Category Archives: author

How to get ahead in writing. The business of self.

writing screenwriting author publishing film self-publishingOf the numerous emails that land in my inbox, a good number involve the issue of advice.

Occasionally, these mails are of the kind which suggest various things to do to myself that are anatomically impossible (which merely proves that women do indeed have a quite nasty side to them) but in the main, they are asking for advice on writing or making that leap from the laptop to the shelves of Waterstones or the screens of Cineworld.

Given that I never set out to be a writer of any kind -as many people have pointed out!- I have often wondered why that is. After all, I am not and probably never will be either a Booker Prize winning novelist or an Oscar winning screenwriter, and whilst I enjoy what I do and always put in 110%, the truth is that I am definitely not one of those people who are driven to write. Make no mistake, the day that my 6th lottery number pops out of that machine is the day I’ll have typed my last letter and from that point on, life will revolve around doing as little as possible!

I suspect the answer lies in the fact that unlike many other authors I am reasonably easy to contact but there have also been occasions when there has definitely been an element of ‘if he can do it, so can I so I might as well ask him how he did it’. To be honest, I have no problem with that largely because there is indeed a degree of truth in it. I’ve always been happy to admit that I did indeed ‘luck’ into writing and I although I have done better than many so-called ‘established’ writers in terms of both output and sales (you’d be surprised how few books some of these apparently successful authors actually sell) I most definitely have no delusions about my position on the Great British literary ladder. As someone once suggested, it is firmly in the ‘bungs on the feet at the bottom’ category.

However, to return to the point, as long as someone has taken the trouble to write to me, I have always responded. Not simply because I think I should but because I hope that one day someone I set on the rocky road of penmanship will strike it big and I’ll get to appear on some kind of TV show celebrating their literary achievements. Let’s face it, chances are that’ll be the only way I manage it!

But recently, a few things have happened which have started to make me wonder about the wisdom of such a policy. Not because I have suddenly started to think that being helpful is a bad idea, but because increasingly, I am being contacted by people who have asked me very specific questions. Usually involving the names and contact details of agents, publishers and even TV producers.

To be fair, many of these requests have come from American authors looking to break into the UK market rather than from ‘newbies’ looking to get a foot in the door but having worked in the ‘creative’ world for some time now, I have learnt two very important lessons.

First, contacts are everything and second, the most valuable currency of all are ideas. Which is why both are much sought after and even occasionally stolen. Indeed, I could tell you some stories about certain people, but I best not.

However, the fact remains that whilst I have become (almost) used to the gut-wrenching feeling of being shafted by people who work in the TV and film industry, I am now starting to feel the same way about writing and that has to stop. If only because it eats into my time and therefore costs me money.

So whilst I will happily continue to help anyone who is trying to break into publishing or anything else for that matter, I am no longer so receptive to requests from anyone who has ever earned a penny (or a cent) from their writing. Unless of course any kind of reciprocal arrangement or better still, a fee is involved!

Pondering this last night, the thought struck me that rather than upset 50% of the population with another diatribe about women and/or football, it might be a good idea to use this blog to offer up a bit of advice to those looking to set out on the rocky road of penmanship for the first time. It is the same advice I use as the basis of every talk I ever give on writing and is based on six very basic rules which come in a very strict order.

1.   If you cannot take criticism, do NOT write for public consumption. No matter how good a writer you think you are, at some point, you will have to show your work to someone else be it a partner, friend, agent or publisher.

Trust me, no matter how good a writer you are, sooner or later someone is going to come back with a negative response and it hurts. Some can take it, others can’t. The key is to take all criticism as constructive and learn from it.

But if you think it’s bad when you first start out, wait until the presses have rolled and the reviews begin. Any author who says they never read their reviews is a bloody liar and whilst I’ve been lucky enough to have some awesome ones in my time (‘The best book ever written on football hooliganism’ Daily Mail) I’ve also had some horrors. The worst being simply ‘Yeah right. Now fuck off.’ courtesy of Time Out.

The fact that both of these were for the very same book proves many things and whilst the initial inclination following a bad review is to either hang yourself or track down the offending individual (I took the latter course of action with Time Out but that’s another story) the simple truth of the matter is that they are just one persons opinion. But as any publisher will tell you, any review is better than no review and that is very true.

2.   Write what you know. It is an old adage and the source of much discussion in writers circles but to me, it is absolutely spot on. Not only does it save on research time, but if you know the subject well, it will come across on the page. Conversely if you don’t, you will spend all of your time having to deal with people who will take great delight in pointing out your mistakes (see above!)

