The reality of Hollywood accounting laid bare (and why back end payments are generally worthless).

Green Street screenwriting
This article was first published on Linkedin two years ago. Sadly, it’s as relevant now as it ever was which if nothing else, is a pretty good indication of how the film business works.
 A few weeks ago I was involved in a conversation with a number of screenwriters about the issue of back end payments and how worthless they are. A fact both experience and my lovely agent have proven beyond doubt many times.

Ironically, as if to underline this point in thick black ink, last night I received the latest participation statement from the producers of Green Street. A movie I wrote back in 2004 and which starred Elijah Wood and Charlie Hunnam.

For those who don’t know, this movie was quite popular and indeed, still plays regularly on TV here in the UK where it is something of a cult hit (I hesitate to use the word classic, but others do). Given that it spawned two sequels (neither of which I was involved with), it’s also fairly reasonable to expect that it was pretty successful financially and that all those involved made a packet.

Reasonable, but wrong. Very wrong.

You see despite the fact that Green Street was made on a fairly small budget of around $6 million, it is still apparently some $1.8 million from breaking even let alone going into the black. But rather than expand on that, here’s the proof.

 

To put it in layman’s terms, all those people who worked on Green Street who took points in lieu of wages have lost out because not one of them has seen a penny of the profits generated and nor will they. Ever.

Sadly, this kind of thing is not unusual. In fact some would actually argue that it’s the norm and that what has become known as creative accounting is employed on pretty much every film made purely to maximise profits for the producers and avoid having to pay out to the ‘little people’.

Whatever the reality, if ever anyone working in the film industry needed conclusive proof that the only money they can count on from working on a movie is what they can get upfront in cold hard cash, this should hopefully provide it.

If it doesn’t, then you only have yourself to blame.

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpool I am delighted to announce that the sequel to Top Dog is with the publishers and all being well, I’ll be able to pass on details of publication dates, etc, fairly soon.

I’m also happy to announce that I’ve started work on another novel, this one the first I’ve ever written with a military theme.

In the meantime, you can buy all my existing books, including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog from either Amazon or iTunes.  

Please click on the relevant link for more information.

 
author, writing, writer, screenwriting, screenwriter, publishing, indiefilm, low-budget, self-publishing, brimson, hooligan ,veteran

Why no writer should ever fear a blank page.

writer, writing, author, screenwriting, film, movie, hollywood, football, soccer
Ever since I’ve been writing, two things have regularly been thrown in my direction.

The first is that at some point all writers experience writers block, the second is that the blank page is a terrifying thing.

I’ve written about writer’s block numerous times before so I won’t go over that again (however, to paraphrase it for any newbies, in essence I believe it’s a myth designed to excuse one of any number of basic failings) but the issue of the blank page is something I’ve rarely discussed. As I sit here facing a new one today, now seems as good a time as any to tackle it because the explanation is relatively simple.

You see loathe was we are to admit it, all writers believe that somewhere deep inside us is the ability to pen a booker prize-winning novel, a ‘Harry Potter’ style literary phenomenon or an Oscar-winning screenplay.

The blank page signifies the opportunity to commence the creation of that particular creative journey and like any opportunity, there are two ways of looking at it. You can either be pessimistic or optimistic. Which one you choose, or rather which one chooses you, is wholly dependent on the type of person you are.

The pessimist will type those first few words already believing that this new project won’t be the big break they have been dreaming of and instead, even as they sit there hammering away, they will fairly quickly be enveloped by that awful sense of hope evaporating.

And as that hope rolls away, it will be replaced by the standard writers fears of exposure, of failure, of making yourself look stupid and possibly worst of all, of being boring. Who on earth would want to risk any of that let alone willingly put themselves through it?

Yes, all of that and more lurks on that single A4 page or blank screen filled with nothing but white. Having written 16 books and numerous screenplays, I can state that with some authority.

Thankfully, having been writing for some considerable time now I tend to be far more optimistic and far from fearing the blank page, I love it! For one very specific reason: it signifies power. Power to create anything I want to create be it non-fiction, fiction, thriller, comedy, male, female, sex, crime, football… anything.

