The Football Lads Alliance – Are Middle England finally on the march?

FLA, football lads alliance, politics, terroismAs you may or may not have noticed, I have been quiet of late.

To be honest, much of this has been to do with the fact that I’ve become so pissed off with the state of this country and the continuing failure to deliver Brexit that I was worried that if I went on a rant, I’d be unable to restrain myself and would carry on until I wrote something which would end up with me sitting in a cell somewhere.

OK, that’s not strictly true. The truth is that I stopped blogging about the political landscape because I was becoming increasingly frustrated. Let’s face it, things are so screwed up at the moment that the hardest part about ranting about it is knowing where to start let alone stop. I mean, Sadiq Khan…. seriously?

So I have instead been channeling my angst into various projects and dragging them to the point where they’re a rewrite away from launch. These include Billy’s Log 2, the third book in the The Crew/Top Dog trilogy and a new script I’ve been working on with a lawyer chum of mine about the power of the universe.

Indeed, this last project has been especially interesting of late especially for someone like me who enjoys a bit of karma. Something which will become even more evident fairly shortly.

However, and if you’re a regular reader of this blog you’ll know that there is always a however, my enthusiasm for the future of my country has been rekindled. For next Saturday (7th) I’ll be one of many tens of thousands marching in London to protest against this governments continuing failure to confront extremist terrorism in our country.

Yes, the Football Lads Alliance are taking to the streets again, and this time, the ranks will be swelled by a large contingent from the veteran community.

I’m not going to go too deeply into the specifics here (if you want them, click here) other than to say that despite what certain factions are attempting to claim, the Football Lads Alliance is neither political nor racist. Indeed, it’s fairly safe to say that from day one the leadership have been at pains to create a totally inclusive movement by weeding out anyone who might have anything other than the core message at heart. I certainly wouldn’t be involved were that not the case but here I am.

So if, like me, you’ve become sick of hearing that the only way to combat terrorism is to be reactive, if you’re angry at photo’s of dead children on the front pages, tired of hashtags, vigils and coloured lights on the Wembley Arch and increasingly frustrated at the governments reluctance to go on the offensive against this cancer which exists amongst us, then come and join me.

It’s time for the silent majority to take a stand. Front and centre.

@dougiebrimson

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

Trolled on Twitter? Sorry, it’s your own fault.

twitter, troll, trolling, writer, green street, top dog, As anyone who follows me on Twitter will know, I am a huge fan.

To me it’s a great source of both news and amusement as well as being a fantastic way to promote my books and well, what I do. Most importantly for me at least, it’s a great way to interact with readers and it’s fair to say that I’ve made some great mates though twitter with I hope, many more to come.

However, I’ve also encountered some proper dicks over the years and received more than my share of abuse from all kinds of trolls. In recent months for example, besides the usual ‘shit writer’ fair I’ve been accused of condoning child abuse, being sexist, homophobic and racist. None of which is particularly nice I’m sure you’ll agree but, and this is the crux of this whole matter, I know how to deal with it. And by that I mean me. Not twitter, not my ISP and not the police, but me.

And at the heart of that is one simple statement, ‘it’s not personal, it’s Twitter’.

The day you start screaming blue murder about something mean said about you by some anonymous idiot on a social networking site is the day your life begins to spiral out of control. No, it’s not nice to be accused of being a Nazi and I’m fairly certain that it’s not nice to read that someone wants to burn you alive but by reacting, you do exactly what the person who wrote it wants you to do. You give them power by taking them seriously.  And power is all they’re after.

This is where people are getting it wrong when they claim Twitter should be clamping down on trolls because Twitter doesn’t have to. You do, as the individual. It’s called personal responsibility.

Would you walk down a dark alley in  a dodgy area in the middle of the night? No. Would you leave you front door wide open if you went on holiday? No. You take appropriate action to protect yourself.

So why don’t you apply that same thinking when it comes to social media?

Ignore, delete, block. Those three words should be beaten into the brains of everyone who uses either Twitter or Facebook because those three actions place you totally in control of what appears on your feeds.

And if it’s not on your feed, why do you care? Seriously, why?

