Category Archives: social media

Why Falklands veterans are at war, with Collymore.

military, veterans, forces, falklands war, writer, author, screenwriting, Thatcher, football, talksport

Last weekend, ex-footballer and radio pundit Stan Collymore posted the tweet you can see on the left of this page.

Now aside from being factually inaccurate, it is also offensive. Not just to me as a Falklands veteran, but to a sizeable number of the veteran community, their families and a great many ‘civilians’ who support the UK’s Armed Forces. For it was tweeted on the 32nd anniversary of the sinking of both HMS Coventry and The Atlantic Conveyor together with the loss of 31 souls.

Although Mr. Collymore deleted it fairly soon afterwards, along with a number of other equally offensive if not illegal tweets, he was too late for it had already been screen grabbed and widely circulated. Many people, including The Falkland Islands government, became angry at the disrespect shown to the 255 who died during the South Atlantic conflict and began voicing that anger on twitter with many asking for an apology.

However, despite being someone who has been quite vociferous in his call for personal accountability with regard to the use of social media, ironically as a result of offence aimed at him via twitter, these requests were met with distain and even an accusation that we, as a group, were in the wrong for taking the tweet out of context.

Now I could go on, but I don’t need to. The background (and whole lot more!) to this can be found in these two blogs. I would urge you to read them both.

Veteran to Veteran

Mad Doggers and British Men

Now, as I type this over a week later, over 20,000 veterans and equally outraged citizens are have come together on Facebook and are waging an online war against both Mr. Collymore and his primary employer, Talksport.

bbc, falklands, match of the day, MOTDI have been told that on the two occasions he has appeared on air, the station’s twitter and email feeds almost went into meltdown whilst the phone lines were blocked with angry callers. In addition, news that he had been signed to appear on BBC’s Match of the Day 2 next season resulted in the corporation being deluged with complaints to such an extent that it was forced to issue a statement that contrary to reports, Mr. Collymore had not been booked for any appearances.

Many people simply want an apology (and possibly a donation to a suitable military charity) but the majority want his removal from the airwaves altogether. But thus far, aside from threats of legal action from Mr. Collymore against all sorts of people including ironically the BBC, the silence has been deafening.

Quite what happens next will be interesting to say the least. But one thing is certain, the veteran community is coming together like never before and they are seriously pissed.

Watch this space.

If you would like to know more, you can hear Simon Weston and myself discussing the issue by clicking on this link to BBC Three Counties Radio. I am on at 2:06.00

 

military, veteran, forces, falklands war, writer, author, screenwriting, Thatcher, football, talksport, world cup, Brazil

Why Falklands veterans are at war, with Collymore.

military, veterans, forces, falklands war, writer, author, screenwriting, Thatcher, football, talksport

Last weekend, ex-footballer and radio pundit Stan Collymore posted the tweet you can see on the left of this page.

Now aside from being factually inaccurate, it is also offensive. Not just to me as a Falklands veteran, but to a sizeable number of the veteran community, their families and a great many ‘civilians’ who support the UK’s Armed Forces. For it was tweeted on the 32nd anniversary of the sinking of both HMS Coventry and The Atlantic Conveyor together with the loss of 31 souls.

Although Mr. Collymore deleted it fairly soon afterwards, along with a number of other equally offensive if not illegal tweets, he was too late for it had already been screen grabbed and widely circulated. Many people, including The Falkland Islands government, became angry at the disrespect shown to the 255 who died during the South Atlantic conflict and began voicing that anger on twitter with many asking for an apology.

However, despite being someone who has been quite vociferous in his call for personal accountability with regard to the use of social media, ironically as a result of offence aimed at him via twitter, these requests were met with distain and even an accusation that we, as a group, were in the wrong for taking the tweet out of context.

Now I could go on, but I don’t need to. The background (and whole lot more!) to this can be found in these two blogs. I would urge you to read them both.

