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The business of writing: finding motivation.

write,writing,screenwriting,screenplay,author,hooligan,football,soccer,independent film,When asked about writing, author Neil Gaiman once famously said, “This is how you do it: you sit down at the keyboard and you put one word after another until its done. It’s that easy, and that hard.”

He is of course, spot on, well, almost. You see for me the hardest part of the writing process isn’t the actual creativity element, it’s the physical one. Or to be more specific, the act of dragging myself to my desk and actually sitting down at my computer. This is a torture I have to endure on an almost daily basis.

I blame my father, and the military. You see despite his undoubted talent as both a musician and comedian, my dad was staggeringly lazy and this is one of the many bad habits I’ve inherited from him. It began whilst I was in the Royal Air Force when much of my time was spent employing the ‘minimum input, maximum output’ approach to service life and to be fair, I was bloody good at it. Just ask anyone who worked with me.

Inevitably, this lifestyle has also infected my career as a writer although even I know that it’s a luxury I can ill afford. If I don’t write it, it doesn’t get written and if it doesn’t get written, I don’t eat or get to go to *football/stock car racing/cinema/restaurants *delete as appropriate.

As a consequence, most mornings I have to force myself away from the sofa and the delights of whatever movie I recorded the day before and go through what is an increasingly defined ritual to begin my working day. I won’t go into it all as it’s starting to get a bit OCD like, but it is safe to say that both coffee and Solar Radio feature as prominent kick starters in my motivational process!

Occasionally however, I don’t have any trouble getting to my desk. Indeed, sometimes I can’t actually wait to get started and when I hit that point, I know I’m onto something solid. Thankfully, I am there right now. Not once, but twice.

The first project I’m excited about is my next book which will be my first military thriller. It’s actually based on a script I wrote a couple of years ago which is currently in the process of being financed and is a truly cracking story set around the RAF. And that’s all you’re getting for now.

The second project I’m working on is based on another screenplay I wrote a few years ago, this one for a potential TV series. Sadly, despite some initial interest it fell by the wayside as so many projects do. However, one of the things I loved about the script was the central character and so did a producer friend in the US. So when she was recently asked by a Hollywood studio to pitch a new movie project within the same genre as my comatose show, she immediately thought of my creation. One thing led to another and we’re now at the point where the green light is beginning to flicker.

It’s all very exciting and hopefully, I’ll be able to pass on the details soon.

Speaking of likeable characters, you may or may not have noticed that my favourite anti- hero has returned with a vengeance (literally) in the third book in the Billy Evans trilogy.

To say In The Know has been well received would be an understatement with 5* reviews across the board both on Amazon and Goodreads. It’s also sold out the first print run which is fantastic (new stock is on the way as I type) so can I thank everyone who’s read it so far and taken the trouble to post a review.

Oddly, given that it’s a trilogy and all three books have already been published, I’m already being asked when the next one is coming. I actually have a few ideas for Billy including a prequel, but like all things, it will be wholly dependent on how well this one does sales wise. Mind you, a film adaptation would certainly help and that may well be in the mix already.

Watch this space. And please, stay safe everyone.


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Just in case you didn’t know already, all of my books and DVD’s are available from both Amazon and iTunes


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Everything you wanted to know about being an author (but were afraid to ask).

As I sit here pondering my navel during the madness of this lockdown and doing pretty much anything I can to avoid actually writing, I often stumble across things which not only make me laugh, but strike a chord. One of the most recent items to achieve this double whammy was an old blog I read entitled ‘Everything you wanted to know about being an author (but were afraid to ask).

The reason this caused such mirth in Brimson Towers was because this last week I’ve received not one, but two emails asking me about that very thing. Now in both cases, given that Matt Haig, the author of said original blog, is a far better and more accomplished writer than I will ever be and had pretty much said everything I would have said and more anyway, I simply passed on the link and wished the individual well.

However, as I mulled it over whilst standing in line at my local Co-Op yesterday (I needed Mozzarella, seriously) I decided that if I was going to accurately apply this excellent list to my own writing life and process, it would need a tweak or two.