3.   Join a local writing group. You might think they are full of geeky nerds or middle aged women seeking to fill their time (and to be fair, some are) but a good one can provide huge amounts of advice and encouragement. A great one can make you a great writer.

Never forget, getting into print is incredibly difficult and so the more advice you can obtain from people who are at the coal face or who have been through it, the better.

4.   Never write to get rich. Very few (and I mean, VERY few) published authors earn a living wage from their work. The days of huge advances for first time authors are long gone folks. And don’t think screenwriting is well paid either.

OK, if you’ve got a decent track record and a good agent you should do pretty well but I still receive emails every week offering me opportunities to write spec scripts (that’s for free) and once had a very well known film producer offer me £500 to write a script from scratch. Obviously I told him to f**k off but someone else took the job within days and no, it didn’t ever get made.

There is only really one reason to write and that’s because you want to do it. If it’s good enough, everything else will follow. How you can make that happen however, is an entirely different blog!

5.   Write, write, and write. It’s a fairly obvious thing to say but the more you write, the easier it becomes. It’s a skill and it needs constant honing.

And finish everything you start. You might know it’s rubbish from the end of the first chapter but trying to turn it into something half decent is a great exercise and fabulous experience. There is also the very real chance that as you are working, something will click into the creative box in your brain which you will be able to use on something else.

One other point I will make here, in my opinion there is no such thing as writers block. As far as I am concerned it’s a myth that was invented by writers to cover up laziness or lack of creativity. If you get stuck, it’s simply because your idea doesn’t work and you should have worked that out at the planning stage anyway.

6.   Most importantly of all, enjoy it! It’s supposed to be fun you know and if it isn’t, why bloody do it?

So what are you waiting for?

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpool I desperately need to do some work on my Amazon author page  this page, primarily by adding some new titles to it! So I’m happy to pass on news that there will be at least one new book coming in 2018! That’s assuming I can finish this bloody script I’m currently working on.

In the meantime, you can buy all my existing books, including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog from either Amazon or iTunes.  

Please click on the relevant link for more information.

 
author, writing, writer, screenwriting, screenwriter, publishing, indiefilm, low-budget, self-publishing, brimson, hooligan,veteran

I’m a mid-list author and I earn my living by writing books that sell. What’s wrong with that?

eBooks = future

I have an admission to make: my name is Dougie Brimson and I am a professional author. That isn’t as an introduction to some kind of warped writers anonymous group, it’s a statement of fact.

I mention it because the other day someone asked me what motivates me to write and having thought about it at length, the one thought that kept entering my head was ‘what a stupid bloody question!’ Let’s get this clear once and for all; I write for two reasons: 1. I’m a lazy bastard who likes sitting down all day and 2. I need to make money to facilitate item 1.

That seems fair enough to me but for some strange reason it doesn’t seem to sit well with the literati. For them, the very idea of a writer admitting to being motivated by income rather than some holier-than-thou desire to ‘create’ is almost akin to admitting a being a Brexiter and admiring Margret Thatcher. Mind you, both of those are true of me too.

I have never really understood this thinking. After all, writing isn’t just bloody hard work it takes an awful lot of time and effort so if you’re going to do it, surely the aim must be to get published? But you will only get published if someone thinks that there is potential to sell copies and if you sell copies, you make money. That’s why it’s called the publishing business.

Yet for some reason, if you as a writer approach the process by looking at the market and giving it what it actually wants as opposed to what some editor thinks it should have, you are regarded almost as a traitor to the art form. Believe me, I’ve met people who work in publishing who genuinely seem to consider being popular as something to be ashamed of.

Well sod that. I might never win the Booker prize or receive invites to the Hay festival but I know my market, I know what it wants and I’m happy to provide it with as much as I can and as often as I can. If the literary world doesn’t get that simple commercial reality then screw them.

The reason why this is so relevant is because as some people are already aware, I’m currently working on the sequel to my novel Billy’s Log and it’s highly likely that I will be releasing it purely as an ebook.

There are numerous reasons for this (most of which are quite tedious) but the two main ones have to do with speed and money.

It can take months, sometimes years, for a manuscript to make the journey to Waterstones and even longer for the meagre percentage of the cover price to reach the authors bank.

For an eBook, it can be online within hours and any royalties in the bank within 3 months and more importantly, even though eBooks are significantly cheaper than paperbacks, that royalty is higher.

As a professional writer, that’s significant because at the end of the day, whilst I’ve sold plenty of books (around 750,000 at the last count) I’m not JK Rowling or Jeffrey Archer and I don’t get offered 6 figure advances. My income is generated primarily by sales.