Veteran to Veteran

Mad Doggers and British Men

Now, as I type this over a week later, over 20,000 veterans and equally outraged citizens are have come together on Facebook and are waging an online war against both Mr. Collymore and his primary employer, Talksport.

bbc, falklands, match of the day, MOTDI have been told that on the two occasions he has appeared on air, the station’s twitter and email feeds almost went into meltdown whilst the phone lines were blocked with angry callers. In addition, news that he had been signed to appear on BBC’s Match of the Day 2 next season resulted in the corporation being deluged with complaints to such an extent that it was forced to issue a statement that contrary to reports, Mr. Collymore had not been booked for any appearances.

Many people simply want an apology (and possibly a donation to a suitable military charity) but the majority want his removal from the airwaves altogether. But thus far, aside from threats of legal action from Mr. Collymore against all sorts of people including ironically the BBC, the silence has been deafening.

Quite what happens next will be interesting to say the least. But one thing is certain, the veteran community is coming together like never before and they are seriously pissed.

Watch this space.

If you would like to know more, you can hear Simon Weston and myself discussing the issue by clicking on this link to BBC Three Counties Radio. I am on at 2:06.00

 

military, veteran, forces, falklands war, writer, author, screenwriting, Thatcher, football, talksport, world cup, Brazil

Are you an author, a screenwriter or simply a writer?

writing, author, screenwriter, british film, football, hooligan, soccerYesterday, I made a comment that the difference between being an author and being a screenwriter is the same as the difference between an immaculate conception and an egg donation.

Now as someone who writes both novels and scripts, this is a fairly obvious and totally accurate statement yet for some reason it seemed to cause confusion in certain writing circles and it struck me that it might be worthwhile expanding on it a bit. So what follows is a slightly tongue-in-cheek guide to the essential difference between the creative processes involved with the two very different disciplines. 

As an author, when you write a novel, it is your baby. You sit, plot, write, edit, rewrite, edit again and then when you’re happy, you send it off to a publisher who more often than not, will be the first person to read it.

They will then come back with some comments to which your response will be to either reluctantly agree or to tell them to get stuffed. You then do a bit of polishing, send it off to a proper editor who, amongst other things, will fix your appalling grammar and then when everyone is happy, it heads off to print. 

Yet from concept to shelf or kindle, as the writer you retain pretty much total creative control and as such, the finished article remains in essence, all your own work. From that point on, it’s all about you. Have you ever seen a book publicised as ‘edited by….’? Of course not. 

It’s you who do the PR and you who get the accolades or the grief. Hence the immaculate conception. 

A screenplay is totally different because in terms of the creative process, you as the writer have very little power over what finally ends up on screen. Yes, you might well come up with the initial concept and you will certainly put the initial layer of flesh on the bones but generally speaking, your place is and always will be on the bottom rung of a very long development ladder. Indeed, a script will go through so many rewrites it might as well be written in pencil and it’s certainly safe to say that by the time it gets to the point when a director calls ‘action’, the shooting script will be very different from your initial draft

There are of course, very specific reasons for this be they creative improvements the director has made or something as mundane as location, cast or budget. Yet however much it might irritate you as the writer, everything is underpinned by one very simple fact and that is that everyone involved in the process wants to get the best thing on screen that they possibly can. 

And that is the key difference. For unlike a novel, a script is a true collaboration and your pages are usually the starting point. Or to use my original statement, the egg.

You see, simple. 

This is of course, totally different if you write a novel and then adapt it for the screen as I have just done with Top Dog. But that’s an entirely different subject which I will no doubt end up talking about in therapy one day!

writing, author, screenwriter, british film, football, hooligan, soccerMention of Top Dog leads me nicely into the latest news and that is that the release date for the DVD is 26th May. I’m also hoping that the novel will be reissued in print about the same time and that can be pre-ordered from Amazon but if you’re desperate, you can download it by clicking here.

There has been talk of a London premiere as well as some screenings and news of those will be posted on Twitter and Facebook as soon as the details are released.

Casting is currently underway on We Still Kill The Old Way with shooting due to start on May 5th. I’ve seen a provisional list and if even half of it comes off, it’ll be amazing!

