Tag Archives: ebooks

So, you want to be a writer.

When I first started out on what is laughingly called my writing career, I imagined that at some point, I would end up sitting somewhere warm doing pretty much sod all whilst my bank account was being drip fed a steady stream of royalty payments.

This money would then be spent fuelling my passions for motorcycles, stock car racing and Adidas Gazelles with the remainder being wasted on expensive holidays and flash restaurants. Sadly, it has not turned out like that.

Instead, like most writers battling against the combined curses of mid-list anonymity and the explosion of electronic publishing, I find myself working long hours developing new projects whilst waiting for decisions from people who are either barely qualified to make them or are simply too terrified to. These days, saying ‘no’ is both easier and safer than saying ‘yes’ or even ‘maybe’.

Given that I am keen to eat once in a while (well, this belly doesn’t maintain itself!) what this means in real terms is that since time is one of only two tools I have for the generation of income (the other being what could jokingly be called ‘talent’) it has become an extremely valuable commodity. One which once consumed, is irreplaceable.

I mention this not in an effort to elicit any kind of sympathy but for a very specific reason. For I recently read an amazing article by a best-selling American writer called Leslie Banks in which she talked about the demands placed on a writer’s time and in particular, the value placed on that time by other people. And what she says is correct.

Abso-fucking-lutely correct.

You see, like most writers I receive a steady stream of unsolicited mails from people asking for either help or advice and in the main I’ve always welcomed these and been happy to help if I can. After all, we all started somewhere right?

Recently however, increasing numbers of these mails have gone beyond simple questions about the basics of writing or publishing into requests to critique whole manuscripts, help find an agent and/or publisher or even come on board to help develop a project from scratch. This would be fine were there ever the offer of any money to carry out this work but this is rarely, if ever the case. Remember that, because I will return to it in a moment.

I’d also ask you to consider another point raised by the fabulous Ms Banks. For like her I rarely read anything else whilst I’m writing because I have learned from experience that if I do, I tend to adopt that authors style in my own work. But equally, whatever I’m reading sinks into my brain and on one occasion, something actually fell out of my subconscious and made it onto a page I’d written. Thankfully, I caught it whilst editing but supposing I hadn’t noticed it and it had made it into print only to be picked up by some eagle eyed reader who went on to point it out to the offended author. Can you imagine?

Indeed, with more and more people paranoid about the theft of ideas, it’s only a matter of time before a writer is dragged into court and accused of ripping off a plot line.

Now, put all this together and you might start to understand why more and more writers are not simply reluctant to respond to requests for help but are becoming increasingly angry about them. Because when that mail drops in my inbox what it’s actually asking is “Dear Mr Brimson, can I take advantage of your 20 odd years worth of experience and a shed load of your time and at the same time, would you be happy to run the risk of getting sued to shit and back? Oh, and can you do it all for free?”

Not exactly the most attractive proposition and in all honesty, it’s actually quite insulting. After all, would you go to any other experienced professional and ask for their time free of charge? What do you think a lawyer would say to that? Or a plumber? What would you say if I came to you at your place of work? I rest my case.

So the bottom line is this; if you want to be a writer, then write. And if you want to be a published author or a credited screenwriter, then as you write, learn. Learn about the delights of plotting, the fineries of character arcs, the stress of editing, the nightmare of pitching, the complexities of contracts, the (occasional) thrill of PR, the gut-wrenching pain of rejection and the never-ending irritation of waiting.

But if you want to circumnavigate any of that then be prepared to put your hand in your pocket. It might cost you in the short-term but it will almost certainly save you an awful lot of time.

And as Leslie Banks says only too well, time is money. My money.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

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5 ways for authors to handle bad reviews.

author,writing,review,amazon,ebook,self publishingFor any writer, be it of book, script, article or blog, reviews are not just important, they are vital.

This is especially true of those just setting out along the rocky path of penmanship and who have followed the self-published author route.

However, as much as we’d like every review to be a glowing endorsement of our creativity, the reality is that not everyone is going to like what we produce. Sadly, those readers are increasingly happy to hit the internet and slaughter both a book and its author if they feel disappointed or worse, cheated.

