump protests or even the infestation of Twitter by a growing legion of rabid leftie tarts, but because I have been writing the sequel to my novel Billy’s Log.
If you’ve read the original, you’ll know that it was (is) an examination of romance from a male perspective and in it I explored the idea that the whole thing had become skewed to the point where far too many men had little or no idea about what made the average female tick let alone what they actually wanted.
Thankfully, I seemed to hit the mark with it and for ten years, people have been asking me to do a sequel if only to see how the hero fared. Much as I loved the idea, I was reluctant to revisit the subject matter because I was concerned that not only would it end up as little more than a celebration of loserdom but also that it would lack any real substance. I need not have worried because if anything, the world of the desperate male singleton has become even more confused over the last decade. Primarily because women seem to have become even more crazed than they were ten years ago.
Indeed, one of the problems I’ve had with this book is not what to put in, but what to leave out although I’ve been helped by the fact that there are issues that I’ve been reluctant to explore too deeply, even from a comedic aspect. The world of internet porn being just one example!
I have a few tweaks to do yet (and a decent title to find) then it’ll head into the publishing process but suffice to say, Billy’s Log 2 is on the way. I hope it’ll be worth the wait.
In other news:
Three Greens is on it’s way to pre-production and the team is hoping to be able to make a huge announcement about our principal cast within the week.
In addition, I’ve been working on an entirely new project which I hope to be able to announce after the Berlin Film Festival which starts tomorrow.
Positive vibes please people! The more the better!
Writing is, by its very nature, an odd profession. After all, if you strip it back to basics it involves spending most of your time on your own making up stories.
That said, it’s also a pretty cool way of earning a living not least because I get to spend most of my time on my own making up stories.
Now obviously I’m not the only person to see this as a positive attraction because there are seemingly many people out there who wish to follow in my footsteps and fair play to them I say. Indeed, thanks to the growth of self-publishing it’s never been easier to make your work available to a hopefully eager public.
The problem of course, is that writing a book (or film for that matter) is only half the story, some would have you believe it’s barely a fifth. Because once you’ve finished the actual writing process and everything that goes along with that, you have to sell it. Yes, that’s right, as a self-published author, everything falls on your shoulders and that includes the role of salesperson.
Personally, I enjoy this side of the job because it provides me with the perfect excuse to piss about on the internet and whatever I am doing seems to work because I am, apparently, doing OK. I could possibly be doing better but I have no way of knowing that for sure because I’d much rather be writing, sitting in coffee shops or going on holiday than writing ‘guest blogs’ or taking part in blog tours. These apparently being obligatory for authors who want to sell their self-published works. At least it is according to the so-called experts.
This leads me nicely onto the point of this blog because yesterday I read an article about writers marketing their work which left me not far short of incensed. It wasn’t simply the subject matter which was actually about screenwriters putting their screenplays for sale on Amazon (although if you need me to tell you why that’s a bad idea you deserve everything that could possibly befall you) it was the bit at the end about the author of said article. This bit in fact: (I have deleted her name because I refuse to give her any publicity)
XXXXXX XXXXXX is an author and screenwriter. She is the author of “Publish Your Screenplay on Kindle.” She plans to publish several of her screenplays on Kindle before year’s end.
So, she’s written a book and an article telling us to do something which she hasn’t actually done herself… yet. Do you really need me to tell you what I think of that?
The sad thing is that there are thousands of people like this who are making money off the back of the writing community by selling experience that they do not actually have and indeed, there are plenty of so-called ‘professional authors’ who actually derive most of their income from talking about the subject of being a ‘professional author’ as opposed to earning money from actually selling books. Or to put it another way, frauds.
This is especially true of the subject of self-publishing because take it from someone who actually knows, the truth is that whilst the web is awash with articles telling you how to do it, there is actually no magic formula. More often than not, what decides if a book is going to sell or not is good old fashioned luck.