Again, keep an eye on Twitter and Facebook for details. 

Happy days indeed. 

 

top dog, green street, sothcott, gang, gangster, violence, british film, self publishing, ibooks, indie publishing, martin kemp, spandau ballet, elijah wood, hooligans, england, sex, racism, krays, pornography, london 

How to create characters (according to me!)

writing, screenwriting, author, writer

I was asked this morning how I come up with names for my characters and since I haven’t blogged for a while I thought it might be an idea to kill two birds with one stone by writing something about the process and how I go about it.

It is important to stress however, that this is how I do it. As I’ve written before, I have never studied the craft of writing and so have no idea if there is a standard ‘way’ or not. This works for me and that’s all I need to worry about.

Character development is actually one of the most fun parts of the writing process for me because it allows me the opportunity to play god. And given that it’s fairly certain that he and I will not be meeting in the afterlife as I’ll almost certainly be heading south, it’s an opportunity I tend to relish for all kinds of reasons. Revenge being just one.

Now, I know that in both Billy Evans and Billy Ellis I have created characters which have and will make return appearances but that’s a different blog altogether. This is about the first time they make an appearance in my psyche but be it a novel or a screenplay, initially it always starts with the same thing, the story. Be it tightly or loosely plotted, it is vital that you, as the writer, have some idea of the journey you’re going to take your creations on before you start putting them together. Once you have that, then you can start putting flesh on bones. It is however, important to understand that to all intents and purposes, your characters are, and must be, real people with real histories, personalities, flaws and fears. They have to be for reasons which should be obvious. And key to that is making them ‘real’ in every sense of the word.

For me, the first stage of that process is to give them a name, a face and a voice. The name is the easier of the three because all it has to do it fit the individual and the world you want them to inhabit. Can you imagine Billy Evans being called Tarquin Selby-Green? Of course not, it would never work. Billy is short, sharp, blokey and slightly cheeky so it was perfect for the main man in both The Crew and Billy’s Log.

I also wanted the christian names to be short and punchy. Evans was my former agents name and Billy Ellis rolls off the tongue. Simple as that. But in the past I’ve found names for my characters simply by scrolling through Facebook and finding something which I think fits. However, a name can be changed fairly easily, usually with a few clicks of a button, the face and the voice are far more important because as you spend more and more time with these imaginary people, they will fairly quickly come to haunt your consciousness.

When a character first appears in your head, he or she will inevitably have a certain look and Billy Ellis was no exception. From day one he was medium height, stocky, dark haired and had a cheeky face. In essence, like any one of a hundred lads I know. I also knew immediately what I wanted him to sound like and so once I had the plot tied down, I went looking for him.

Oh yes, every character in everything I’ve ever written is based on a real person. In the case of Billy Evans, it was a mate. Now I won’t say who he is (he knows, but he is very different from Leo Gregory which is why I had so many initial problems when I began adapting the book for the screen) but I follow this same model for every character in everything I write. The reason being that if I ever find myself struggling, I can either ring up that person or YouTube them. Trust me, it’s amazing how quickly and easily a quick chat or a short video clip can free up the mind and spark something off.

Of course as work progresses the characters begin to take on lives of their own which is exactly as it should be but as a starting point, basing them on real people certainly works for me and in all honesty, that’s all I care about!

.

readers, film, ebooks, itunes, amazon, blog, publishing, author, writing, top dog, brimson, screenwriting, the crew, green street, elijah wood, leo gregory, charlie hunnam, essex boysWork on Top Dog is all but complete now and having seen an initial edit, I have to say it’s looking brilliant. I’m not going to get all gushy about how amazing everyone looks and what a fabulous job Martin has done suffice to say, I could not have asked for better from anyone involved. I certainly can’t wait to see it on a big screen and whilst I have a rough idea of release dates I’m not going to pass them on as that isn’t down to me. However, as soon as I’m allowed to pass them on you’ll be amongst the first to know.