That is their right of course, they are customers after all, but make no mistake, when this happens to you (and it will happen) it hurts. Bad. After all, if you’ve put your heart and soul into a book, having the former ripped from your chest and publicly stamped on is not exactly a barrel of laughs.

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Just one of many I’ve had over the years.

Yet the sad fact is that no matter how good a writer you are, bad reviews are an inevitability and dealing with them goes with the territory. 

So how do you do it?
  1. Accept them for what they are: an individual opinion. Yes, they’re tough to accept and trust me when I tell you that a bad review can eat away at you forever. However, if you’re happy to wallow in the affirmation of a 5* review, you’re got to learn to take the 1* criticism. 
  2. Never respond. Whilst it’s always tempting to rip into a bad reviewer like a rabid dog, leaving aside the fact that it’s bad manners, it’s also inviting trouble. Trolls love a good author spat and if they get hold of you they can do more damage to both your book and your career than you can ever imagine so don’t give them that opening.
  3. Develop a thick skin, and fast. The more books you produce, the more negative reviews you’re going to get. Conversely, you’re also going to get more positive reviews so keep re-reading those to balance things out.
  4. Be honest. Reviews aren’t just feedback, they’re market research so if you’re getting more bad than good, it might well be that there is actually some truth in what’s being said. So whereas good reviews will always tell you what works, bad ones will often tell you the rest. Use both as learning tools and use that information to help you make your next book better.
  5. Enjoy them. Even a bad review means that someone has read your book, YOUR book! Be proud of that and remember, not only does each and every review push your book up the amazon rankings, it also means income. Why do you think authors are so desperate for them? Even bad ones.

Away from books, my next movie, the thriller Three Greens, is moving swiftly toward production with casting of the major roles currently underway. In addition, I am thrilled to announce that another script has been given the green light and with finance in place, is also heading toward casting.

I can’t say much about this new project, but I can guarantee that it’s going to cause quite a stir!

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

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I’m a mid-list author and I earn my living by writing books that sell. What’s wrong with that?

eBooks = future

I have an admission to make: my name is Dougie Brimson and I am a professional author. That isn’t as an introduction to some kind of warped writers anonymous group, it’s a statement of fact.

I mention it because the other day someone asked me what motivates me to write and having thought about it at length, the one thought that kept entering my head was ‘what a stupid bloody question!’ Let’s get this clear once and for all; I write for two reasons: 1. I’m a lazy bastard who likes sitting down all day and 2. I need to make money to facilitate item 1.

That seems fair enough to me but for some strange reason it doesn’t seem to sit well with the literati. For them, the very idea of a writer admitting to being motivated by income rather than some holier-than-thou desire to ‘create’ is almost akin to admitting a being a Brexiter and admiring Margret Thatcher. Mind you, both of those are true of me too.

I have never really understood this thinking. After all, writing isn’t just bloody hard work it takes an awful lot of time and effort so if you’re going to do it, surely the aim must be to get published? But you will only get published if someone thinks that there is potential to sell copies and if you sell copies, you make money. That’s why it’s called the publishing business.

Yet for some reason, if you as a writer approach the process by looking at the market and giving it what it actually wants as opposed to what some editor thinks it should have, you are regarded almost as a traitor to the art form. Believe me, I’ve met people who work in publishing who genuinely seem to consider being popular as something to be ashamed of.

Well sod that. I might never win the Booker prize or receive invites to the Hay festival but I know my market, I know what it wants and I’m happy to provide it with as much as I can and as often as I can. If the literary world doesn’t get that simple commercial reality then screw them.

The reason why this is so relevant is because as some people are already aware, I’m currently working on the sequel to my novel Billy’s Log and it’s highly likely that I will be releasing it purely as an ebook.

There are numerous reasons for this (most of which are quite tedious) but the two main ones have to do with speed and money.

It can take months, sometimes years, for a manuscript to make the journey to Waterstones and even longer for the meagre percentage of the cover price to reach the authors bank.