So what follows is a bastardised version of the list in question. I have included the original in italics for reasons which will become obvious and hope that Mr Haig will accept my apology for brutalising his excellent efforts which, if you would like to read them, can be found here: 

1.     We live on toast. And cereal. And caffeine. And wine. But mainly toast.   Since I am banned from eating bread due to my lard arse frames dislike of wheat and rarely drink alcohol of any description, I only survive at all thanks to a daily plate of eggs and bacon, this being supplemented by a ready supply of Bourbons. On reflection, this could explain my aforementioned lard arsed frame.

2.     By the time our book comes out, it feels like a childhood memory. But more distant.   As a writer who is intent on spewing out books and screenplays on a scarily regular basis until such time as readers finally suss out that I am a talentless hack (a fact I am already well aware of), I am no longer hindered by the agonising time it takes publishers take to get books from emailed file to the shelves of Waterstones. Hence, when a book is released into the marketplace, or as I prefer to call it, Amazon, it is still scarily fresh in the memory.

3.     Our daily word-count was approximately three thousand words higher before the arrival of Facebook and Twitter.   Absolutely true. Indeed, there is a whole heap of irony to be found in the fact that whilst the world wide web provides the engine for what passes as my writing career, it also does all it can to slam it into reverse on an almost minute by minute basis. Proof of which can be found by looking at my Twitter and Facebook timelines.

4.     At parties someone will always say, ‘So have you written anything I’d have heard of?’ Or, ‘How are the books going?’ Both questions end in awkward silence.   Again, absolutely true although the reality is that I rarely get invited to parties. In fact for rarely, substitute never. I suspect people assume I will turn up, get pissed and wreck the place. This being as far from the truth as you could possibly get.

5.     If we were number two in the bestseller charts, the only book we would ever be thinking about is the one selling more.   Partially true. Well OK, mostly true. Although in some instances, I do look at who is languishing below me and mutter a smug ‘take that you fucker’ to myself.

6.     We never know if the book we are writing is the right one until we have written it. And even then we are not sure.   In my case, I know it’s the right one because I ask my readers in advance and they tell me what they want. That’s the joy of being an author who actually talks to the people who buys his books.

7.     It is harder to make friends after you become a writer than it was before. But way easier to make enemies.   True and very true.

8.     People think you are automatically a bit weird. (Or is that just me?)   No, it’s not just you. Although in my defence, I am actually a bit weird.

9.     We need editors ‘like a fat kid needs cake’ – to quote that sensitive literary soul, 50 Cent.   This is golden rule number 5 in Doug’s golden rule book of writing. It is so, so true.

10.    The best day is when we get to see our book cover. Unless we don’ t like the book cover in which case it is the worst day.   Being an independent author, my publishers involve me in developing covers from day one and often I have the final say so this isn’t the case for me. My best day is usually when I write ‘the end’ and the worst is when I realise that it usually isn’t.

11.    ‘Royalty statement’ is Latin for disappointment.   Thanks to the web, I see my sales figures on an almost daily basis. Sometimes they are orgasmic, other times I want to kill myself.

12.    We get stomach pains every time another writer wins something. (We have continual stomach pains).   Not only have I never won anything, I’ve never even been nominated. Come to that, I’ve never even been invited to anything where any author won anything. My stomach pains are entirely due to my Bourbon intake.

13.    We all want to be Hemingway, minus the suicide part.   I’m quite happy being me.

14.    We would probably all be writing poems, if people actually bought poems.   If I could earn a living writing football chants or perhaps greeting cards for lads, I’d be happy with that. Who wouldn’t?

15.    We spend a lot of our time going on five hour train journeys to events where eight people turn up (and only three of them buy the book).     The only events I get invited to involve either court or family and generally speaking, I tend to avoid both of them like the plague anyway.

16.    We chose not to choose life. We chose something else.   This is true. It’s called solitude.

17.    We are generally quite bad at dancing.   Untrue. I have the moves! Or at least I did before my back gave out.

18.    In most cases, the person we don’t like more than any other just happens to be another writer. But then, the person we admire most is one too.   This is true. Although in my case it is more to do with personality than the nature of their output.

19.    We may have our name on the front of a book but we always feel slightly outside the publishing industry, looking in. Like Keats at that metaphorical sweet-shop.   True. Despite my success I exist firmly on the outside of the publishing industry and always have. I fear that is unlikely to ever change.

20. If we were a neurotic wreck before we were published – and we were – we remain one afterwards. Our brain chemistry doesn’t fundamentally change.   This is absolutely true although my worst insecurities tend to be more about my other writing life. Screenplays are genuinely terror inducing.