A blank page gives me freedom to develop characters and make them do whatever I want them to do be it good, bad or even evil. I can make them love, hate or even kill them off, horribly if I want. And all of that comes from nothing other than my imagination. How can anyone not find that exciting?

That, in essence, is exactly what I’m facing at the moment. For having just completed work on the third book in the Billy Evans trilogy, today I start work on a new novel.

It’s a thriller I’ve been planning for a while and having read over the numerous notes I’ve made over the last few years, it’s going to be great fun to work on.

Blank page… don’t be frightened of it, love it. It’s everything any writer could ever want.

violence, racism, racist, anal sex, oral sex, burlesque

Despite being over 18 years old, The Crew and Top Dog continue to sell well with the former continuing to inhabit the #1 slot on its Amazon chart. Indeed the new book will bring the character of Billy Evans right up to date and if I say so myself (although I don’t because my beta readers have told me) it’s a cracker. I’ll have news of publication dates as soon as my publisher lets me know!

Finally, thanks to everyone who continues to contact me about Wings of a Sparrow which also continues to do well in both paperback and eBook formats. Having recently sold the film rights, I’m seriously hoping that we’ll soon see it make the leap to the big screen.

screenwriter, screenwriting, author, self-publishing, green street, top dog, british film, gangsters, the krays, hooligans, collymore, troll, trolling

 

Why writing your endings first can solve your plotting problems.

panster, writing, screenplay, authorThe other day, I mentioned the subject of pantsting and have had a number of mails asking me what it’s all about.

In essence, pantsting is a method of writing where you put together the very basics of a plot and then just run at it. Or to put it another way, you write by the seat of your pants.

This is generally the method I use for all my projects be they book or script because as I have previously mentioned, the majority of them are sparked off by ideas I’ve had for endings. As a consequence, everything else is about getting the characters to a point I already have firmly fixed in my mind (or indeed, will almost certainly have developed and written to the point where it will remain pretty much untouched right through to the end of the process) and so I can make their journey as simple or as complicated as I want.

Of course, as the journey unfolds and my characters begin to take on lives and personalities of their own, I will invariably get to the point where I’ll have to go back to the beginning and start again but this isn’t as bad as it sounds. For by the time I’ve finished what would be classed as a first draft, I’ve probably rewritten most of it at least three or four times and have characters which are reasonably well formed.

That usually means it’ll be good enough to send to an independent reader for some feedback and for someone like me who hates rewriting scripts without notes, that really is a god send!

But, as mentioned previously, no matter how many rewrites I go through, the ending will always remain pretty damn close to the one that originally sparked off the idea. For as anyone with any sense knows, when it comes to thrillers, endings are always the most important part of all!

My next book will be the third book in The Crew/Top Dog trilogy and  should hit the shelves later this year.

It’s a hairs breath from being finished and is a cracker, even if I say so myself (which I don’t, because a few people have already read through the opening chapters and they’re saying that as well!)

 

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpoolIn the meantime, my numerous books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog are available from both Amazon and iTunes.  

Please click on the relevant link for more information.

@dougiebrimson

Trolled on Twitter? Sorry, it’s your own fault.

twitter, troll, trolling, writer, green street, top dog, As anyone who follows me on Twitter will know, I am a huge fan.

To me it’s a great source of both news and amusement as well as being a fantastic way to promote my books and well, what I do. Most importantly for me at least, it’s a great way to interact with both readers and football fans and it’s fair to say that I’ve made some great mates though twitter with I hope, many more to come.

However, I’ve also encountered some proper dicks over the years and received more than my share of abuse from all kinds of trolls. In recent months for example, besides the usual ‘shit writer’ fair I’ve been accused of condoning child abuse, being sexist, homophobic and racist amongst other things. None of which is particularly nice I’m sure you’ll agree but, and this is the crux of this whole matter, I know how to deal with it. And by that I mean me. Not twitter, not my ISP and not the police, but me.

And at the heart of that is one simple statement, ‘it’s not personal, it’s Twitter’.