For an eBook, it can be online within hours and any royalties in the bank within 3 months and more importantly, even though eBooks are significantly cheaper than paperbacks, that royalty is higher.

As a professional writer, that’s significant because at the end of the day, whilst I’ve sold plenty of books (around 750,000 at the last count) I’m not JK Rowling or Jeffrey Archer and I don’t get offered 6 figure advances. My income is generated primarily by sales.

Don’t get me wrong, I cannot even begin to tell you how much I appreciate every single email, tweet, letter or comment I receive about my writing and when it comes to motivation, nothing works as effectively as praise. But I also appreciate the income that my work generates if for no other reason than it buys me time, and food. So anything I can do to increase that income and the speed with which it arrives, has to be a good thing.

The downside of course, is that for someone like me who continues to sell books, by stepping away from the traditional publishing route I’m actually taking work away from the very people who have for years been in control of my career.

I get no pleasure from that but at the end of the day, going the eBook route might not win me any friends in publishing but no editor would work for nothing and I’ll be buggered if I’m going to either.

violence, racism, racist, anal sex, oral sex, bum,On the subject of ebooks, it continues to astonish me that over 5 years since it was first released as an ebook, The Crew has almost continually held the #1 slot on both its Amazon and iTunes chart and was the most downloaded football book of 2012, 2013, 2014 and 2015. Additionally, on most weeks at least 7 of the top 50 football books on iTunes are my titles and I’ve also released two further books including Wings of a Sparrow which continues to sell well.

This, in spite of the fact that publicity for my work remains an elusive beast. In fact I have found it all but impossible to obtain any mainstream coverage for my work which is both irritating and frustrating in equal measures. Yes, there is obviously the ‘hooligan’ tag to overcome which is clearly and understandably an issue with some people but the fact remains, there is a market for the type of books I write and thankfully, that market seems to like what I’m providing for them.

So rest assured, as long as people keep buying them, I’ll keep writing them because to me, the reader is and always will be the most important person in the whole process. Which is kind of the point.

@dougiebrimson

,sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes

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How to beat an online troll.

amazon, itunes, ebooks, author, brimson, football, soccer, troll, bullies
An Amazon troll.

Much is being made about the subject of trolls this morning and as someone who has endured their fair share of troll wars over the years, I thought it worth exploring one aspect of this issue which rarely receives any mainstream media coverage. The issue of the amazon trolls.

Now I love Amazon, it’s amazing. Not simply for the fact that it offers brilliant prices on just about everything but because it’s where I sell most of my books. Not just in the UK either, but around the world.

However, my favourite online retailer does have a dark side and it is one which all authors need to be aware of; the forums.

As an idea of course, a place where readers can talk about books is brilliant. Not just to enhance the experience of readership but also because a lot of people like to support authors and promote new ones which is not something to be sniffed at. Conversely, it is also a great way to let people know that you might not have enjoyed a particular book as well as hopefully, providing an explanation as to why. This however, is where the problems can sometimes arise. Primarily because of the trolls who lurk there.

Now I always advise authors to avoid responding to reader reviews and especially to comments for the simple reason that reviews are an individual’s opinion and are generally posted for the benefit of other readers. And whilst they can be incredibly useful to authors for all kinds of reasons, they are not written for them/you/me.

There are obviously exceptions to that, the primary ones being to thank someone who has been particularly complimentary or to point someone who has loved a book in the direction of a sequel if such a thing exists. However, when someone posts something negative, be it about the story, the writing or even the grammar, whilst the natural instinct is to respond, it is imperative that you avoid the temptation and instead, bite the bullet and take it on the chin. If you don’t, you potentially open yourself up to a world of pain for nothing excites the amazon trolls more than a sniff of a stroppy author.

As a result, before you know it, you could find yourself under attack and those attacks can very quickly get very personal. They can also become relentless as the literary trolls are prone to hunting in packs. Don’t think they will confine their activities to Amazon either. Oh no, upset the trolls and they’ll fairly quickly be rubbishing you on Goodreads, Facebook and even Twitter. And those attacks can go on for weeks, months, even years.