21. If we get good reviews, we want good sales. If we get good sales, we want good reviews.   I want both. Is that too much to ask?

22. We are happy for five whole minutes after a book is sent off. Then we realise all the mistakes we made.   True. Although thanks to the magic that is the eBook, we can if need be, continually edit!

23. We start off wanting to be published. We get published. Then we want a nice review. We get a nice review. Then we want an award. We get an award. Then we want a film deal. We get a film deal. Then we want a film to be made. And so on. For ever. (We are never happy).   Well as previously discussed, I know I’ll never earn any kind of award although I have had a movie and plenty of film deals. Another West End premier would be nice though, I wasn’t actually invited to the first one… (long story)

24. If someone reads our work midway through the writing process we need them to faint in awe or it goes in the bin.   People are constantly reading my work at every stage from one-line idea to final manuscript. As a consequence, if they are happy, I am happy. If they’re not, I listen to what they say and change things until they are. They are legends!

25. We are a little bit lonely.   True. Thankfully, despite coming from a large family, I have always been a bit of a loner and my favourite company is er… me. That has stood me in good stead over the years.

26. Bad reviews are always taken personally. Always.   Totally and absolutely true.

27. Writing a novel is like a relationship. During the early stages every other possibility looks incredibly attractive. But commitment pays off.   True. And since manuscripts, like screenplays, are always females, there are occasions when you get to the end and are glad to see the back of her.

28. We rarely write in coffee shops.   True. Instead we watch and listen and use the fact that we are writers as an excuse for loitering. Or is that just me?

29. Writing is heaven. Re-writing is hell.   Oh god yes.

30. We are rubbish at other jobs. And DIY. And most other things too.   I was an engineer in a previous life so I can do pretty much anything. The biggest problem I have is getting myself motivated to actually do it whatever it is that needs doing.

31. We say the wrong things at parties.   I refer the honourable reader to the answer I gave some moments ago. I don’t get invited…

32. The definition of discomfort is the moment after your mother reads your semi-autobiographical novel.   Substitute ‘mother’ with ‘daughter’ and you’re about right.

33. There is no praise more treasured than that of an author you worship.   I wouldn’t know about this. It’s never happened.

34. The best book we have ever written is the one we are about to write.   It better be!

35. The best ideas we have are the ones that arrive accidentally.   True. In fact the idea for my next book actually arrived thanks to an accident. I was in hospital with my wife who had broken her arm when the plot came to me!

36. There is no email in the world nicer to receive than the one from a reader who has been moved by your work.   Oh yes. Thankfully, I have had many of those over the years and each and every one is valued.

37. We know, in our heart of hearts, that we have the very best job in the world.   The truest of all truths.

So there you have it.

Finally,  I’m happy, if not delighted to announce that work is currently well underway on my 18th book which will be my first military based thriller. However, before that, in a little over three weeks in fact, book number 17 hits the shelves. The third book on the Billy Evans trilogy, it’s entitled In The Know and is, if I say so myself, a cracker.

 

You can pre-order it, as with all my books, my clicking on the following links. Amazon  iTunes

@dougiebrimson

5 ways to handle bad reviews.

author,writing,review,amazon,ebook,self publishingFor any writer, be it of book, script, article or blog, reviews are not just important, they are vital.

Like it or not, good reviews sell books. 

However, as much as we’d like every review to be a glowing endorsement of our creativity, the reality is that if someone buys a book they also purchase the absolute right not to enjoy it. And alongside that comes the option to hit the internet and slaughter both the work and the author if they feel disappointed or worse, cheated.

This is obviously great when it happens to a rival but when it happens to you, and it will, it hurts. Bad. After all, if you’ve put your heart and soul into writing a book, having the former ripped from your chest and publicly stamped on is not exactly a barrel of laughs.

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Just one of many I’ve had over the years.

Yet the sad fact is that no matter how good a writer you are, bad reviews are an inevitability and dealing with them goes with the territory. 

So how do you do it?