Don’t get me wrong, I cannot even begin to tell you how much I appreciate every single email, tweet, letter or comment I receive about my writing and when it comes to motivation, nothing works as effectively as praise. But I also appreciate the income that my work generates if for no other reason than it buys me time, and food. So anything I can do to increase that income and the speed with which it arrives, has to be a good thing.

The downside of course, is that for someone like me who continues to sell books, by stepping away from the traditional publishing route I’m actually taking work away from the very people who have for years been in control of my career.

I get no pleasure from that but at the end of the day, going the eBook route might not win me any friends in publishing but no editor would work for nothing and I’ll be buggered if I’m going to either.

violence, racism, racist, anal sex, oral sex, bum,On the subject of ebooks, it continues to astonish me that over 7 years since it was first released as an ebook, The Crew has almost continually held the #1 slot on both its Amazon and iTunes chart and was the most downloaded football book of 2012, 2013, 2014, 2015, 2016 and 2017. Additionally, on most weeks at least 7 of the top 50 football books on iTunes are my titles and I’ve also released two further books including Wings of a Sparrow which continues to sell well.

This, in spite of the fact that publicity for my work remains an elusive beast. In fact I have found it all but impossible to obtain any mainstream coverage for my work which is both irritating and frustrating in equal measures. Yes, there is obviously the ‘hooligan’ tag to overcome which is clearly and understandably an issue with some people but the fact remains, there is a market for the type of books I write and thankfully, that market seems to like what I’m providing for them.

So rest assured, as long as people keep buying them, I’ll keep writing them because to me, the reader is and always will be the most important person in the whole process. Which is kind of the point.

@dougiebrimson

,sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes

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The Falklands War – My guilty secret.

argentina, falklands war, thatcher, royal airforce, nimrod, vulcan, harrierNormally, at around 4.00 in the afternoon, my writing life will be dominated by one of two things.

If I’m in writing mode, it’ll be the sounds of Bjork in my headphones and if I’m in skiving mode it’ll be some crap TV show like Come Dine With Me or Deal or No Deal as I lounge on the sofa.

Recently however, I have discovered the delights of Simon Mayo on Radio 2 and having been listening to his excellent ‘Confessions’ slot, I have been inspired to confess something of my own. Not because I feel guilty about it and need forgiveness, but because I just feel the time is right to get it off my chest. So here goes…

In 1982, whilst a young, impressionable and innocent Corporal, I was dispatched to Ascension Island as a part of the Royal Air Force detachment involved with the South Atlantic Task Force. For those who do not know, Ascension Island is a volcanic rock in the middle of the South Atlantic. It’s hot, windy and dusty which can make things extremely uncomfortable when you’re living in tents and what with that and the huge amount of aircraft movements taking place, sleep was at a premium during the day.

More importantly, the island is home to a beautiful and very long runway which meant that it provided the perfect operational hub for the men and equipment being put together to repel the Argentinian invasion of the Falkland Islands. As a consequence, by the time I arrived, at around the same time as the first British ships heading for war, it was somewhat busy.

Now, my job will remain secret for reasons which would be obvious if you knew what they were but suffice to say, my shift pattern was 24 on, 24 off. Unfortunately, the ‘on’ portion involved my sergeant and I remaining both awake and alert which whilst fine at first, was not fine after about a week. Zombies comes close.

As a consequence, we began a rota where one would snatch sleep whilst the other remained awake doing the work of two men. This worked well for a few days until it all went horribly wrong. Or to be more specific, I cocked it up.

It’s fair to say that being on an active and very busy airfield during time of war is extremely exciting but as you can imagine given our location, the facilities left something to be desired. And by facilities, I mean specifically, toilets.

This was fine for ‘number one’s’ but when the body placed additional demands on you (if you get my drift) you needed an actual toilet. And let’s face it, I wasn’t in the Army, I was in the RAF so our much higher standards meant that we couldn’t and indeed wouldn’t, just ‘go’ anywhere! 

Unfortunately, the toilets for us lowly airmen were about half a mile away and consisted of what are known universally as ‘long drops’. These being basically long planks of wood with holes cut in them. I will leave you to work out the rest but to say they leave a lot to be desired is an understatement. Especially at 3.00 in the morning when it is pitch black.

war, falklands, ascension, RAF, royal air forceHowever, within one hundred yards of my building on the side of the aircraft pan were four chemical toilets of the sort you see at music festivals and on building sites. The problem for me was that these were specifically for officers, pilots and aircrew and we oikes had been expressly forbidden to use them under pain of disciplinary action. Indeed, so serious was this threat that they were actually surrounded by barbed wire with a small gap providing the only entrance.