Indeed, so bad can they get that they don’t just damage the book, they can easily undermine the reputation and even confidence of the author. I know of numerous writers who have actually withdrawn their books from sale simply because they can’t handle the abuse they’ve received. Occasionally, they have got so bad that the police have had to become involved.

Quite what drives these people on escapes me. Although I suspect both jealousy and sad, empty lives have a lot to do with it. However, to delve into the psyche of these bullies gives them exactly the kind of power and importance that they crave so it’s far better to simply laugh them off, ignore them and simply keep churning out good solid work. Because ultimately, that’s what they want to stop you doing, which is ironic given that they all claim to love books.

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top dog, brimson. hooligans, author, film, screenwriting, violence, crime, thrillerDougie Brimson is the author of 15 books, the bulk of which are now available as eBooks. These include the thrillers, The Crew which has held the #1 slot on its Amazon chart for approaching 5 years and is now FREE, its sequel, Top Dog, which is also an award winning movie and the new football comedy, Wings of a Sparrow.

Details of all books as well as links to buy can be found by clicking here!  

Writers: Are we our own worst enemies?

gangster, violence, gangs, independent film, rape, murder, sex As you may or may not have noticed, my third feature, We Still Kill The Old Way, was released over Christmas.

For reasons I won’t go into here, I haven’t seen it yet but friends and family who have were certainly impressed and reviews thus far have been generally excellent.

As co-writer of said movie, I’m obviously pleased for all involved yet there is one thing that’s becoming increasingly irritating to me. So much so in fact, that the other day I actually did something I said I’d never do. I complained about a review. In fact, I’ve subsequently complained about three. 

It would be obvious to assume that these were negative reviews but in fact the opposite is true. Each was full of praise for the film and the performances with none giving it less than four stars.  However, all three (and others to be fair) neglected to mention one specific thing, the writers.

Now to be clear, this is not a moan about me. As I’ve written many times, screenwriting is very much a hobby for me (albeit one that takes up most of my time!) as I consider myself first and foremost to be an author (and even that’s pushing it!). Furthermore, as I’ve also written many times, I’m never precious about scripts and am more than happy to hand them over to a director and let them take over. As long as they pay me of course!

However, whilst I’m always delighted to read the compliments paid to actors and directors, the fact remains that the starting point of any film or TV show is a writer with an idea sitting in front of a blank screen. Without them, there would be no film to talk of so is it not right and proper that their role should, at the very least, be afforded the courtesy of a name check rather than a cursory mention of the script they churned out?

What annoys me most about this is that the people writing reviews are my peers and as fellow writers, I’d argue that they actually have a duty to talk up both their fellow scribes and the work that they do. For by not doing so they surely underpin the notion that writers are the least important people in the creative process when the reality is that the opposite is closer to the truth.

After all, do you really think Arnie came up with the line ‘I’ll be back!’ all by himself? Or that Jack Nicholson just threw together the ‘you can’t handle the truth’ speech from A Few Good Men as they were sitting on set? Of course not. They came from the imagination of some poor caffeine, alcohol and/or nicotine fuelled hack sitting in front of a computer in the middle of the night. 

So film critics of the world, the next time you heap praise on a movie, why not remember the individual who put it all together and give them a mention.

Not least because one day, that might be you.

Thanks to all those I’ve spoken to over the holidays (and at Chelsea yesterday) asking about my next project.

I can’t say anything at the moment other than talks are well advanced for a new film and I’m hoping to pen to paper on that within the next few weeks. In the meantime, I’m working on a new script and will then start work on another book as I am determined to add to my list by the end of the year. On which note, thanks to everyone who brought The Crew, Top Dog, Billy’s Log and Wings of a Sparrow over the holidays.

I hope you enjoy them!

screenwriting, screenplay. script, author, ebook, gangster, indie film, british film, green street, social media, twitter, facebook

Why writers should embrace the blank page.

writer, writing, author, screenwriting, film, movie, hollywood, football, soccer
Ever since I have been writing, two things have been regularly thrown in my direction.