  1. Accept them for what they are: an individual opinion. Yes, they’re tough to accept and trust me when I tell you that a bad review can eat away at you forever. However, if you’re happy to wallow in the affirmation of a 5* review, you’re got to learn to take the 1* criticism.
  2. Never respond. Whilst it’s always tempting to rip into a bad reviewer like a rabid dog, leaving aside the fact that it’s bad manners, it’s also inviting trouble. Trolls love a good author spat and if they get hold of you they can do more damage to both your book and your career than you can ever imagine. Don’t give them that opportunity.
  3. Develop a thick skin, and fast. The more books you produce, the more negative reviews you’re going to get. Conversely, you’re also going to get more positive reviews so keep re-reading those to balance things out.
  4. Be honest. Reviews aren’t just feedback, they’re market research. If you’re getting more bad than good, it might well be that there is actually some truth in what’s being said. Good reviews will always tell you what works, bad ones will often tell you the rest so utilise both as learning tools and use that information to help you make your next book better.
  5. Enjoy them. Even a bad review means that someone has read your book, YOUR book! Be proud of that and remember, not only does each and every review push your book up the amazon rankings, it also means income. Why do you think authors are so desperate for them? Even bad ones.

writing, hooligans, author, footballOn the subject of books, I’m delighted to announce that the third book in The Crew/Top Dog trilogy will be published by Caffeine Nights in May 2020.

I’m not going to give too much away about the plot other than to say that the central character gets involved in even more dubious activity than previously. And if you’ve read the first two books, you’ll know that bar is set pretty high!

I can also announce that I’m currently working on a project for Netflix, but that’s all you’re getting!

Exciting times.

@dougiebrimson

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

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Why no writer should ever fear a blank page.

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Ever since I’ve been writing, two things have regularly been thrown in my direction.

The first is that at some point all writers experience writers block, the second is that the blank page is a terrifying thing.

I’ve written about writer’s block numerous times before so I won’t go over that again (however, to paraphrase it for any newbies, in essence I believe it’s a myth designed to excuse one of any number of basic failings) but the issue of the blank page is something I’ve rarely discussed. As I sit here facing a new one today, now seems as good a time as any to tackle it because the explanation is relatively simple.

You see loathe was we are to admit it, all writers believe that somewhere deep inside us is the ability to pen a booker prize-winning novel, a ‘Harry Potter’ style literary phenomenon or an Oscar-winning screenplay.

The blank page signifies the opportunity to commence the creation of that particular creative journey and like any opportunity, there are two ways of looking at it. You can either be pessimistic or optimistic. Which one you choose, or rather which one chooses you, is wholly dependent on the type of person you are.

The pessimist will type those first few words already believing that this new project won’t be the big break they have been dreaming of and instead, even as they sit there hammering away, they will fairly quickly be enveloped by that awful sense of hope evaporating.

And as that hope rolls away, it will be replaced by the standard writers fears of exposure, of failure, of making yourself look stupid and possibly worst of all, of being boring. Who on earth would want to risk any of that let alone willingly put themselves through it?

Yes, all of that and more lurks on that single A4 page or blank screen filled with nothing but white. Having written 16 books and numerous screenplays, I can state that with some authority.

Thankfully, having been writing for some considerable time now I tend to be far more optimistic and far from fearing the blank page, I love it! For one very specific reason: it signifies power. Power to create anything I want to create be it non-fiction, fiction, thriller, comedy, male, female, sex, crime, football… anything.

A blank page gives me freedom to develop characters and make them do whatever I want them to do be it good, bad or even evil. I can make them love, hate or even kill them off, horribly if I want. And all of that comes from nothing other than my imagination. How can anyone not find that exciting?

That, in essence, is exactly what I’m facing at the moment. For having just completed work on the third book in the Billy Evans trilogy, today I start work on a new novel.

It’s a thriller I’ve been planning for a while and having read over the numerous notes I’ve made over the last few years, it’s going to be great fun to work on.

Blank page… don’t be frightened of it, love it. It’s everything any writer could ever want.

violence, racism, racist, anal sex, oral sex, burlesque

Despite being over 18 years old, The Crew and Top Dog continue to sell well with the former continuing to inhabit the #1 slot on its Amazon chart. Indeed the new book will bring the character of Billy Evans right up to date and if I say so myself (although I don’t because my beta readers have told me) it’s a cracker. I’ll have news of publication dates as soon as my publisher lets me know!

Finally, thanks to everyone who continues to contact me about Wings of a Sparrow which also continues to do well in both paperback and eBook formats. Having recently sold the film rights, I’m seriously hoping that we’ll soon see it make the leap to the big screen.