The day you start screaming blue murder about something mean said about you by some anonymous idiot on a social networking site is the day your life begins to spiral out of control. No, it’s not nice to be accused of being a Nazi and I’m fairly certain that it’s not nice to read that someone wants to rape you or burn you alive but by reacting, you do exactly what the person who wrote it wants you to do. You give them power by taking them seriously.  And power is all they’re after.

This is where people are getting it wrong when they claim Twitter should be clamping down on trolls because Twitter doesn’t have to. You do, as the individual. It’s called taking personal responsibility.

Would you walk down a dark alley in  a dodgy area in the middle of the night? No. Would you leave you front door wide open if you went on holiday? No. You take appropriate action to protect yourself.

So why don’t you apply that same thinking when it comes to social media?

Ignore, delete, block. Those three words should be beaten into the brains of everyone who uses either Twitter or Facebook because those three actions place you totally in control of what appears on your feeds.

And if it’s not on your feed, why do you care? Seriously, why?

Social media isn’t like real life. If someone is bad mouthing you to colleagues at work, there are processes in place to deal with it. If you’re having trouble with neighbours, then you tackle it face to face or if it’s beyond that, involve the authorities.

But social media is simple words. And unlike sticks and stones, they don’t break bones.

Yes, of course there are exceptions just as there are to every rule and yes, there will be instances where Twitter PLC or even the law should and must get involved. However, in the main it’s a personal choice to react, ignore, delete or simply hit the block button which Twitter already provides for you to use in just such cases.

If you don’t understand that and don’t accept that in many ways, Twitter is the greatest manifestation of free speech we have, then rather than scream blue murder about the need for censorship (yes, censorship) why not take total control yourself and employ the ultimate sanction, delete your account.

Because you do actually have that option at your disposal and speaking as a Twitter fan, if you do indeed think that social media is there to serve you and not the other way round, then I’d urge you to do just that.

I for one won’t miss you one bit.

@dougiebrimson

crew, violence, racism, racist, anal sex, oral sex, necrophilia,
The Crew. Still #1

I never get bored of saying this, truly, I don’t. A huge thanks to everyone who is keeping The Crew at (or very close to) the #1 spot on the Amazon and iTunes sports charts. We’re now approaching the end of our 8th year at the top of the tree which however you look at it, is quite something.

Top Dog is also sitting pretty as are most of my other titles which proves what I said years ago, that if you give people what they want as opposed to what you hope they might like, they’ll buy it.

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

beer, lads, women, men, relationships, sex, love, romance, author, screenwriting, ebooks, self publishing, indie film, football, twitter, trolls, trolling, facebook, social media

 

 

Writing and the single, brutal truth about rejection.

writing,rejection,autor,screenwriterLet’s get this out in the open from the start. However it happens, rejection sucks. It sucks big.

Indeed, as I wrote in Billy’s Log some years ago, it is the best contraception known to man. Trust me, a brutal knock back will drive a shy male back to his XBox faster than you can say ‘friend zone’.

Unfortunately, if you want to write, be it for publication or screen, you had best get used to rejection because like it or not, it will be coming your way.

The only comfort you’ll have to draw on is that you’ll be in good company. I’m not just talking about J.K Rowling who was famously rejected by numerous agents and publishers before someone finally noticed the pot of gold under her arm, I’m talking about all of us. For with very few exceptions, every single author, screenwriter and journalist has to deal with the dreaded R word on a regular basis. I know I do. In fact my current hit rate is one script in three actually getting anywhere near being filmed.

To be fair, I am happy to acknowledge that to most writers a 33.3% success rate will actually look half decent but to me, whilst I’m obviously delighted with the one that gets through, I’m just as pissed off about the two that don’t.

You see I’m a lazy screenwriter and by that I mean generally speaking, I will only write a script if I’m being paid. Therefore, if I write one on spec, it means that it’s something I feel passionately about and so if it subsequently gets rejected, it’s personal. Very personal. However, what makes it even tougher to handle is that often, the rebuff will come after I’ve already taken a few steps along the development path and the anticipation of a dream actually coming true has begun to take hold.