The first is that at some point all writers get writers block, the second is that a blank page is a scary thing.

I’ve written about writers block numerous times before so I won’t go over that again (however, to paraphrase it for any newbies, in essence I believe it’s a myth designed to excuse one of any number of basic failings) but the issue of the blank page is something I’ve rarely discussed. As I sit here facing a new one today, now seems as good a time as any.

Now, however unlikely it might be, all writers have to believe that somewhere deep inside us is the ability to pen a booker prize winning novel, a ‘Harry Potter’ style literary phenomenon or an Oscar winning screenplay.

The blank page signifies what is possibly the beginning of the journey toward the creation of that very book or script and like the start of any journey, there are two ways of looking at it. You can either be pessimistic or optimistic. Which one you choose, or rather which one chooses you, is wholly dependent on the type of person you are.

The pessimist of course, will suspect that it is highly likely that within a first few pages, they will realise that this new project won’t be the big break they are dreaming of and instead, even as they sit there hammering away, they are going to be accompanied by that awful sense of hope evaporating.

And as hope rolls away, it will be replaced by the standard writers fears of exposure, of failure, of making yourself look stupid and possibly worst of all, of being boring. Who on earth would want to risk any of that let alone willingly put themselves through it?

Yes, all of that and more lurks on that single A4 page or a blank screen filled with nothing but white. Having written 15 books and numerous screenplays, I can state that with authority.

Thankfully, these days I tend to be a bit more confident and far from fearing the blank page, I love it! And for one very specific reason: it signifies power. Power to create anything I want to create be it non-fiction, fiction, thriller, comedy, male, female, sex, crime, football… anything.

A blank page gives me freedom to develop characters from my own imagination and make them do whatever I want them to do be it good, bad or even evil. I can make them love, hate or even kill them off, horribly if I want. And all of that comes from nothing other than my imagination. That’s what I call power! Real power!

That, in essence, is exactly what I’m facing at the moment. For today I start work on a new novel based on a recently completed screenplay.

It’s very different from my previous novels in that it’s about the military but in many ways, that makes it even more exciting as I can call on my own experiences in uniform. However, if the novel proves half as enjoyable to write as the movie version was, it’s going to be brilliant fun and since I write primarily for me, that’s all that matters.

Blank page… don’t be frightened of it, love it. It’s everything any writer could ever want.

violence, racism, racist, anal sex, oral sex, burlesque

Despite being over 14 years old, The Crew and Top Dog continue to sell well with an audio version of Top Dog now available to download via here!

Wings of a Sparrow also continues to do well in both paperback and eBook formats and I’m hoping that like the movie version of Top Dog, this will also make the leap to the screen at some point very soon.

All being well, I’ll also be able to pass on news of another movie project in the very near future.

 

screenwriter, screenwriting, author, self-publishing, green street, top dog, british film, gangsters, the krays, hooligans, collymore, troll, trolling

 

The Great Game. Or not.

football, writing, sex, oral, sport, soccer, film, screenwriting, analI am one of that lucky breed of individuals who has ended up doing a job, if you can call it that, which just happens to revolve around one of their  passions. As a result of this good fortune, what I do occasionally rules my life 24/7 to the point that if I’m not working by necessity, I’m doing by choice.

Thankfully, my son has also become infected with this passion and no doubt, as the years pass by, the two of us will continue to enjoy our shared obsession not just because we’re father and son, but because…well, because we’re blokes. And as we grow older, we’ll talk about the good old days and how things were much better back … er, now, and moan about how it all went wrong. Which of course, it surely will. Because the thing of which I speak is of course, the glorious, but all too often disappointing game that is football. And if you follow football, as anyone who watched the pathetic efforts of our nations supposedly finest players in Brazil will be acutely aware, the chances are that you’re going to spend a good portion of your supporting life feeling depressed.

To be honest, I guess that’s where the main attraction lies for me. I am after all, a natural pessimist and so it stands to reason that football is my ideal sport. After all, if you go to a game expecting to be disappointed, anything else is a serious bonus!