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Why writing your endings first can solve your plotting problems.

panster, writing, screenplay, authorThe other day, I mentioned the subject of pantsting and have had a number of mails asking me what it’s all about.

In essence, pantsting is a method of writing where you put together the very basics of a plot and then just run at it. Or to put it another way, you write by the seat of your pants.

This is generally the method I use for all my projects be they book or script because as I have previously mentioned, the majority of them are sparked off by ideas I’ve had for endings. As a consequence, everything else is about getting the characters to a point I already have firmly fixed in my mind (or indeed, will almost certainly have developed and written to the point where it will remain pretty much untouched right through to the end of the process) and so I can make their journey as simple or as complicated as I want.

Of course, as the journey unfolds and my characters begin to take on lives and personalities of their own, I will invariably get to the point where I’ll have to go back to the beginning and start again but this isn’t as bad as it sounds. For by the time I’ve finished what would be classed as a first draft, I’ve probably rewritten most of it at least three or four times and have characters which are reasonably well formed.

That usually means it’ll be good enough to send to an independent reader for some feedback and for someone like me who hates rewriting scripts without notes, that really is a god send!

But, as mentioned previously, no matter how many rewrites I go through, the ending will always remain pretty damn close to the one that originally sparked off the idea. For as anyone with any sense knows, when it comes to thrillers, endings are always the most important part of all!

My next book will be the third book in The Crew/Top Dog trilogy and  should hit the shelves later this year.

It’s a hairs breath from being finished and is a cracker, even if I say so myself (which I don’t, because a few people have already read through the opening chapters and they’re saying that as well!)

 

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpoolIn the meantime, my numerous books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog are available from both Amazon and iTunes.  

Please click on the relevant link for more information.

@dougiebrimson

Trolled on Twitter? Sorry, it’s your own fault.

twitter, troll, trolling, writer, green street, top dog, As anyone who follows me on Twitter will know, I am a huge fan.

To me it’s a great source of both news and amusement as well as being a fantastic way to promote my books and well, what I do. Most importantly for me at least, it’s a great way to interact with both readers and football fans and it’s fair to say that I’ve made some great mates though twitter with I hope, many more to come.

However, I’ve also encountered some proper dicks over the years and received more than my share of abuse from all kinds of trolls. In recent months for example, besides the usual ‘shit writer’ fair I’ve been accused of condoning child abuse, being sexist, homophobic and racist amongst other things. None of which is particularly nice I’m sure you’ll agree but, and this is the crux of this whole matter, I know how to deal with it. And by that I mean me. Not twitter, not my ISP and not the police, but me.

And at the heart of that is one simple statement, ‘it’s not personal, it’s Twitter’.

The day you start screaming blue murder about something mean said about you by some anonymous idiot on a social networking site is the day your life begins to spiral out of control. No, it’s not nice to be accused of being a Nazi and I’m fairly certain that it’s not nice to read that someone wants to rape you or burn you alive but by reacting, you do exactly what the person who wrote it wants you to do. You give them power by taking them seriously.  And power is all they’re after.

This is where people are getting it wrong when they claim Twitter should be clamping down on trolls because Twitter doesn’t have to. You do, as the individual. It’s called taking personal responsibility.

Would you walk down a dark alley in  a dodgy area in the middle of the night? No. Would you leave you front door wide open if you went on holiday? No. You take appropriate action to protect yourself.

So why don’t you apply that same thinking when it comes to social media?

Ignore, delete, block. Those three words should be beaten into the brains of everyone who uses either Twitter or Facebook because those three actions place you totally in control of what appears on your feeds.

And if it’s not on your feed, why do you care? Seriously, why?

Social media isn’t like real life. If someone is bad mouthing you to colleagues at work, there are processes in place to deal with it. If you’re having trouble with neighbours, then you tackle it face to face or if it’s beyond that, involve the authorities.

But social media is simple words. And unlike sticks and stones, they don’t break bones.

Yes, of course there are exceptions just as there are to every rule and yes, there will be instances where Twitter PLC or even the law should and must get involved. However, in the main it’s a personal choice to react, ignore, delete or simply hit the block button which Twitter already provides for you to use in just such cases.

If you don’t understand that and don’t accept that in many ways, Twitter is the greatest manifestation of free speech we have, then rather than scream blue murder about the need for censorship (yes, censorship) why not take total control yourself and employ the ultimate sanction, delete your account.