To give you an example; a few years ago I wrote a script called Boots on the Ground which examines the thorny issue of PTSD amongst British military veterans. For obvious reasons, this is a subject that has special significance to me and so once we were happy with it, we went out and pushed it as hard as we could.

Eventually, it landed on the desk of the head script reader at a studio who took it to his boss claiming it to be the best script he’d read all year. After reading it for himself, the studio head rang me to give me his word that he would put up most of the money to get it made and then introduced me to a very high-profile British director who was all over it like a rash. We even had BAFTA making some very positive noises about putting money in.

Then, as soon as it began and for reasons which I’ve never quite been able to fully fathom, it all went cold. And now, like Wings of a Sparrow and numerous other scripts I’ve written, it sits languishing on my hard drive until we stumble across the right person to put it in front of next.

Gutted? No, I was devastated, and continue to be so. Not just because it’s possibly the best thing I’ve ever written but because it talks about something that this country HAS to talk about.

But as I say, rejection is a part of the writers job so the question is, how do you get used to it?

The answer is that you don’t. And nor should you because if you want to write for a living, rejection HAS to hurt. And for one very specific reason.

A mate of mine, Brad Burton, is a motivational speaker and one of his ‘braddisms’ is that if you have a plan B, don’t get upset when others don’t believe in your plan A. In other words, if you prepare for rejection, it means that somewhere in the back of your head, you’re expecting it. And if you’re expecting it, how can you possibly put everything you have into your script?

The answer is that you can’t. But what you can do is to take the gut wrenching pain of being knocked back and pour it into your next script or book. Keep doing that and eventually that pain will be replaced by the ecstasy of success. And it will. Because if you want to call yourself a proper writer, you have to have absolute and total belief that it will.

Because if you don’t, if you’re not totally committed to yourself and your work, what the hell are you wasting your time for?

Speaking of being committed, my latest novel, the third book in the Billy Evans trilogy is now being edited before heading off for publication.

If you’ve read either The Crew or Top Dog, you will have some idea of what it’s about so I’m not going to give you any clues. What I will say however, is that in terms of the plot, it is bang up to date the the twist at the end will have your head spinning.

Watch this space!

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing,author,writing,amazon,kindle,independent film,ebooks,

 

Why we love football.

As someone who is lucky enough to converse with people from pretty much every point of the spectrum on which human life sits, I frequently find myself responding to questions of some kind or another.

Inevitably, the bulk of these will revolve around subjects linked to writing and be of the ‘how can I?’ variety which is fine by me, after all, my work or writing will have been the thing which brought us together and if someone takes the time to contact me, it’s only right that I afford them the courtesy of a reply.

Occasionally however, I’ll get a curveball question and the range of issues these can cover is, to say the least, broad. Only recently for example, I found myself explaining to someone from the other side of the world why we British drive on the ‘wrong’ side of the road.

To be honest, I like this kind of random stuff. Not only does it tax the brain (or test my proficiency on google) but I find it quite rewarding to think that people actually feel comfortable enough to ask me these things. Especially when in some cases, I’ll have been the first Englishman they’ll have ever emailed.

My favourite question however, is one which lands in my inbox on a regular basis. It is quite simply, why football?

Usually of course, this will be used in the context of violence or hatred of some kind but increasingly, it’s being asked by people who don’t follow the game and want to know why those of us who do are so fanatical about it.

My response to this is that there is no such thing as a standard answer because there is no such thing as a standard football fan. To the uninitiated we might well come across as sheep (or even mugs) but when you look a little deeper, you’ll quickly discover that there are all kinds of reasons to explain why we are all unique in our love of the great game and our respective teams. There are even different degrees of obsession but if you want to know more about that, then you best read this.

Amongst those of us who actually get off our backsides to attend games in the flesh however, there is one common thread and that is that being a fan of the game is not just about the 90 minutes of actual football. And I mean football, not even great football. For it’s fair to say that some of the best days I’ve had as a supporter have been on days when my team -the glorious Watford- will have lost and I’d bet that most fans reading this will be nodding in agreement.