But the other benefit the great game provides is that the pre-match pub has replaced the traditional campfire as the place where stories and legends are both told and heard. And who can deny the pure unadulterated joy which comes from hearing about someone else’s misfortune or the simple thrill of trying to work out if someone is lying through their teeth or not.

The problem of course, is that every so often, you are expected to contribute. And tragically, I have one of those footballing stories that tread the fine line between bizarre and bullshit. A story that I still have difficulty believing even though I was the central figure. In short, I once saved a penalty taken by my own team in a game that we lost. Confused? Oh, it gets worse than that. Much worse.

You see during my time in the RAF, I was the manager of our Squadron football team. A team who I have to admit, were rubbish. The sad thing was, I was also a member of the defence and as we were leaking goals at a frightening rate, I eventually got to the point where I dropped myself.

Come one particular match, against the side who were top of the table, we all turned up as normal but due to circumstances beyond their control, the opposing side turned up with only ten players. However, as they were superior to us in every aspect of their play, they were quite happy to play us with ten men, which, if nothing else, was pretty demeaning for our lot.

Of course, the inevitable happened and just before half time, in the only attack we had managed to mount during the previous forty minutes, their keeper got seriously hurt and was carried off. As a result, they were now down to nine men and it looked like the game would have to be abandoned. However, sensing at least a point for my lads, I offered to go in goal for them with the promise that I would, of course, be totally impartial!

Following various warnings from their captain and bearing in mind that we had only threatened their goal once in the first half, they reluctantly accepted my offer and I thus took my place in goal against my own team. But such was the lack of skill exhibited from my own players (this gets confusing) I had nothing to do for the rest of the half and at the break, gave my own team a rousing pep-talk designed to get them playing well enough to score a goal against me.

However, as the second-half progressed, despite their numerical superiority my own team remained pegged back in their (our) own half but the team I was keeping goal for still could not score. As the final minutes ticked away and that elusive point became ever closer to reality, a hopeful punt from our defence  (and that’s our as in my own team) released our centre forward who came charging toward me followed by their defence (the team I was playing for) who clearly who had little faith in my saving their skin. As our striker entered the box with me firmly rooted to the line, they hacked him to the ground and the ref awarded a penalty.

So, to clarify: I was now standing on the goal line, facing a penalty about to be taken by a player from my own side who, were they to score, could well end up securing their (our) first win of the season, and against the top of the table side.

Their (their) whole side were now giving me dire warnings of what would happen to me if I didn’t at least make an effort to save it whilst my (my) lot were shouting at me to let it in. Meantime, I was trying to let our centre forward know that I would go to my left by using exaggerated eye movements etc, and it seemed that judging by the wry smile on his face, he had got the message. As he ran up, I dived to my left and he, thinking that I had actually been telling him to put it to that side, put his shot exactly where I ended up with the result that the ball hit me and bounced back into open play.

Such was the shock of my actually saving a penalty taken by my own side, that their (their) defenders won the ball, screamed up field and scored whilst my own team remained rooted firmly to the spot in total disbelief. The result being that I ended up on both the winning and losing sides.

Inevitably, as soon as the whistle blew, the repercussions began and eventually, after a blazing row, I resigned my position as manager and never played for the team again.

You see, I told you. Unbelievable.

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wings-of-a-sparrow-final.pngMy latest novel, Wings of a Sparrow, is now available in both paperback and ebook formats. Just click on the relevant link to purchase via Amazon. It’s also available via all online retailers and in good bookshops.

For details of all current, future and previous books and movie projects, please visit www.dougiebrimson.com

 

football, writing, sex, oral, sport, soccer, film, screenwring, anal, animals, top dog, green street, elijah wood, charlie hunnam, brimson, premier league, 

From novel to screen – The joy of adaptation.

manchester united, david moyes, liverpool, british film, ryan giggs, old traffordWith Top Dog heading for release on Monday, the PR machine has been running at full speed and one question which has repeatedly cropped up is how I found the process of adapting my own novel for the screen.