Because you do actually have that option at your disposal and speaking as a Twitter fan, if you do indeed think that social media is there to serve you and not the other way round, then I’d urge you to do just that.

I for one won’t miss you one bit.

@dougiebrimson

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The Crew. Still #1

I never get bored of saying this, truly, I don’t. A huge thanks to everyone who is keeping The Crew at (or very close to) the #1 spot on the Amazon and iTunes sports charts. We’re now approaching the end of our 8th year at the top of the tree which however you look at it, is quite something.

Top Dog is also sitting pretty as are most of my other titles which proves what I said years ago, that if you give people what they want as opposed to what you hope they might like, they’ll buy it.

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

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So, you want to be a writer.

When I first started out on what is laughingly called my writing career, I imagined that at some point, I would end up sitting somewhere warm doing pretty much sod all whilst my bank account was being drip fed a steady stream of royalty payments.

This money would then be spent fuelling my passions for motorcycles, stock car racing and Adidas Gazelles with the remainder being wasted on expensive holidays and flash restaurants. Sadly, it has not turned out like that.

Instead, like most writers battling against the combined curses of mid-list anonymity and the explosion of electronic publishing, I find myself working long hours developing new projects whilst waiting for decisions from people who are either barely qualified to make them or are simply too terrified to. These days, saying ‘no’ is both easier and safer than saying ‘yes’ or even ‘maybe’.

Given that I am keen to eat once in a while (well, this belly doesn’t maintain itself!) what this means in real terms is that since time is one of only two tools I have for the generation of income (the other being what could jokingly be called ‘talent’) it has become an extremely valuable commodity. One which once consumed, is irreplaceable.

I mention this not in an effort to elicit any kind of sympathy but for a very specific reason. For I recently read an amazing article by a best-selling American writer called Leslie Banks in which she talked about the demands placed on a writer’s time and in particular, the value placed on that time by other people. And what she says is correct.

Abso-fucking-lutely correct.

You see, like most writers I receive a steady stream of unsolicited mails from people asking for either help or advice and in the main I’ve always welcomed these and been happy to help if I can. After all, we all started somewhere right?

Recently however, increasing numbers of these mails have gone beyond simple questions about the basics of writing or publishing into requests to critique whole manuscripts, help find an agent and/or publisher or even come on board to help develop a project from scratch. This would be fine were there ever the offer of any money to carry out this work but this is rarely, if ever the case. Remember that, because I will return to it in a moment.

I’d also ask you to consider another point raised by the fabulous Ms Banks. For like her I rarely read anything else whilst I’m writing because I have learned from experience that if I do, I tend to adopt that authors style in my own work. But equally, whatever I’m reading sinks into my brain and on one occasion, something actually fell out of my subconscious and made it onto a page I’d written. Thankfully, I caught it whilst editing but supposing I hadn’t noticed it and it had made it into print only to be picked up by some eagle eyed reader who went on to point it out to the offended author. Can you imagine?

Indeed, with more and more people paranoid about the theft of ideas, it’s only a matter of time before a writer is dragged into court and accused of ripping off a plot line.

Now, put all this together and you might start to understand why more and more writers are not simply reluctant to respond to requests for help but are becoming increasingly angry about them. Because when that mail drops in my inbox what it’s actually asking is “Dear Mr Brimson, can I take advantage of your 20 odd years worth of experience and a shed load of your time to offer you the opportunity to risk getting sued to shit and back? Oh, and can you do it all for free?”

Not exactly the most attractive proposition and in all honesty, it’s actually quite insulting. After all, would you go to any other experienced professional and ask for their time free of charge? What do you think a lawyer would say to that? Or a plumber? What would you say if I came to you at your place of work and asked for something on a non-existent account? I rest my case.

So the bottom line is this; if you want to be a writer, then write. And if you want to be a published author or a credited screenwriter, then as you write, learn. Learn about the delights of plotting, the fineries of character arcs, the stress of editing, the nightmare of pitching, the complexities of contracts, the (occasional) thrill of PR, the gut-wrenching pain of rejection and the never-ending irritation of waiting.

But if you want to circumnavigate any of that and take advantage of someone else’s experience, then be prepared to put your hand in your pocket. It might cost you in the short-term but it will almost certainly save you an awful lot of both angst and time in the long terms.