The new novel is also progressing well and should be released in a few months in both eBook and paperback formats. I can’t say anything about it as the moment but I think and indeed, hope, it’s going to cause something of a stir. Indeed, we believe that in some respects, it’s something of a first!

Exciting times!

Indie author or not indie author. That is the question!

indie, self publishing, soccer, money, eastenders, danny dyer, football, soccer, brimson, top dog, green streetThe other day, whilst talking about the subject of publishing, I was referred to as an indie-author and then asked if I was comfortable with the label.

My response was seemingly the cause of some angst to my inquisitor who, from what I could gather, was hoping their question would illicit a rambling and angry diatribe about the evil empire that is traditional publishing. What they got instead, after about a milli-second of thought, was the response that not only do I not know, I don’t actually care.

However, since the question was asked I have actually given it some consideration and eventually I goggled the obvious question; what is an indie author? The response was extremely interesting with the top answer being provided by the Alliance of Independent Authors who define it thus:

  • You have self-published at least one book.
  • You recognise that ‘indie’ does not necessarily mean ‘self-publishing only’ and acknowledge that even the most indie-spirited self-publisher works in collaboration with other publishing professionals (editors, designers, distributors) to produce a good book and reach readers.
  • You are open to mutual beneficial partnerships, including trade publishing deals where appropriate for you, so long as the author’s status as creative director of the book is acknowledged.
  • You expect your status in the partnership to be reflected in contracts and terms, not just lip service.
  • You recognise that you are central to a revolutionary shift in publishing which is moving from seeing the author as resource (in the new parlance ‘content provider’) to respecting the author as creative director.
  • You are proud of your indie status, which you carry into all your ventures, negotiations and collaborations for your own benefit and to the benefit of all writers.

Now if that’s the standard definition, I’m actually none the wiser. After all, I’ve never self-published a book and I certainly don’t do anything for the benefit of other writers (why should I? They’ve never done much for me!) so that pegs me firmly in the NOT camp. However, I most certainly do involve other people in my work and since without me, there will be no more Dougie Brimson books, it’s fairly obvious that I am both the creative director and very much my own boss which puts me squarely in the AM category.

But, and here’s the key point, as anyone who knows anything about me or who has taken the trouble to read a blog post or two will know full well, I’m barely comfortable calling myself an author let alone prefixing that with anything else.

I write books and I sell books, that’s as far as it goes for me and if someone wants to tag me as this or that label, that’s their business. It’s certainly not mine because I’m too busy writing.

Which is actually how it should be.

.

indie, self publishing, soccer, money, eastenders, danny dyer, football, soccer, brimson, top dog, green streetI’ve been receiving lots of questions about Top Dog and in particular, requests for information about when it will hit the big screen.

The answer to that is that I don’t actually know for sure and whilst that sounds hard to believe I promise you it’s true. I might be the writer but the whole thing is in the hands of the editor at the moment and until he’s worked his magic, I’m firmly out of the loop. Rest assured though, as soon as I have news, it’ll be all over Facebook and Twitter. In the meantime, I’m really looking forward to getting my teeth into my next movie project We Still Kill The Old Way which is starting to look really exciting.

On the subject of books, both The Crew and Wings of a Sparrow are now available in both print and eBook format from all online and high street book stores. Top Dog will also be re-released next spring as a movie tie-in.

Finally, could I say a huge thanks to all those people who have contacted me about Billy’s Log lately. For some reason (and I wish I knew what it was) it’s started to sell really well again and I’ve had a flood of mails asking me about a sequel.

I’m happy to tell you that there is indeed going to be a second instalment and indeed, it’s all mapped out so as soon as time allows, I’ll get my teeth into it. Promise!

Top Dog – done and almost dusted.

clapper, film, kemp, sothcott, greens street, top dog, brimson, gregory

 

So that’s that. Whilst there are still a couple of days filming to go, to all intents and purposes my role as the writer of the movie adaptation of Top Dog finished when I drove out of 3 Mills Studio’s in East London last night. To say it has been quite a few weeks would be an understatement.