As you can imagine, being lowly non-commissioned officers, toilet envy rapidly became a huge factor in our lives. Something exacerbated by what I can only describe as  the habit of ‘showing off’ by those eligible to use them.

Well, at some ungodly hour of the morning during one particular shift, I was, to be blunt, caught short. With the airfield reasonably quiet and my sergeant fast asleep under his desk, I took the decision that rather than wake him and endure my long walk to the long drops, I would risk it. My thinking being that not only would I be away from my desk for a shorter period but I would obtain a small victory for junior ranks everywhere by taking a dump in the officers bogs. Such victories are, after all, what the British Armed Forces are based on.

So within minutes, I’d crept out of the building and in full SAS mode, has slunk through the darkness across the extremely crunchy volcanic ash, ducked through the barbed wire and was sitting comfortably doing what came naturally.

Inevitably, after two or three minutes I heard footsteps approaching and it suddenly struck me that I could soon find myself in serious trouble. I was after all, disobeying a direct order. But just as importantly, so could my sergeant who was at the very moment blissfully unaware that I wasn’t actually there holding what should have been a very secure fort whilst he was fast asleep on active duty. Being one of the most serious offences in the military, had he been caught he would almost certainly have faced a court martial which could well have resulted in a demotion and possibly even a prison sentence and dismissal from the service. We were after all, at war.

As all this ran through my brain, all I could do was sit and hope to goodness that the fast approaching officer would not even try the locked door to my cubicle (something which might well have led to him asking who was in there) but would simply enter one of the three empty cubicles thus allowing me time to escape.

It was at this point that I noticed that I had neglected to lock said door and I also realised that I couldn’t simply place a boot against it because it opened outwards. It was lock or nothing but even as I reached for it, it swung open to reveal a very senior officer silhouetted against the South Atlantic sky.

As he took a step forward, I suddenly realised that it was so dark inside that he hadn’t actually seen me sitting there and so all I could to was shout ‘BOO!’ at which point he let out a high pitched scream, turned and ran back at high speed toward the collection of portacabins which formed the operations centre.

Within seconds I was sprinting after him and made it through the gap in the barbed wire just as an alarm went off and all hell broke loose.

By the time I made it back to the safety of my building, the first of the armed patrols had arrived as rumours spread that the very real fears of an Argentine Special Forces attack on the airfield had been realised.

It was some hours before things calmed down and an investigation began into what had caused such a flap. Of course, being the closest building to said toilets, suspicions that the culprit was close to home soon centred on yours truly but my vehement denials as well as my sergeants assertions that I had not left our office at any time meant that I escaped unpunished.

A few days later, the first shots were fired down South and the incident was forgotten but it has stuck with me ever since and the time has now come to put my hands up.

Not because I almost gave a senior officer a coronary or caused him a degree of embarrassment (after all, he screamed like a little girl and ran away) or because numerous police and soldiers ended up spending hours scouring the locality looking for non existent invaders, but because of my sergeant.

For not only did I almost cost him a twenty year career, his pension and a spell in military prison, but he spent the next five weeks terrified of shutting his eyes whilst we were on duty in case I actually did drop him in it. Mind you, that did mean I got all the sleeping time.

So sorry Tim. I hope you’ll be pleased to know I feel much better for getting that off my chest.

.

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watford

My latest novel, Wings of a Sparrow  is available in ebook and paperback format from either Amazon or iTunes.

The audio version of Top Dog is now available to download via the link and joins the ebook, paperback and movie to make the clean sweep of all platforms! Not too shabby if I say so myself.

RAF, army, military, forces, hooligan, british film, top dog, green street, self publishing, manchester united, liverpool, sex, maggie thatcher, veteran, UKIP, tory Argentina

10 things all writers should know before signing a contract.

author, writing, screenwriter, screenwriting, amazon, ebooks, epublishing, publishing For some reason I’ve never been able to fathom, I receive a lot of mails asking me for advice about contracts, both publishing and screen.

Now to be clear, whilst I have done a lot of deals during my agent free days, I am certainly no expert in this field and should not be considered as such. In fact, what knowledge I have accrued is generally a result of my own mistakes and trust me, I have made some corkers over the years. However, as someone who’s always happy to help if I can (and as long as you don’t hold me accountable in any way should you choose to follow my advice and it all goes wrong) here are my top 10 tips. Take ’em or leave ’em.