For the simple reality is that watching football is about one thing, hope. Hope that things will get better (or at least not get worse), hope that you will win promotion, not get relegated, beat your local rivals or even just carry on for one more season. Who know’s, maybe even win the FA Cup or the Champions League.

And with that hope comes every kind of emotional experience possible all wrapped up in one simple word, passion.

To be a part of that passion and share those experiences with other like minded souls is why we do it and why we love it because it’s where we feel that we belong. It’s out religion and it’s addictive, and we wouldn’t have it any other way.

So don’t ask me why we do it, just try and explain to me why you don’t.

@dougiebrimson

football,soccer,protest,premier league,fans,supportersSpeaking of football and fans, my old book Rebellion is now available as an ebook.

First published in 2006, it tells the background to some of the more infamous fan protests including those at Charlton, Wimbledon, Manchester United, Manchester City, Norwich and Bournemouth amongst many others.

Details of my other books, including the football comedy Wings of a Sparrow, as well as links to buy can be found by clicking here!

 

soccer, football, writing, write, author

So, you want to be a writer.

When I first started out on what is laughingly called my writing career, I imagined that at some point, I would end up sitting somewhere warm doing pretty much sod all whilst my bank account was being drip fed a steady stream of royalty payments.

This money would then be spent fuelling my passions for motorcycles, stock car racing and Adidas Gazelles with the remainder being wasted on expensive holidays and flash restaurants. Sadly, it has not turned out like that.

Instead, like most writers battling against the combined curses of mid-list anonymity and the explosion of electronic publishing, I find myself working long hours developing new projects whilst waiting for decisions from people who are either barely qualified to make them or are simply too terrified to. These days, saying ‘no’ is both easier and safer than saying ‘yes’ or even ‘maybe’.

Given that I am keen to eat once in a while (well, this belly doesn’t maintain itself!) what this means in real terms is that since time is one of only two tools I have for the generation of income (the other being what could jokingly be called ‘talent’) it has become an extremely valuable commodity. One which once consumed, is irreplaceable.

I mention this not in an effort to elicit any kind of sympathy but for a very specific reason. For I recently read an amazing article by a best-selling American writer called Leslie Banks in which she talked about the demands placed on a writer’s time and in particular, the value placed on that time by other people. And what she says is correct.

Abso-fucking-lutely correct.

You see, like most writers I receive a steady stream of unsolicited mails from people asking for either help or advice and in the main I’ve always welcomed these and been happy to help if I can. After all, we all started somewhere right?

Recently however, increasing numbers of these mails have gone beyond simple questions about the basics of writing or publishing into requests to critique whole manuscripts, help find an agent and/or publisher or even come on board to help develop a project from scratch. This would be fine were there ever the offer of any money to carry out this work but this is rarely, if ever the case. Remember that, because I will return to it in a moment.

I’d also ask you to consider another point raised by the fabulous Ms Banks. For like her I rarely read anything else whilst I’m writing because I have learned from experience that if I do, I tend to adopt that authors style in my own work. But equally, whatever I’m reading sinks into my brain and on one occasion, something actually fell out of my subconscious and made it onto a page I’d written. Thankfully, I caught it whilst editing but supposing I hadn’t noticed it and it had made it into print only to be picked up by some eagle eyed reader who went on to point it out to the offended author. Can you imagine?

Indeed, with more and more people paranoid about the theft of ideas, it’s only a matter of time before a writer is dragged into court and accused of ripping off a plot line.

Now, put all this together and you might start to understand why more and more writers are not simply reluctant to respond to requests for help but are becoming increasingly angry about them. Because when that mail drops in my inbox what it’s actually asking is “Dear Mr Brimson, can I take advantage of your 20 odd years worth of experience and a shed load of your time to offer you the opportunity to risk getting sued to shit and back? Oh, and can you do it all for free?”

Not exactly the most attractive proposition and in all honesty, it’s actually quite insulting. After all, would you go to any other experienced professional and ask for their time free of charge? What do you think a lawyer would say to that? Or a plumber? What would you say if I came to you at your place of work and asked for something on a non-existent account? I rest my case.