It’s no secret that my previous experience as a full-on feature film screenwriter wasn’t exactly great but it’s fair to say that as polar opposites go, Top Dog sits firmly in the epic category. Indeed, in all my time on set (and I was on set almost every day) I only had one gripe and that was yesterday evening after what had been a very long, cold and tough day. And no, I’m not going to tell you what it was or who it was with.

Credit for that must go to the amazing production team put together by producer Jonathan Sothcott who not only worked miracles at times but put up with me wandering around asking questions and poking my nose in.

Ironically, as a former military sort where every single thing is religiously and meticulously planned, organised and structured, film sets are actually something of a nightmare as they are, to say the least, chaotic places. Yet to a man (and woman!) the crew on Top Dog were truly brilliant and I doff my cap to them all for what they’ve done these last few weeks.

Much the same can be said of the entire cast who, from the simply awesome Leo Gregory through to the numerous supporting artists (or ‘lads’ as I prefer to call them) who came along simply for the experience of being in a movie, breathed life into my humble script. But I’m not going to talk about them purely because I don’t need to. You’ll soon see for yourselves how good they all were. Believe me, you will.

However the real star of the Top Dog shoot has for me been the director, Martin Kemp. As genuinely nice as you imagine him to be and frighteningly talented, he led from the front every single day and was an absolute pleasure to be around. Just as importantly, as I have previously blogged, he’s taught me so much about the process of developing a script and has even got me to the point where I’ve started to think that I might actually be half-decent at it! Who would have thought?

And so now it’s done, and now I wait. Don’t ask me what comes next because I have no idea. People talk about seeing rough cuts and afternoons in screening rooms but this isn’t my world and so I simply nod my head as if I know what they’re talking about.

What I do know is that when Top Dog is finally put together, it’s going to look fucking amazing. Because I watched it being made, and it was the absolute bollocks.

I cannot wait to do it all again.


top dog, brimson. hooligans, author, film, screenwriting, violence, crime, thriller
 Top Dog will be released next spring/summer but in the meantime, if you’d like to read the book that started it all, you can download it from Amazon by clicking on here

And don’t forget, Top Dog is actually the sequel to #1 best-seller The Crew which is not only available to download as an ebook, but has just been re-issued in paperback. Again, you can purchase that simply by clicking this link. 

5 reasons why adapting your own novel for the screen is a great idea.

readers, film, ebooks, itunes, amazon, blog, publishing, author, writing, top dog, brimson, screenwriting, the crew, green street, elijah wood, leo gregory, charlie hunnam, essex boys

*This blog was written a few months ago but with the film done, dusted and heading for release, I thought it worth posting again because.*

As I sit here typing this, on the other side of London (Croydon to be precise), a crew and some awesome actors are filming scenes from my own adaptation of my novel Top Dog.

For various reasons, not least the fact that I abhor the area around Croydon with a passion, I have stayed away from the set today and am instead, sitting at home. However, with no game to occupy me thanks to the FA’s obsession with international football, I thought it might be an idea to write a short blog about a question which has been repeatedly asked of me since the shoot began. To be specific, what’s it like watching both my book and my script come to life?

In a nutshell, it’s bloody awesome. But for five very specific reasons most of which wouldn’t apply if I’d handed the novel to someone else to adapt. So…

  1. As a writer, when you construct a novel or a screenplay, you play every single scene out in your head even before you commit it to paper (or keyboard). Seeing and hearing it unfold in 3D in front of your eyes is an incredible experience because it proves you’re not actually mad after all.
  2. Watching great actors actually act is an amazing thing (and we have GREAT actors on Top Dog). Not only do they give everything you’ve written a depth you cannot really put into a paper version, but they work with your words to make them even better. Understanding this can only make you a better screenwriter.
  3. Every once in a while, the actors will perform a scene EXACTLY as you imagined it when you wrote it. This has happened a few times on Top Dog and the feeling is indescribable.
  4.  It’s fabulous for the ego. And by that I mean that as a screenwriter, nothing will ever dispel your self-doubt faster than the sound of a director saying ‘Cut. That’s brilliant’.
  5. Standing on a film set surrounded by amazing people and knowing that they’re only there because of you gives you a feeling that makes all the hours, days, weeks and months spent at a keyboard worthwhile. Not because it’s a power trip (it isn’t) but because it’s proof that if you keep at it long enough, dreams can come true. And on top of that, you get paid. What’s not to like?