1.  Arguing with editors or producers over terms can cause some serious rifts in a working relationship which is obviously best avoided. Therefore, if you have an agent you should leave everything, and I mean everything, to them.

It stands to reason that their job is to get you a great deal because whilst they might be fabulous people who you adore with a passion, the stark reality is that the more you earn, the more they earn. So if they are happy with the deal they put in front of you, you certainly should be.

2.  If you don’t have an agent, then you are in a weakened position because the people you are negotiating with will inevitably assume that you are either naive and/or desperate which gives them the upper hand. Therefore, you should write the following three words down and stick them somewhere which places them in your eye line at all times: TRUST NO ONE.

Believe me, no matter what anyone else might tell you, when it comes to deals there is only one person who has your interests at heart and if you don’t have an agent, that person is you.

Remember, it’s not personal, it’s business. The film BUSINESS, the publishing BUSINESS. As such, everyone you negotiate with might well come across as your best mate but the truth is that they are desperate to give you as little as possible or better still, strike a deal which means they don’t actually have to give you anything at all. This is because the less they give you, the more they keep for themselves or their employer. So read everything as many times as you have to and question anything you are unsure of. When it comes to contracts, there is no such thing as a stupid question, there are however, plenty of stupid writers who didn’t ask the questions they should have.

3.  It’s human nature to avoid asking for what we think we are worth and since most negotiators know this, their first words will be ‘so what do you want?’ thus putting you on the back foot from the off. Therefore to avoid this, it is vital that before a deal is even discussed, you take the time to work out what you have and how much will get it from you.

Remember, everything has a value be it your finished manuscript, your experience, your time, your backlist or even ‘From the writer of Green Street’. So be professional, quantify everything and work out both a starting point and a bottom line because pound to a pinch, the person asking you the question you will have.

4.  Publishing royalties should be on a sliding scale. For example, 7.5% for the first 10 thousand sales, 10% for the following 40 thousand and anything over 50 thousand should earn you 12.5%. All publishers will baulk at that but the reality is that most novels won’t get anywhere near sales of 10 thousand anyway so what have they got to lose? 

Should your novel be a success however, you’ll be quids in. As of course, will they.

5.  Unless you are knowingly going into an agreement for a film which is designed to kick start a career or you are willing to work on some kind of profit share, a contract for a screenplay with a production company should always include a fee on signature for one very specific reason; commitment.

If someone is prepared to put their money where their mouth is, it’s fairly obvious that they will be a lot more enthusiastic about taking your script through to the day the camera’s roll than someone who has nothing invested save a couple of lunches (if you’re lucky). Indeed, if someone is asking you to sign something but are not prepared to invest in you, you should be asking them (or yourself) why.

The remainder of the total fee will be staggered anyway so make sure you know what will be due to you and when.

6.  Unless a major star or studio is involved, back end payments are generally worthless so take whatever is offered with a pinch of salt and laugh at any offers of increased back end payments in lieu of a smaller front end fee. This is generally a simple tactic to save money so you should always squeeze every penny you can from the front end.

However, always make sure that a back end payment is included just in case it’s a smash and the creative accountants can’t cover it up.

7.  Watch the clauses. You want invites to premieres, involvement in promotions (at their expense), a cut of any soundtrack profits and if there’s a sequel, you want to be the one to write it. If not, you want a slice of the action including payment for the use of any characters you have created in any and all spin-off projects.

If there’s a chance of a novelisation, you want to write it but if you don’t, you want a cut of any profits, etc, etc.

If it’s for a book, you want details of the marketing publicity budget as well as an approximate publication date if at all possible.

Seriously, if you don’t ask, you don’t get.

8. If the deal is for a screenplay, always ensure that there is a clause in the contract whereby if the film isn’t made, the rights to your work revert to you (for free) after a reasonable period. That way, if nothing comes of it, you will at least have a script you can try to sell somewhere else.

9.  Always, always, always get everything read by either a lawyer, the Writers Guild or the Society of Authors before you sign it. That’s what they are there for so use them.

If a lawyer comes back with some concerns about a contract, act on their advice and fight your corner. Producers are used to brinkmanship so take them all the way and always be prepared to walk away if need be.

You might well come under pressure to avoid this step and just sign on trust or good faith and this will come in many forms from threats that the financiers are about to pull out if you don’t sign to female directors sobbing on the phone in the middle of the night. You should treat all such tactics as bullshit.

If someone doesn’t want a lawyer to see a contract they’ve put in front of you it’s almost certainly because they have something to hide (see point 2 above). Therefore, resist this pressure, stay cool and make them wait until you are ready to sign on the line. It’s your time, your money and your future income.