Yes, of course there are things you can do to help get the stars if not aligned, at least visible and these range from exploiting social networking sites to writing blogs but the bottom line is that for a self-published book by a relatively unknown author to be a success it generally comes down to the same old thing; right book, right time, right reader.
And that my friend is the secret. You can have it for free.
Dougie Brimson is an author and screenwriter. Thirteen of his fifteen books are available in electronic format including The Crew(which was the most downloaded football title of 2012 and has held the #1 slot on its Amazon and iTunes chart for almost 18 straight months) and his latest comedy, Wings of a Sparrow.
His screen writing credits include the multi-award winning feature Green Street and the forthcoming adaptation of his own novel, Top Dog.
There’s a great deal of talk in the media today about a survey which claims that almost a quarter of all women would rather give up sex than chocolate.
The reporting, naturally, is full of inferences and double entendre’s but it is generally and inevitably slanted toward the female of the species and as always with such things, attempts to undermine the average bloke by inferring he is a poor substitute for a Dime bar.
However, all of this reporting has missed one very important fact. A fact which actually sits at the very heart of the ongoing battle of the sexes and the position we blokes currently find ourselves in.
I won’t go into it all too deeply because I’ve written about it plenty of times before and in reality, I don’t really need to. Instead, let me just ask the males reading this two simple questions:
A) How would you react if you’re partner joked that she’d rather forgo you than Dairy Milk?
B) How would your partner react if you jokingly told her that you’d rather give up her than football?
Let me take a punt here and say that most of you will provide something similar to the following answers:
A) Make some smart arsed comment along the lines of ‘I’ll just pop down the shops now then’ or simply laugh it off and then instantly forget it.
B) Either she would: take it personally and go into a sulk AND log it into her memory bank to be wheeled out at some point in the future as proof that I didn’t care/love her AND she would almost certainly use it as the basis for some kind of future test to prove my love/commitment OR I wouldn’t dare ask that for the reasons already outlined.
Do I really need say any more? We really do need to start manning up a bit…
As (hopefully) most people know by now, my new book Wings of a Sparrow was published last weekend and is currently selling ahead of expectations which is both awesome and humbling. As yet, it’s only available on Amazon but the iTunes version should be available any day now which should boost sales even further.
Anyway, what I wanted to say is thanks to everyone who has downloaded it thus far and to those of you who have helped spread the word around the on-line community.
For indie authors such as myself (because that’s what going wholly digital actually means I now am) word of mouth is the best publicity we can possibly have which is why I try and involve my readers (that’s you guys) in the whole process.
As I’ve said thousands of times, the reader is the most important person in the entire publishing process and that’s never been more true than it is in these days of kindles and the like.
So once again, thanks and please, keep spreading the word because if people keep buying them, I’ll keep writing them. On which note, in response to both feedback and sales, I’m currently working on the third book in the Billy Evans trilogy. I won’t say too much at this point but I can tell you that it’s already shaping up to be the best (and most violent) book of the three.
I’ve posted this as a page on my blog but thought it might be useful to post it as a standard blog as I know some people have connections set up.
So what follows is the text of an as yet unpublished interview I gave to a journalist just yesterday (Jan 9th 2012)! I’ve posted it simply because it provides reasonable answers to many of the questions I receive on a fairly regular basis.
I hope you enjoy it but if you have a question of your own, please don’t hesitate to mail me. Oh, and it’s quite long!
How and why did you become a writer?
I fell into it by accident really and it was certainly not an aspiration or anything like it! I had left the Royal Air Force after 18 years as an engineer and was ‘working’ as an extra on TV and in films. EURO 96 was on the horizon and I was on set filming an episode of Casualty for the BBC when the idea came to write a book about my experiences following football. That book eventually became ‘Everywhere We Go’ and it really was a case of right book, right time.
The rest as they say, is history.
How do you get your ideas?
In the early days, they were driven by the readership as I thought they would be. That’s why I wrote follow-on books about local derbies, England and the London clubs (all of which are now out in eBook format).