Social media isn’t like real life. If someone is bad mouthing you to colleagues at work, there are processes in place to deal with it. If you’re having trouble with neighbours, then you tackle it face to face or if it’s beyond that, involve the authorities.

But social media is simple words. And unlike sticks and stones, they don’t break bones.

Yes, of course there are exceptions just as there are to every rule and yes, there will be instances where the law should and must get involved. But in the main, it’s a personal choice to react, ignore, delete or simply hit the block button which Twitter already provides for you to use in just such cases.

If you don’t understand that and don’t accept that in many ways, Twitter is the greatest manifestation of free speech we have, then rather than scream blue murder about the need for censorship (yes, censorship) why not take total control yourself and employ the ultimate sanction, delete your account.

Because you do actually have that option at your disposal and speaking as a Twitter fan, if you do indeed think that social media is there to serve you and not the other way round, then I’d urge you to do just that.

I for one won’t miss you one bit.

@dougiebrimson

crew, violence, racism, racist, anal sex, oral sex, necrophilia,
The Crew. Still #1

I never get bored of saying this, truly, I don’t. A huge thanks to everyone who is keeping The Crew at #1 on the Amazon and iTunes sports charts. We’re now approaching the end of our 6th year at the top of the tree which however you look at it, is quite something.

Top Dog is also sitting pretty as are most of my other titles which proves what I said years ago, that if you give people what they want as opposed to what you hope they might like, they’ll buy it.

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 

The Football Lads Alliance. 7th Oct 2017 – Central London.

football lads alliance, FLA, terrorism, antifa, racismAs some of you may be aware, a movement called The Football Lads Alliance has sprung up from within the supporting world.

Formed in the wake of the London Bridge atrocity on June 7th to protest at the lack of direct action being taken to counter extremism in the UK, it grew rapidly to the point where, on June 24th, almost 10,000 people took part in a march in the centre of London.

So successful was this march, and so rapidly has the group grown, that as a result of pressure from the members a second march will take place in London on October 7th. Current estimates are that well over 40, 000 people will attend, not just football fans from every club in England and beyond, but men and women from all faiths and political backgrounds who have one common desire: to see an end to all forms of extremism.

Full details of FLA including its mission statement and details of the march (which is taking place with the full consent of the Metropolitan Police) can be found below but if you require any further information, please drop me a line and I’ll point you in the right direction.

football, politics, terrorism, march, protest, watford, arsenal, spurs, west ham, millwall, Man Utd, Man City, Newcastle, Celtic, Rangers

@dougiebrimson

romance, life, love, beer, sexAs some of you may be aware, amongst other things I’m working on I have been beavering away on the sequel to Billy’s Log and am currently publishing extracts online in ‘Billy’s Blog’.

Please click here to visit and if you enjoy it, feel free to spread the word!

And just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information on pretty much everything I do and have done can be found at dougiebrimson.com

Gender, gender neutral, beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, FLA

 

Why is publishing so scared of Lad-Lit?

brimson, writer, author, writing, publishingAs most people involved with the publishing world know, the Edinburgh Literary Festival is regarded as possibly the foremost festival on the publishing calendar.

It brings together authors and ‘thinkers’ from across the globe and over a week long period, stages all kinds of events ranging from impassioned debates to creative workshops.

Now I’ve never actually been to Edinburgh, or any other literary festival for that matter, but I mention it here for a very specific reason. You see a while back, I stumbled across a website which provided a guide to getting published. It was written by someone who described themselves as a ‘literary coach’ and was quite informative but actually contained little or nothing that any published author could have provided free of charge.

However, what did interest me was a list of services provided for potential authors and a range of prices charged for those services. It wasn’t cheap but I guess if you are desperate to get into print, you will do whatever it takes, or costs.

Anyway, seeing these prices, I researched said ‘tutor’ and discovered to my astonishment that they had a backlist of… well I hesitate to call it a list at all. Let’s just say it was less than five…a lot less. From what I can gather, their sales haven’t exactly set the world on fire either.