10.  Believe me, signing a dodgy deal is an awful experience so only sign on the line when you are sure that it’s as good as it can be for all sides, but especially you!

And finally, always trust your gut because if something feels wrong, it usually is.

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpool I desperately need to do some work on my Amazon author page  this page, primarily by adding some new titles to it! So I’m happy to pass on news that there will be at least two, maybe even three new ones coming in 2018! 

In the meantime, you can buy all the existing books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog from either Amazon or iTunes.  

Please click on the relevant link for more information.

author, writing, writer, screenwriting, screenwriter, publishing, indiefilm, low-budget, self-publishing, brimson, hooligan,veteran 

The joy of a shit list. And a bit of karma.

writing, amwriting, screenwriting, prompt, tipsGiven my youthful good looks (sic) it might shock you to discover that I’ve been around for a long time. Truth is, I’ve made so many trips around the block that I frequently navigate it in my sleep.

Along the way, I’ve been fortunate enough to meet some incredible people but inevitably, I have also encountered some who are, shall we say, less than incredible.

That’s life of course. It would be a bizarre world indeed if we liked everyone we met just as it would be extremely odd if everyone who met us were dazzled by our individual charms. I’ve certainly met plenty of people who have come to regard me as an arsehole. Or worse.

But I can live with that. Life’s too short to work with people you don’t like and that obviously works both ways.

However, whilst normally I consign these individuals to the ‘bad experiences’ folder of my meagre brain, there will occasionally be someone who irks me to such an extent that they make it onto my s**t list. And if you make it onto that, watch out. Because I know it’s petty and it’s childish, but trust me when I say that at some point I will repay you in kind. 

Oh yes, I carry a grudge.

I mention it here simply because I was recently given the opportunity to dust off said list and cross two people off it. Not because I had forgiven them for their transgressions, but because the opportunity had arisen for the delivery of some payback. Obviously, it was an opportunity I grabbed it with both hands.

Yes, I know that at my age I should be above such things, but when I’m looking at a potential cast list and see that two of the actors on it also feature on my s**t list, there is no way on earth that either is ever going to get a sniff.

The only sad thing, as I sit here basking in a warm glow of revenge, is that I doubt either of them will ever know that karma paid them a visit on my behalf. 

But I know. And ultimately, that’s all that matters.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart


Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes

hooligan,hooliganism,writing,writer,author,screenwriting,greenstreet,sex,

How to write a fight scene.

green street, top dog, violence, sex, fightingI’m not usually one for taking part in online debates about writing, mostly because I’m not that clever and have an adversity to making myself look stupid.

There is of course, also the risk that people will discover that I’ve been winging it all this time which wouldn’t do my agents heart rate any good.

However, I recently became involved in a fascinating discussion with a group of writers on the use of gratuitous violence in both books and film. Or to be more specific, the duty of the writer in the way they portray it.

I won’t go too deeply into the way it unfolded other than to say it veered from one extreme to the other and back again at least more than once. But whilst it was extremely interesting to learn how others perceive their creative responsibilities, little or nothing was said which made me change the way I think about mine. And mine, as I see them, are relatively simple. Indeed, they can be encapsulated in one single sentence. For when it comes to anything fictional, my job is to tell a decent story as honesty and realistically as I can.

This is underpinned by something I have said many times and that is the fact that the most important person in the writing process is the person at the end of the chain be that the reader or the viewer. And when you write the kind of things I do for the kind of people I primarily write them for (lads), then my sole duty is to give them something which they can not only recognise but hopefully, put themselves into the centre of without any difficulty.

In the case of a subject like hooliganism, that means street fighting and anyone who has ever been involved in a row at football knows that it isn’t Queensbury Rules Boxing or Tae Kwon Do, it’s short periods of scruffy, disjointed mayhem. It’s still violence, but it’s real violence as opposed to the stylised fighting we see in too many films and computer games and whilst for some it can be little short of a  terrifying experience, for others it can border on hilarity.

That’s how I have to write it because that’s how it is. Anything else would be a betrayal and I’d lose my readers (and viewers) in a heartbeat.

Quite rightly too.

.

thriller, screenwriting, film, writingThe next few weeks will hopefully see a couple of announcements on the movie front. The first will almost certainly be related to my thriller, Three Greens which has now attracted funding from one of the major distributors and the second will be details of the sale of my latest co-written project, Pizza & Miracles.

The latter script was only finished last week but has actually been a really interesting project to work on not least because it is as far from my usual genre as it is possible to get given that the subject matter centres around the subject of spiritualism and the power of the universe. But in many ways, that challenge is what made it the most fun. More of that as and when!