After that, I moved into fiction which largely came about as a result of an approach from the TV writer Lynda La Plante who wanted me to write something for one of her series and from that point on, I’ve tended to write about things which either interest me or which I am passionate about. Given the way I write and the fact that much of my work revolves around my own opinions, I think it’s vital to take that approach.
How long does it typically take you to write a book?
How long is a piece of string? I actually write fairly quickly but there are all kinds of things which impact on how long a book will take to complete. However, I usually aim to have a first draft of a full-length book completed in two to three months although I actually wrote the second half of my novel Top Dog in under ten days and some people say that’s amongst my best ever stuff!
How do you write?
I’d like to tell you that I have a very clearly defined routine which involves writing at least 5000 words a day or a straight 8 hours at the keyboard but the truth is that I am horrifically ill disciplined and it doesn’t take much to distract me if I’m not very careful. Twitter for example, can keep me occupied for hours which is quite pathetic and if I know that there’s an old movie on telly it’s game over!
I actually had to sell my beloved motorbike because if the sun was shining I’d be out on the road, deadline or no deadline!
However, if I’m in the mood I’ll sit down and simply write for as long as I can and that can be anything from 2 to 20 hours in a day. All I need is tea, food and very loud soul or jazz funk music to keep me going but make no mistake, it’s bloody hard work sometimes.
So why do it?
Well it’s actually quite a decent way to earn a living! After all, I don’t even have to get dressed most days and you can’t say that about many jobs!
More seriously, writing can also provide a real buzz especially when I get in the zone and the words just come pouring out without me having to think too about them. Whilst writing ‘The Art of Fart’ for example, I was having so much fun that I actually had to keep stopping because I’d be giggling so much I’d get tears in my eyes.
It’s also fair to say that I derive a huge amount of pleasure from interacting with readers. That’s actually a huge part of it for me because having someone tell you that they like a particular book kind of makes all those hours at a desk worthwhile if only because it proves I’m doing something right!
You seem to have written books in pretty much every format there is which is quite rare amongst authors. Why did you branch out from non-fiction?
Simply because having written four books with my brother, I wanted to do my own thing. The problem was, I didn’t really know what and so I wrote a comedy book called ‘The Geezers Guide to football’ and then a couple of thrillers before going back into non-fiction. Now I’ve written another comedy book and my next project is also more humour so maybe that’s where I’ll settle. Who knows?
Where do your ideas come from?
Two places, my warped imagination and the market. Whenever I talk to writers I always tell them that if they want to write for publication it is absolutely vital that they get to know who their target readership will be, research what they are reading and then write something to suit.
That might sound mercenary but it’s exactly what a publisher will do when they’re deciding if a submission is right for them so why not make the process easier for yourself?
In my case, my target readership is lads and as a lad myself (albeit an older version!) I understand that we’re basically simple creatures who know what we like to read and more importantly, how we like to read. I try to give them what they want, it really is as simple as that. Thankfully, it seems to be working!
However, don’t get the impression that I take my readership be they real or potential for granted because I don’t. As a professional author my readership is my livelihood and if I don’t keep them entertained, I’ll starve!
How much time do you spend on research?
That depends on the project. When I was writing non-fiction football stuff it was a 24/7 operation because football culture was and remains a constantly moving beast. Thankfully, I had loads of good contacts who kept me supplied with information and to be fair, I couldn’t have written half as much as I have done without their help.
For the fictional and comedy stuff, research hasn’t ever really been an issue because I’ve been able to draw on personal experiences. If you’ve read ‘Billy’s Log’ I’ll come clean and say that it’s very much an amalgamation of my own life and that of my mate who will remain nameless!
So are all of your fictional characters based on real life?
God yes! Everyone in every novel I’ve written has been based on someone real be they family, mates or even celebrities. I ever based one character on my local newsagent!
Character creation is actually a really important part of my writing process because once I have the outline nailed down, the next stage for me is to fully construct the people I will be writing about and that starts with three things; their name, their face and their voice. After all, to all intensive purposes that character is a real person with a real history and real problems of their own and so you have to know what they will look and sound like! But equally, if you’re going to put them through something you have to understand exactly how they will react and what they will be thinking at that moment and all of that has to be built up.