Initially bemused at how someone was getting away with earning between £25 and £50 an hour teaching about writing when they seemingly have so little actual experience of it, further research uncovered the fact that this person is a regular at festivals, including Edinburgh, where they are given a platform to inform the public about the process of getting oneself into print for the first time. At which point I shook my head and went back to doing something more constructive. I’ve been around publishing long enough to know how it all works. If your face fits…

Now I don’t say this through any sense of hurt or indignation, but it is a fact that in spite of having written 15 books, shifted many hundreds of thousands of copies around the world and as the person widely regarded (wrongly in my opinion) as the father of the genre known as ‘hoolie-lit’ I have only ever been invited to two literary events in the UK and one of those I had to get myself invited to. The other had been organised by a group of disgruntled authors keen to complain about the appalling PR provided by our mutual publisher. Aside from that, with the exception of the odd writing group, I have never been asked to talk about anything relating to my experiences of publishing let alone give my opinions on either the industry or writing generally.

I used to ponder the reasons for this quite a lot and believed that much of it stemmed from my reluctance to play the ‘networking’ game. For just like the TV and film industry, publishing tends to be more about who you know rather than what you can actually do.

However, the real reason was explained to me in extremely blunt terms by a very famous and very working class Cockney female author who told me at the aforementioned moan-a-thon, and I quote; ‘look at all these fucking snobs. I feel like I should be walking round with a tray of drinks’.

Yes, that’s right, snobbery runs through the literary world like a cancer and in terms of a clique, it makes the freemasons look like a youth club.

To be honest, I have always kind of understood why they might be reluctant to invite someone like me in. After all, I’m working class, write primarily about blokey things and to those who don’t know me, I probably appear as if I can’t string two coherent sentences together. I’m also prone, as you may have gathered, to saying things as I see them which doesn’t always go down well.

However, in recent years I have begun to consider another possibility. One that might not actually be as personal as I always suspected.

You see I write for a particular market and that market is me and people like me. In other words, working class lads. This, to me, is what ‘lad-lit’ is all about yet for whatever reason, it is a genre which even as a concept, the publishing world have never fully seemed to grasp properly. A simple truth underlined by the fact that it often refers to Nick Hornby as The King of Lad-Lit.

Now I have nothing against Nick Hornby who is after all, an awesome writer. However, I’ve always struggled with the notion that his output is targeted at the same market as the one I inhabit. Yes, we’ve all read Fever Pitch but no one I know has read Funny Girl or Juliet, Naked or for that matter, would ever want to.

The question of course, is why does the publishing world seem so desperate to steer itself as far away from the lad market as is possible? After all, with the economy as it is these days you’d have thought that they’d have looked at the success of ‘chick-lit’ and given more serious thought to how they could fully service the other 50% of the population.

Sadly, if they are looking at all, the only answer they seem to have come up with is to pump out ever more pallet loads of sports or gangster related autobiographies. Great if you like that kind of thing but not so great if like me, you regard 90% of sportsmen and gangsters as relatively uninteresting. However, the fact that they cannot or will not look beyond these increasingly bland and repetitive genres is, in my opinion, entirely down to anti-male snobbery.

You may laugh at this but it’s something I have heard referred to many times over the years and it stems from an unspoken belief within the publishing world that ‘blokes don’t do books’. The truth however, as ‘hoolie-lit’ conclusively proved, is that they do.

Quite why this incredibly patronising view of a section of male readers continues to impact on the industry escapes me but from where I sit, there is a lot to be said for the idea that publishing is still a somewhat elitist world. Therefore the last thing it wants or needs is to become infested with working class oik novelists who, perish the thought, might actually manage to become popular. I know that’s a contentious accusation but think about this; can you imagine a ‘chick-lit’ author with 15 titles and a three quarters of a million sales to her name failing to attract invitations to literary events? No, I can’t either.

If true, it is a tragedy. Not least because there are some great male authors out there who, if given the chance, could actually forge a decent career for themselves by providing some fabulous and inventive popular fiction for male readers. OK, they might not win any Booker Prizes, but that’s not what it’s about at all.