I can also tell you that work is progressing nicely on the third book in the The Crew/Top Dog trilogy as well as on Billy’s Log 2.

My intention at the moment is to self-publish both books but it may well be that someone comes along who will take them along the more traditional publishing route.

On which note, if you didn’t know, I’ve been publishing extracts of the latter online at Billys Blog. Feel free to take a look by clicking here! 

The Football Lads Alliance – Are Middle England finally on the march?

FLA, football lads alliance, politics, terroismAs you may or may not have noticed, I have been quiet of late.

To be honest, much of this has been to do with the fact that I’ve become so pissed off with the state of this country and the continuing failure to deliver Brexit that I was worried that if I went on a rant, I’d be unable to restrain myself and would carry on until I wrote something which would end up with me sitting in a cell somewhere.

OK, that’s not strictly true. The truth is that I stopped blogging about the political landscape because I was becoming increasingly frustrated. Let’s face it, things are so screwed up at the moment that the hardest part about ranting about it is knowing where to start let alone stop. I mean, Sadiq Khan…. seriously?

So I have instead been channeling my angst into various projects and dragging them to the point where they’re a rewrite away from launch. These include Billy’s Log 2, the third book in the The Crew/Top Dog trilogy and a new script I’ve been working on with a lawyer chum of mine about the power of the universe.

Indeed, this last project has been especially interesting of late especially for someone like me who enjoys a bit of karma. Something which will become even more evident fairly shortly.

However, and if you’re a regular reader of this blog you’ll know that there is always a however, my enthusiasm for the future of my country has been rekindled. For next Saturday (7th) I’ll be one of many tens of thousands marching in London to protest against this governments continuing failure to confront extremist terrorism in our country.

Yes, the Football Lads Alliance are taking to the streets again, and this time, the ranks will be swelled by a large contingent from the veteran community.

I’m not going to go too deeply into the specifics here (if you want them, click here) other than to say that despite what certain factions are attempting to claim, the Football Lads Alliance is neither political nor racist. Indeed, it’s fairly safe to say that from day one the leadership have been at pains to create a totally inclusive movement by weeding out anyone who might have anything other than the core message at heart. I certainly wouldn’t be involved were that not the case but here I am.

So if, like me, you’ve become sick of hearing that the only way to combat terrorism is to be reactive, if you’re angry at photo’s of dead children on the front pages, tired of hashtags, vigils and coloured lights on the Wembley Arch and increasingly frustrated at the governments reluctance to go on the offensive against this cancer which exists amongst us, then come and join me.

It’s time for the silent majority to take a stand. Front and centre.

@dougiebrimson

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

Why we love football.

football,comedy,humour, soccer,premier league,championship,As someone who is lucky enough to converse with people from pretty much every point of the spectrum on which human life sits, I frequently find myself responding to questions of some kind or another.

Inevitably, the bulk of these will revolve around subjects linked to writing and be of the ‘how can I?’ variety which is fine by me, after all, my work or writing will have been the thing which brought us together and if someone takes the time to contact me, it’s only right that I afford them the courtesy of a reply.

Occasionally however, I’ll get a curveball question and the range of issues these can cover is, to say the least, broad. Only recently for example, I found myself explaining to someone from the other side of the world why we British drive on the ‘wrong’ side of the road.

To be honest, I like this kind of random stuff. Not only does it tax the brain (or test my proficiency on google) but I find it quite rewarding to think that people actually feel comfortable enough to ask me these things. Especially when in some cases, I’ll have been the first Englishman they’ll have ever emailed.

My favourite question however, is one which lands in my inbox on a regular basis. It is quite simply, why football?

Usually of course, this will be used in the context of violence or hatred of some kind but increasingly, it’s being asked by people who don’t follow the game and want to know why those of us who do are so fanatical about it.

My response to this is that there is no such thing as a standard answer because there is no such thing as a standard football fan. To the uninitiated we might well come across as sheep (or even mugs) but when you look a little deeper, you’ll quickly discover that there are all kinds of reasons to explain why we are all unique in our love of the great game and our respective teams. There are even different degrees of obsession but if you want to know more about that, then you best read this.

Amongst those of us who actually get off our backsides to attend games in the flesh however, there is one common thread and that is that being a fan of the game is not just about the 90 minutes of actual football. And I mean football, not even great football. For it’s fair to say that some of the best days I’ve had as a supporter have been on days when my team -the glorious Watford- will have lost and I’d bet that most fans reading this will be nodding in agreement.