Rather than go into it all here, I’ll point you in the direction of an article I wrote for PureMovies.com which not only goes into it in some depth, but also talks about how the movie actually came about.

Thankfully, the screenings thus far have gone really well and everyone seems more than happy which is all I could hope for. But now comes the really important bit and that’s the public reaction so if you fancy a look and haven’t ordered a copy, you can do so via Amazon. Either that or simply head down to your local DVD/Blu-ray retailer early next week.

All being well, the reissued paperback will be not far behind as copies have already rolled off the presses. That can also be ordered online via Amazon or if you can’t wait and fancy the eBook version, that can be downloaded right here right now for the princely sum of £1.99p! It’s also available via iBooks of course.

kill, indie, british film, hooligans, krays, violence, gangsAway from Top Dog, work on We Still Kill The Old Way is almost complete with the final scenes being shot in Spain early next week. I visited the set a couple of times and have to say that there was a real buzz amongst everyone that something really special is coming together.

It’s a great script, the crew are fabulous and it’s being helmed by an excellent director in Sacha Bennett but the really exciting thing about this project is the amazing cast we have working on it. A cast which includes legendary names such as Ian Ogilvy, James Cosmo, Chris Ellison, Steven Berkoff and Lysette Anthony as well as a raft of brilliant young actors led by Danny-Boy Hatchard and Danni Dyer.

If that lot doesn’t get your juices flowing, nothing will. You’re going to have to wait for a few months yet but believe me, it will be worth it.

Exciting times.

 

 green street, top dog, martin kemp, elijah wood, hooligans, gangs, violence, crime writing, indie film, writing, screenwriting, leo gregory, brimson, 

Are you an author, a screenwriter or simply a writer?

writing, author, screenwriter, british film, football, hooligan, soccerYesterday, I made a comment that the difference between being an author and being a screenwriter is the same as the difference between an immaculate conception and an egg donation.

Now as someone who writes both novels and scripts, this is a fairly obvious and totally accurate statement yet for some reason it seemed to cause confusion in certain writing circles and it struck me that it might be worthwhile expanding on it a bit. So what follows is a slightly tongue-in-cheek guide to the essential difference between the creative processes involved with the two very different disciplines. 

As an author, when you write a novel, it is your baby. You sit, plot, write, edit, rewrite, edit again and then when you’re happy, you send it off to a publisher who more often than not, will be the first person to read it.

They will then come back with some comments to which your response will be to either reluctantly agree or to tell them to get stuffed. You then do a bit of polishing, send it off to a proper editor who, amongst other things, will fix your appalling grammar and then when everyone is happy, it heads off to print. 

Yet from concept to shelf or kindle, as the writer you retain pretty much total creative control and as such, the finished article remains in essence, all your own work. From that point on, it’s all about you. Have you ever seen a book publicised as ‘edited by….’? Of course not. 

It’s you who do the PR and you who get the accolades or the grief. Hence the immaculate conception. 

A screenplay is totally different because in terms of the creative process, you as the writer have very little power over what finally ends up on screen. Yes, you might well come up with the initial concept and you will certainly put the initial layer of flesh on the bones but generally speaking, your place is and always will be on the bottom rung of a very long development ladder. Indeed, a script will go through so many rewrites it might as well be written in pencil and it’s certainly safe to say that by the time it gets to the point when a director calls ‘action’, the shooting script will be very different from your initial draft

There are of course, very specific reasons for this be they creative improvements the director has made or something as mundane as location, cast or budget. Yet however much it might irritate you as the writer, everything is underpinned by one very simple fact and that is that everyone involved in the process wants to get the best thing on screen that they possibly can. 

And that is the key difference. For unlike a novel, a script is a true collaboration and your pages are usually the starting point. Or to use my original statement, the egg.

You see, simple. 