You see somewhere along the line those individuals who make editorial decisions seem to have forgotten one fundamental and inescapable fact and it is this: The single most important person in the publishing industry is the reader and irrespective of their gender, politics, religion or class, if you keep them happy you’ll do the one thing that everyone in the industry is desperate to do, you make money. And if the phenomenon of hoolie-lit proved one thing, it’s that there is plenty to be made from working class male readers. Lots of it.

You just have to look under the right rock. Or rather, you have to want to look.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

Just in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information can be found at dougiebrimson.com

 

Five reasons why I love writing for older actors.

older actors, acting, film, screenwritingI shall, from the outset, put my cards on the table and say that I am, at least numerically speaking, old. 

I don’t feel it mind (and I certainly don’t act it) but it is fair to say that at 58 I’m much closer to my closing scene than I am to the opening act.

The reason I mention this is because for fairly obvious reasons, my age impacts on my writing output. Rule number three in Doug’s Guide To Writing is ‘write what you know’ and since I know more about being a male over 50 in 2017 than I do about being a teenage lad in 2017, my central characters tend to be older and I hope, more realistic. There will after all, be a part of me in all of them.

Thankfully, this is working to my advantage. For example when I  worked on We Still Kill The Old Way it received a great deal of press because of the age of the main cast. Great for me, the film and the actors involved, most of whom were actually older than I am. And that leads me nicely into the central reason for this blog.

You see generally speaking, when I start thinking about a project, be it book or film, one of the first things I consider is who is going to read or watch it. But recently, when it comes to screenplays, I also think about who might be can cast. Something which helps me actually create the role.

Therefore with that in mind, what follows are 5 reasons why these days my mind tends to wander to those actors who have actually been around for a while.

Choice – We have a huge untapped source of talent in this country and it isn’t lurking in acting classes or talent schools, it’s working in small theatres or sitting at home waiting for the phone to ring. Sad for them but great for writers like me when you’re working on something and putting together a dream cast because you know that there’s a bigger chance of actually getting them.

Gratitude – The main reason why they’re sitting at home is because the phone rarely rings. And it rarely rings because there are so few decent roles being written for people over 60 (let alone 70!). As a consequence, if you create these age specific roles and cast accordingly, not only are the actors grateful, but they give you everything from vast experience to PR gold!

Talent – To me, it’s criminal that all this amazing acting talent is being allowed to go to waste. Aside from the ones I’ve already worked with, I can think of ten amazing actors and actresses I’d crawl over broken glass to hear reading my words yet I doubt one has had a decent film or TV role in ten years. That’s tragic, not least because, as has been proven time and time again, the public genuinely want to see these great actors on screen.

Fun – If you don’t think working with legends of the entertainment world is fun, you really shouldn’t be writing screenplays.

Inspiration – When an actor you’ve watched for years and who you have nothing but respect for comes up and not only praises your script but thanks you for the opportunity you’ve given them, it’s both humbling and gratifying. But equally, such praise drives you on to create more of the same which is exactly why I currently have two projects in development that will feature ensemble casts of actors over 60. And d’you know what? I can’t wait to get them moving primarily because above all, they’re going to be fun. Which is kind of why I started doing this in the first place.

The problem of course, is that the production process isn’t down to the writers or the actors, it’s down to those mythical beasts called producers. So what’s really needed are a few of those to step up and take a chance or two.

The talent is there, the ideas are there and as movies such as The Best Exotic Marigold Hotel (1&2) and Philomena proved, the audience is certainly there. So how about it? Why not take a shot.

Who knows, the results might even shock you!

@dougiebrimson

romance, life, love, beer, sexAs some of you may be aware, I’ve been beavering away on a couple of sequels for a while now. Well the third book in the The Crew/Top Dog trilogy is almost done and then I’ll dive back into the latest exploits of Billy Ellis. On which note, I’ve published a few extracts of ‘Billy’s Blog’ online to whet the appetite. 

Please click here to visit and if you enjoy it, feel free to spread the word!

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

Gender, gender neutral, beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football

ogilvy, ellison, we still kill the old way, top dog, green street, indie film, hooligans, krays, gangster, kemp,