And as Leslie Banks says only too well, time is money. My money.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, publishing, british film, football, soccer, sport, politics, work, green street, gang, hooligan,

 

 

Why I love my readers (and why their reviews are so important!)

I love my readers.
I love my readers! Come on, give us a cuddle!

Over the last couple of years you might have noticed that the world of the ebook has changed publishing out of all recognition. This is particularly true for mid-list authors such as myself.

No longer under the control of editors or publishers we are now free to go it alone to write what we like and publish it when we like. Trust me, for all kinds of reasons that freedom is liberating!

For the reader, it has been equally revolutionary. Who would have thought five years ago that not only would there be a genuine alternative to good old paper but that there would be books available to download for free at the touch of a button!

But the rise of the ebook has added a new and very important element to the reading process and it is one which not everyone seems to have grasped. It is the power to review. Be it on amazon, iTunes, Goodreads or any of the numerous reader websites, if you enjoy or even dislike a book you are now able to tell the world.

That my friends, is power, real power. And I will tell you why.

As a professional writer of ebooks, whenever I release something new onto the market the promotion of that book falls not to the publisher as it used to, but to me as the author. As a consequence the normal routine is to bombard media outlets, social media, related websites and blogs in the hope that someone will help by providing some publicity.

This, as you can imagine, is an extremely important part of the publishing process because at the end of the day, it doesn’t matter how good a book might be if no one knows about it no one will buy it! But this work can consume an extraordinary amount of time and whilst it can be fabulous fun, it can also prove to be both frustrating and soul destroying.

However, after a certain amount of time you have to get back to the actual process of writing which means that you have to let your latest stand on its merits and fend for itself. It’s at this point that all authors hope that their readers will kick in and take up the task of spreading the word on their behalf. Fundamental to that is the review.

From the readers perspective a review can have many functions but for the majority of authors reviews are promotional tools and in that sense they are almost unrivalled which is why we all ask, plead and even beg readers to post them. It isn’t that we want you to boost our self-esteem (nice though that is!) it’s because the simple truth of the matter is that nothing sells books like word of mouth and these days, that primarily means what readers have to say on the online outlets.

Of course there are people who would never review a book for all kinds of reasons. The usual three being ‘I wouldn’t know what to write’,’ I’d be embarrassed’ or ‘I can’t be arsed.’ But by thinking in this way they are actually missing out on what to me is one of the most exciting elements of the ebook revolution and that’s the potential for the reader to become directly involved in the publishing process.

Because when you download a book be it free or paid, you earn the right to have an opinion. And since your opinion is as good as anyone else’s, rather than keep it to yourself or simply share it with your immediate family why not share it with the global community? You don’t have to say much, just a sentence or two, but anything is better than nothing. Believe me, it can be a great deal of fun!

Equally and just as importantly, by posting a review on one of the online stores such as Amazon and iTunes –and this is the crux of the matter- you instantly become a part of the promotion for that book.

I won’t try and explain the mysteries of the various ranking systems and why every single review counts but think about it in its most basic sense; your glowing review could be the one which introduces someone to the delights of Billy’s Log or The Crew! Surely that has to be worth a few minutes of your time!

And speaking as an author, reviews have other benefits. One of which is that they help me to decide what to write next. For example, I had no idea that there was so much interest in sequels to both Top Dog and Billy’s Log but now, thanks to both the sales figures and the fabulous reviews posted by readers, I do. Which is why you will hopefully soon the sequel to at least one of them within the next 12 months. In addition, I’ve recruited all of my beta readers (the people who read my work before it goes to publication) because they contacted me after posting a review somewhere.

For me that encapsulates why I place so much importance on my readers opinions. Because by posting a review and helping to keep a title or titles selling, they/you allow me to concentrate on the actual process of writing and develop fresh material.

At the end of the day, I hope that’s what people actually want me to be doing as opposed to trying to climb up some journalist rear end in the hope that they might say something nice about my latest. It’s certainly what I’d much rather be doing.

So please, if you have ever read a book and like it, take the time to leave a review somewhere or even mention it on Facebook or Twitter. As I have said a million times each and every one of them genuinely helps and as someone pointed out to me today, a review is a fabulous way of thanking the author for his or her efforts.