That’s so much easier to do if you use a real life base-line to work from not least because if you’re struggling, you can actually ring them up and chat to them or even stick something on YouTube to give you a feel of them. It’s amazing how simply hearing someone’s voice can help you work through something. It certainly does it for me!
So what other writing tricks do you use?
Music is fundamental to my writing because I can’t write without it. But it can’t be any music, it has to be the right music. As a result, before I start work on a new project I’ll spend ages picking the right album or tracks which I put together as a playlist on iTunes. That becomes the soundtrack and it’ll be on repeat throughout the writing process.
It fairly quickly becomes almost hypnotic and I soon find that I’m able to switch in and out of a project simply by pausing the music which is an awesome thing to be able to do. The downside is that once I finish the project, I can’t listen to any of those tracks again without instinctively starting to type!
Your novels The Crew and Top Dog are two fast paced and very tightly plotted thrillers. How much work did you do in advance?
Ah….. well I actually spent a huge amount of time on these two books but the funny thing about them is that in both cases I wrote the endings first. You see I knew I wanted specific twists within the last few pages and once I had those straight in my mind I had to commit them to paper. The rest of the book was about how I took the reader to that point.
Judging by the fact that The Crew is frequently ranked at #1 in the kindle download charts for football books and is still receiving good reviews over ten years since it was first published, it clearly worked!
So why the move into comedy?
My dad was an entertainer and comedian so I think comedy is in the genes! Truth to tell, I love writing humour more than anything else although in real life, I’m desperately unfunny bordering on grumpy!
You spent a long time in the Royal Air Force. Will life in uniform ever feature in your future work? Or would you ever consider writing your autobiography?
I have a couple of ideas but at the moment, that’s all they are. I have a list of 3 or 4 books ahead of those.
As for my autobiography, it’s an idea that has cropped up a few times in recent years but the honest answer is that if I did write it, I doubt anyone would actually believe it because it would be like a bizarre version of Forest Gump! As anyone who knows me is aware, I’m one of those people ‘things’ happen to!
For example, I was quite possibly the first person in the west to know about the Chernobyl disaster! But if I tell you how, I’ll possibly have to kill you!
As a professional author, do you enjoy the part of your job which doesn’t involve writing?
I love the promotional aspect of writing and do everything I can to sell my books and spread the word about what an ex-editor once called ‘Brand Brimson’.
I also like to talk to writing groups whenever I’m asked but that’s about it really. I don’t get invited to literary functions and have never been anywhere near a literary festival of any kind.
I’m not really sure why that is but hey, that’s the literary world for you. It’s never made much sense to me.
I’ve been writing for 15 years now and one thing I’ve learned is that there are a huge number of people involved in publishing who fail to grasp the idea that the most important person in the whole process is the reader.
So does that explain why you were once quoted as saying that you’re not at the bottom of the literary ladder, you’re one of the rubber bungs underneath? What did you mean by that?
I made that comment during an interview in which I was asked about the genre of ‘hoolie-lit’ which in case you don’t know was the label tagged on to those of us who wrote books about the subject of football hooliganism.
Anyway, the point I was making that in spite of the fact that as a genre it spawned something like 60 books the bulk of which were by first time authors, drew loads of people back into reading and made a small fortune for various publishers and bookshops, no one involved has ever received any recognition let alone credit from within the literary world for what happened. Quite the opposite in fact, we just get looked down upon.
It still pisses me off to be honest. But that’s literary snobbery for you.
It’s well documented that your involvement in the Elijah Wood movie Green Street Hooligans did not go too smoothly. There have been various versions of the story but you have never really given your side of things. Would you like to take this chance to explain what really went on?
The brief version is that the director and I had a difference of opinion. She thought she knew everything and I knew she didn’t. Sadly, in the end I was forced to give up on it and walk away but the finished item kind of proves I was right because whilst it’s ok, it could have been so, so much better. That’s women for you.