Thankfully, we still have a week of filming to go and whilst I’ll obviously be sad when this stage of Top Dog comes to an end, I know that the final wrap will signal the start of the next stage of what’s proving to be a fabulous journey. And on top of that, I’ve another film slated to start in March 2014 so I’ll be able to do it all again.

How cool is that?

The Crew. Top Dog, Green Street, Leo Gregory, British film, thriller

It has hopefully not escaped your attention that my novel The Crew has this week been re-issued in print thanks to the wonderful folk at Caffeine Nights Publishing.

It can be found sitting on the shelves of WH Smiths and all decent bookstores alongside Wings of a Sparrow which also completed the journey from eBook to paper last week.

Wingscover

Both books are available to order online from Amazon, iTunes, etc if you’d prefer and are of course, still available in eBook format.

And yes, Top Dog will also be re-released in paperback around the same time as the film is released. But like all of my work, there will be a twist in the tail…. 😉

Why all writers are mad… sort of.

writer, brimson, lazy, ebooks, amazon, itunes, screenwriting, author, novel, green street, sex, monkey, imac, windowsAs a writer, you inevitably spend a good portion of your time alone. The process is after all, fairly solitary and in truth, that’s one of the great attractions. At least it is for me. I’m not really a people person you see. Or to be more specific, I’m not really a real people person.

For on most days, I’m not actually alone at all, I’m in the company of all kinds of characters. Men, women, kids, hooligans, old men, glamorous women, thieves, thugs, hero’s… the list is endless. In fact it’s limited only by my imagination, because that’s where they live.

The joy of that is that they exist purely at my bidding and are real only for as long as I want them to be. Some I will meet only once, others will remain for a long time. Sometimes we have fun, sometimes I put them through all kinds of grief, sometimes I just watch what they do and feed off them. People are amazing, even imaginary ones. 

Now I know this makes me sound like some kind of mental case and if I were to chop off the first paragraph of this post and read it aloud to my doctor, she’d be quite justified in having me sectioned.

But the key word in that first paragraph is ‘writer’. Creating is what I do and my vivid imagination is my primary and most important tool. That’s how I can get away with having a mind which is a cross between a bizarre soap opera with only one viewer and a computer game with only one player. Both of which are me.

Sometimes however, it all goes horribly wrong. Or rather, fabulously wrong. Yesterday was one such occasion because filming began on my own adaptation of Top Dog. A novel I wrote well over ten years ago and which itself is the sequel to a book which first hit the bookshelves over thirteen years ago! And as I sat on set watching scenes I had created in my head actually being played out for real, I was frequently struck by how different it all looked from how I had imagined it. And the truth is, it looked a whole lot better in 3D.

That has taught me a very important lesson and it’s one which is almost certainly going to make me a better screenwriter. 

Because actors are real, locations are real. And as a writer, if you want to give your characters and situations life, the best way to do it is to understand that unlike the people in your head, they already have it. 

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wings of a sparrow, the crew, top dog, football, screenwriting, leo gregory, hooligan, martin kemp, jonathan sothcott

Aside from the commencement of filming on Top Dog which will continue for a while yet, this week will also see two of my novels hit the shelves of WH Smiths (and all decent bookshops).

The first is the print edition of my most recent book, Wings of a Sparrow and the second is a re-issue of The Crew which continues to hold on to the #1 slot on the sports download charts. A position it’s held for well over two years now.

All in all, not a bad few days for me then. 

Twitter isn’t the enemy, you are.

twitter, troll, trolling, writer, green street, top dog, You can’t possibly have failed to notice that this last week has seen something of a furore around the subject of twitter trolls and the issue of what is and is not acceptable online behaviour. As a consequence, there are increasing calls for twitter to be regulated and even policed to clamp down on those who transgress the rules of common decency.