This is of course, totally different if you write a novel and then adapt it for the screen as I have just done with Top Dog. But that’s an entirely different subject which I will no doubt end up talking about in therapy one day!

writing, author, screenwriter, british film, football, hooligan, soccerMention of Top Dog leads me nicely into the latest news and that is that the release date for the DVD is 26th May. I’m also hoping that the novel will be reissued in print about the same time and that can be pre-ordered from Amazon but if you’re desperate, you can download it by clicking here.

There has been talk of a London premiere as well as some screenings and news of those will be posted on Twitter and Facebook as soon as the details are released.

Casting is currently underway on We Still Kill The Old Way with shooting due to start on May 5th. I’ve seen a provisional list and if even half of it comes off, it’ll be amazing!

Again, keep an eye on Twitter and Facebook for details. 

Happy days indeed. 

 

top dog, green street, sothcott, gang, gangster, violence, british film, self publishing, ibooks, indie publishing, martin kemp, spandau ballet, elijah wood, hooligans, england, sex, racism, krays, pornography, london 

Are you an author, a screenwriter or simply a writer?

writing, author, screenwriter, british film, football, hooligan, soccerYesterday, I made a comment that the difference between being an author and being a screenwriter is the same as the difference between an immaculate conception and an egg donation.

Now as someone who writes both novels and scripts, this is a fairly obvious and totally accurate statement yet for some reason it seemed to cause confusion in certain writing circles and it struck me that it might be worthwhile expanding on it a bit. So what follows is a slightly tongue-in-cheek guide to the essential difference between the creative processes involved with the two very different disciplines. 

As an author, when you write a novel, it is your baby. You sit, plot, write, edit, rewrite, edit again and then when you’re happy, you send it off to a publisher who more often than not, will be the first person to read it.

They will then come back with some comments to which your response will be to either reluctantly agree or to tell them to get stuffed. You then do a bit of polishing, send it off to a proper editor who, amongst other things, will fix your appalling grammar and then when everyone is happy, it heads off to print. 

Yet from concept to shelf or kindle, as the writer you retain pretty much total creative control and as such, the finished article remains in essence, all your own work. From that point on, it’s all about you. Have you ever seen a book publicised as ‘edited by….’? Of course not. 

It’s you who do the PR and you who get the accolades or the grief. Hence the immaculate conception. 

A screenplay is totally different because in terms of the creative process, you as the writer have very little power over what finally ends up on screen. Yes, you might well come up with the initial concept and you will certainly put the initial layer of flesh on the bones but generally speaking, your place is and always will be on the bottom rung of a very long development ladder. Indeed, a script will go through so many rewrites it might as well be written in pencil and it’s certainly safe to say that by the time it gets to the point when a director calls ‘action’, the shooting script will be very different from your initial draft

There are of course, very specific reasons for this be they creative improvements the director has made or something as mundane as location, cast or budget. Yet however much it might irritate you as the writer, everything is underpinned by one very simple fact and that is that everyone involved in the process wants to get the best thing on screen that they possibly can. 

And that is the key difference. For unlike a novel, a script is a true collaboration and your pages are usually the starting point. Or to use my original statement, the egg.

You see, simple. 

This is of course, totally different if you write a novel and then adapt it for the screen as I have just done with Top Dog. But that’s an entirely different subject which I will no doubt end up talking about in therapy one day!

writing, author, screenwriter, british film, football, hooligan, soccerMention of Top Dog leads me nicely into the latest news and that is that the release date for the DVD is 26th May. I’m also hoping that the novel will be reissued in print about the same time and that can be pre-ordered from Amazon but if you’re desperate, you can download it by clicking here.

There has been talk of a London premiere as well as some screenings and news of those will be posted on Twitter and Facebook as soon as the details are released.

Casting is currently underway on We Still Kill The Old Way with shooting due to start on May 5th. I’ve seen a provisional list and if even half of it comes off, it’ll be amazing!

Again, keep an eye on Twitter and Facebook for details. 

Happy days indeed. 

 

top dog, green street, sothcott, gang, gangster, violence, british film, self publishing, ibooks, indie publishing, martin kemp, spandau ballet, elijah wood, hooligans, england, sex, racism, krays, pornography, london