One final point on the subject of reviews and just to confirm the importance of what I’ve said above, could I say a huge thanks to all the people who have been posting such kind things on Amazon and iTunes lately. It’s because of you guys that The Crew, Top Dog and Billy’s Log in particular continue to sell so well and I am both humbled and eternally grateful for your fantastic support.

sexy lads romance love
Billy’s Log – autobiography?

You can order all of my books by clicking on either of the following links. Amazon  iTunes. And keep an eye on my website for more details of the latest projects. 

@dougiebrimson

 

2018… the year that wasn’t.

writing, author, writer, screenwritingIf you judged this year solely by my commercial writing output, it’s safe to say that it would be viewed as something of a damp squib.

Neither of the promised new books has materialised, no new movies have been produced and there hasn’t even been much news of anything else. Indeed, it has been suggested on more than one occasion that I have retired and spend my days ranting on social media. Thankfully, the reality is very different. I might be a week off my 60th birthday but I’m not finished yet. Far from it.

Indeed, I have actually been quite busy with various projects in 2018 but experience has taught me not to talk too much about anything movie related until there is actually something concrete to announce. Suffice to say that there is quite a lot going on at the moment including work on what will be the biggest budgeted film I’ve ever worked on.

This, in part, explains why I didn’t produce any new books either. It wasn’t always easy finding the time to sit down and actually focus on a manuscript whilst other stuff was going on. However, I am currently beavering away on the sequel to Top Dog and all being well, that will be published in late spring.

I’ve also been working on another project which whilst not directly related to writing, has the potential to make a massive impact in the worlds of both social media and independent film. I can’t say much more than that at the moment as I’m waiting for decisions from various people but the hard work has been done so fingers are firmly crossed.

So that was 2018 and to close it off, I need to thank all the people who have helped me out along the way. I can’t name you all here but special thanks must go to my agent Olav and the ladies at SMA Talent, my co-writers Gary Lawrence and Paul Woolf, producer/director/writer J.K Amalou and most of all, my wife Tina. God only knows how she puts up with me!

Finally, may I wish all of you a happy New Year and all the best for 2019. It’s going to be a blast.

@dougiebrimson

My numerous books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog are available from both Amazon and iTunes.  

Please click on the relevant link for more information.

A new novel, the third in the Billy Evans trilogy, will arrive in spring 2019. News of a new movie (or maybe two) will hopefully arrive before that.

Want to be a writer? It’s money for old rope.

writer, author, brimson, lazy, ebooks, amazon, itunesAs I have previously mentioned, I receive a lot of emails asking for advice about writing. Primarily, these are of the ‘where do I start?’ variety as opposed to the ‘how do I enrich my novel with deep and meaningful subtext?’ sort but that’s fine with me. After all, I’m not exactly DH Lawrence or Dickens and to be fair, most of the time a large portion of my brain is actively tied up with trying to comprehend how I’m able to get away with earning a living as a writer. Although thinking about it, this is possibly why so many people do ask me. ‘If that talentless tosser can do it….’ etc, etc.

So let’s get this clear, writing a novel is easy. You simply sit at a keyboard, tap away at the keys until you have around 75 thousand words and there you go. It’s a novel. Anyone, and I mean anyone, can do that.

Screenplays are even easier. General thinking is that a page equals a minute of action so you’re only looking at about a hundred sheets of A4 which equates to around 20 thousand words. That’s a little over a quarter of the words required for a novel. Absolute piece of piss.

So what are you waiting for?

I am of course being flippant (I know it’s hard to tell sometimes) but trust me, there are people who really do think it’s that simple and in a certain sense it actually is. What they fail to recognise is that the easy bit is followed by the hard bit. Gathering together those 75 thousand words and putting them in some kind of coherent order takes takes time, effort, blood, sweat and tears.

Don’t get me wrong, I am one of those who subscribes to the theory that everyone has a book in them and I would most definitely urge everyone to have a go at writing for all kinds of reasons. As someone who is lucky enough to be able to do it all day every day, I can tell you with hand on heart that it can be hilarious fun, massively therapeutic, hugely exhilarating and even bloody exciting. But it can also be lonely, frustrating, heart breaking and certainly soul destroying.

Yet I wouldn’t have it any other way nor I suspect, would any other writer. Because that’s why we do it.

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpoolAll of my books and DVD’s are available from both Amazon and iTunes.

A new novel, the third in the Billy Evans trilogy, will arrive in autumn 2019. News of a new movie (or maybe two) will hopefully arrive before that.