Will you do more movies?
I certainly hope so!
I actually have a few screenplays on the production treadmill at the moment and would hope to do more in the future but I learnt an awful lot working on Green Street so won’t make any of the same mistakes I made there. I hope not anyway!
How did you secure your first publishing deal?
My brother and I had been writing some draft material and in the end, I walked into WH Smiths, took a book and wrote to the publishers asking if they would be interested.
That publisher was Headline and within a week or so they wrote back asking for some material and so I sent them some. They quickly came back asking for more and after two or three times I told them that if this carried on they’d have the whole book anyway so they best tell me if they wanted it or not. They wrote back and said they did and that was it.
It was only some years later that I realised how lucky we were and that it doesn’t generally happen like that!
How did you find your agent?
I don’t have an agent! Oddly, in spite of having 14 books published I’ve never been able to find one who wants to take me on so I’ve basically given up looking now. However, if anyone wants the job, I’d be happy to talk to them!
What tips would you give to aspiring writers?
The single most important piece of advice I would give them is this; if you can’t take criticism, don’t do it. Reviews can be brutal but so can reading or hearing simple feedback and if you think that you will struggle with someone slagging off your work, don’t put yourself in the firing line.
After that, it’s the basics. Write what you know, know your market, join writing groups, etc, etc. But above all, enjoy it! If you don’t, how can you expect your readers to?
What was your worst ever review?
Time out in London reviewed my first book ‘Everywhere We go’ thus: Everywhere We Go…. yeah right. Fuck off.
And your best?
I can’t remember the actual book but one of the English broadsheets (The Times I think) once called me ‘the hooligan’s pornographer-in-chief’ which I thought was quite cool. It’s certainly going on my gravestone!
Actually, the best reviews and in truth the only ones that really count are those from readers. I’m very lucky there and appreciate them all (but please, keep posting them!!)
If someone wanted to get a feel for your writing, which of your books would you recommend?
That would depend on who they were and especially what sex!
I do have a soft spot for my novels and to be honest, of all the books I’ve written ‘Billy’s Log’ is a personal favourite because it still makes me laugh. Indeed, I’m going to bow to pressure and write the sequel later this year.
What books do you read?
Autobiographies are a favourite of mine together although I steer clear of footballers and anyone under 40! I recently re-read Joan Simms book which is brilliant and very funny.
I also read military non-fiction and there is a book about the bombing raids on Port Stanley during the Falklands war called ‘Vulcan 607’ which is a particular favourite as I was there!
You have recently made the switch over to epublishing. How did that come about and how is it working?
I was approached by a company called the ebookpartnership.com who wanted to know if I would be interested in putting selected books from my backlist online.
I didn’t really know much about the process at that point but had a couple of titles which I knew I had the electronic rights to and so handed them over, more as a test than anything else. The reaction was amazing and now I have 12 of my backlist available to download. Two of those, ‘The Crew’ and ‘Everywhere We Go’ are actually free and although I was reluctant to do this at first, it has worked out astonishingly well as the ratio of sell-through purchases has been brilliant.
Is it working? Well I suddenly have full control over what I write and when I write it and it all happens at the speed I want it to happen as opposed to having to fit in with a publisher’s schedule. So hell yes! I’m a convert. So much so that I actually wrote ‘The Art of Fart’ specifically to release to the online market.
Tell us about ‘The Art of Fart’.
As anyone who has read the opening chapter on Amazon will know, it’s yet another book which has its roots in my own life! After all, when you grow up in a house of 8, 6 of whom are male, farting is going to feature quite heavily!
But in all seriousness, it’s just a bit of fun. It was certainly hilarious to write!
So what’s next?
I’m currently working on another novel, this time a comedy about football and then I may well write the sequel to ‘Billy’s Log’ which I already have mapped out.
However, if life has taught me one thing it’s that it never runs smoothly so who knows? I just hope I’m around to find out!