They are wrong. Very wrong.

Now as anyone who follows me on twitter will know I am a huge fan. To me it’s a great source of both news and amusement as well as being a fantastic way to promote my books and well, what I do. Most importantly for me at least, it’s a great way to interact with readers and it’s fair to say that I’ve made some great mates though twitter with I hope, many more to come.

However, I’ve also encountered some proper dicks over the years and received more than my share of abuse from all kinds of trolls. This last week for example, besides the usual ‘shit writer’ fair, I’ve been accused of condoning child abuse, being a child abuser, being sexist, homophobic and racist. None of which is particularly nice I’m sure you’ll agree but, and this is the crux of this whole matter, I know how to deal with it. And by that I mean me. Not twitter, not my ISP and not the police, me.

And at the heart of that is one simple statement, ‘it’s not personal, it’s twitter’.

The day you start screaming blue murder about something mean said about you by some anonymous idiot on a social networking site is the day your life begins to spiral out of control. No, it’s not nice to be accused of being a rapist and I’m fairly certain that it’s not nice to read that someone is going to rape you but by reacting, you do exactly what the person who wrote it wants you to do, take them seriously and give them power. And power is all they’re after.

This is where people are getting it wrong when they claim twitter should be clamping down on trolls. Twitter doesn’t have to. You do, as the individual.

Yes, of course there are exceptions just as there are to every rule and yes, there will be instances where the police should and must get involved. But in the main, it is your choice to react, ignore or hit the block button which twitter already provides for you to use in just such cases.

If you don’t understand that and don’t accept that in many ways, twitter is the greatest manifestation of free speech we have, then rather than scream blue murder about the need for censorship (yes, censorship) why not take control yourself and employ the ultimate sanction, delete your account.

Because you do actually have that option at your disposal and speaking as a twitter fan, if you do indeed think that twitter is there to serve you and not the other way round, then I’d urge you to do just that.

I for one won’t miss you one bit.

@dougiebrimson

readers, film, ebooks, itunes, amazon, blog, publishing, author, writing, top dog, brimson, screenwriting, the crew, green street, elijah wood, leo gregory, charlie hunnam, essex boys

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This last couple of weeks has seen lots of progress on the movie adaptation of Top Dog and we’ll be releasing news of what’s been going on very soon. I’ll also be able to pass on details of the brand new movie I’m working on as well as a fantastic self-publishing project!

Exciting times!

Stephen Lawrence – the question no one dare ask.

racism, racist, sex, brimson. stephen lawrence, england, police, football, soccer, hooligans, writing, author, screenwriting, theresa may

I awoke this morning to the news that Doreen Lawrence, mother of the murdered teenaged Stephen Lawrence, is to meet the Home Secretary today to receive assurance that the two (yes, two) inquiries currently underway will not be affected by fresh allegations that police officers secretly taped the chief prosecution witness at the time of the initial inquiry.

Now, let’s cut to the chase here. Yes, a teenager was murdered and like all murders, it was a terrible thing. But we are talking about something that happened 20 years ago and whilst there is no doubting that this particular murder became important for all kinds of reasons and proved to be the catalyst for much needed and long overdue change in the way the police operated, can it really be right that our Home Secretary drops everything to meet the victim’s mother simply because of accusations made on a TV programme?

Does she not have more important things to deal with? Like the fact that we have a war in all but name going on within our own borders at the moment? Or that the country is teetering on the edge of a civil explosion?

No one can, nor should, ever belittle the loss a mother feels at the death of her son but has the time for bending over backwards to appease the Lawrence family not now passed?

More importantly, given the amount of money and time (both police and government) which has and is still being consumed by this particular case, not to mention the changes to policing which have already been brought about as a result of previous enquiries, should the family not be confident enough to know that whatever needs to be done is being done?

Or has this case, as many people increasingly suspect, now become more about retribution than it is about justice?

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