For the simple reality is that watching football is about one thing, hope. Hope that things will get better (or at least not get worse), hope that you will win promotion, not get relegated, beat your local rivals or even just carry on for one more season. And with that hope comes every kind of emotional experience possible all wrapped up in one simple word, passion.

To be a part of that passion and share those experiences with other like minded souls is why we do it and why we love it because it’s where we feel that we belong. It’s out religion and it’s addictive, and we wouldn’t have it any other way.

So don’t ask me why we do it, just try and explain to me why you don’t.

@dougiebrimson

football,soccer,protest,premier league,fans,supportersSpeaking of football and fans, my old book Rebellion is now available as an ebook.

First published in 2006, it tells the background to some of the more infamous fan protests including those at Charlton, Wimbledon, Manchester United, Manchester City, Norwich and Bournemouth amongst many others.

Details of my other books, including the football comedy Wings of a Sparrow, as well as links to buy can be found by clicking here!

 

soccer, football, writing, write, author

Writers: The single and brutal truth about rejection.

writing,rejection,autor,screenwriterLet’s get this out in the open from the start, rejection sucks. It sucks big.

Unfortunately, if you want to write, be it for publication or screen, you had best get used to it because like it or not, it’s coming your way.

The only comfort you’ll have to draw on is that you’ll be in good company. I’m not just talking about J.K Rowling who was famously rejected by numerous agents and publishers before someone finally noticed the pot of gold under her arm, I’m talking about all of us. For with very few exceptions, every single author, screenwriter and journalist has to deal with the dreaded R word on a regular basis. I know I do. In fact my current hit rate is one script in three actually getting anywhere near being filmed.

To be fair, I am happy to acknowledge that to most writers a 33.3% success rate will actually look half decent but to me, whilst I’m obviously delighted with the one that gets through, I’m just as pissed off about the two that don’t. For each one represents a very personal failure.

You see I’m a lazy screenwriter and by that I mean that generally speaking, I’ll only write a script when I’m being paid. Therefore, if I write one on spec, it means that I think it’s something special and so if it subsequently gets rejected, it’s personal. Very personal. However, what makes it even tougher to handle is that often, the rebuff will come after I’ve already taken a few steps along the development path and the anticipation of a dream actually coming true has begun to take hold.

To give you an example; a few years ago I wrote a script called Boots on the Ground which examines the thorny issue of PTSD amongst British military veterans. For obvious reasons, this is a subject that has special significance to me and so once we were happy with it, we went out and pushed it as hard as we could.

Eventually, it landed on the desk of the head script reader at a studio who took it to his boss claiming it to be the best script he’d read all year. After reading it for himself, the studio head rang me to give me his word that he would put up most of the money to get it made and then introduced me to a very high-profile British director who was all over it like a rash. We even had BAFTA making some very positive noises about putting money in.

Then, as soon as it began and for reasons which I’ve never quite been able to fully fathom, it all went cold. And now, like Wings of a Sparrow and numerous other scripts I’ve written, it sits languishing on my hard drive until we stumble across the right person to put it in front of next.

Gutted? No, I was devastated, and continue to be so. Not just because it’s possibly the best thing I’ve ever written but because it talks about something that this country HAS to talk about.

But as I say, rejection is a part of the writers job so the question is, how do you get used to it?

The answer is that you don’t. And nor should you because if you want to write for a living, rejection HAS to hurt. And for one very specific reason.

A mate of mine, Brad Burton, is a motivational speaker and one of his ‘braddisms’ is that if you have a plan B, don’t get upset when others don’t believe in your plan A. In other words, if you prepare for rejection, it means that somewhere in the back of your head, you’re expecting it. And if you’re expecting it, how can you possibly put everything you have into your script?

The answer is that you can’t. But what you can do is to take the gut wrenching pain of being knocked back and pour it into your next script or book. Keep doing that and eventually that pain will be replaced by the ecstasy of success. And it will. Because if you want to call yourself a proper writer, you have to have absolute and total belief that it will.

Because if you don’t, if you’re not totally committed to yourself and your work, what the hell are you wasting your time for?

Speaking of being committed, my latest thriller, Three Greens, is moving swiftly toward production with casting of the major roles currently underway. In addition, I am delighted to announce that another project has now been given the green light and with finance in place, is also heading toward casting.

For reasons which will soon become obvious, I can’t say much about this new movie at the moment other than I can guarantee that when it’s announced, it’s going to cause quite a stir in certain circles.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing,author,writing,amazon,kindle,independent film,ebooks,