So the bottom line is this; if you want to be a writer, then write. And if you want to be a published author or a credited screenwriter, then as you write, learn. Learn about the delights of plotting, the fineries of character arcs, the stress of editing, the nightmare of pitching, the complexities of contracts, the (occasional) thrill of PR, the gut-wrenching pain of rejection and the never-ending irritation of waiting.

But if you want to circumnavigate any of that and take advantage of someone else’s experience, then be prepared to put your hand in your pocket. It might cost you in the short-term but it will almost certainly save you an awful lot of both angst and time in the long terms.

And as Leslie Banks says only too well, time is money. My money.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

screenwriting, author, publishing, british film, football, soccer, sport, politics, work, green street, gang, hooligan,

 

 

5 ways to handle bad reviews.

author,writing,review,amazon,ebook,self publishingFor any writer, be it of book, script, article or blog, reviews are not just important, they are vital.

This is especially true of those just setting out along the rocky path of penmanship and have followed the self-publishing route. Like it or not, good reviews sell books. 

However, as much as we’d like every review to be a glowing endorsement of our creativity, the reality is that not everyone is going to like what we produce. That is of course, their absolute right but the problem for the author is that if someone buys a book they also obtain the right to hit the internet and slaughter both the book and the author if they feel disappointed or worse, cheated.

This is obviously great when it happens to a rival but when it happens to you, and it will, it hurts. Bad. After all, if you’ve put your heart and soul into writing a book, having the former ripped from your chest and publicly stamped on is not exactly a barrel of laughs.

review,author,selfpublishing,amazon,writing,ebook
Just one of many I’ve had over the years.

Yet the sad fact is that no matter how good a writer you are, bad reviews are an inevitability and dealing with them goes with the territory. 

So how do you do it?
  1. Accept them for what they are: an individual opinion. Yes, they’re tough to accept and trust me when I tell you that a bad review can eat away at you forever. However, if you’re happy to wallow in the affirmation of a 5* review, you’re got to learn to take the 1* criticism. 
  2. Never respond. Whilst it’s always tempting to rip into a bad reviewer like a rabid dog, leaving aside the fact that it’s bad manners, it’s also inviting trouble. Trolls love a good author spat and if they get hold of you they can do more damage to both your book and your career than you can ever imagine. Don’t give them that opportunity.
  3. Develop a thick skin, and fast. The more books you produce, the more negative reviews you’re going to get. Conversely, you’re also going to get more positive reviews so keep re-reading those to balance things out.
  4. Be honest. Reviews aren’t just feedback, they’re market research. If you’re getting more bad than good, it might well be that there is actually some truth in what’s being said. Good reviews will always tell you what works, bad ones will often tell you the rest so utilise both as learning tools and use that information to help you make your next book better.
  5. Enjoy them. Even a bad review means that someone has read your book, YOUR book! Be proud of that and remember, not only does each and every review push your book up the amazon rankings, it also means income. Why do you think authors are so desperate for them? Even bad ones.

writing, hooligans, author, footballOn the subject of books, I’m currently working on the third book in The Crew/Top Dog trilogy and all being well, I’ll be announcing details of my next movie project within the next few weeks. It’s something I’ve been working on with a mate of mine for a while now and we have a brilliant producer and a fabulous director attached so we should cause some ripples with it. I will warn you though, it’s very different from anything I’ve ever done before.

Exciting times.

@dougiebrimson

sex, lads romance, love, vibrator, george clooney, fart

football, soccer, comedy, cost of football, manchester united, liverpool, derby, watfordJust in case you didn’t already know, all of my books and DVD’s are available from both Amazon and iTunes.

Further information at dougiebrimson.com

self-publishing,author,writing,amazon,kindle,independent film,ebooks,

2018… the year that wasn’t.

writing, author, writer, screenwritingIf you judged this year solely by my commercial writing output, it’s safe to say that it would be viewed as something of a damp squib.

Neither of the promised new books has materialised, no new movies have been produced and there hasn’t even been much news of anything else. Indeed, it has been suggested on more than one occasion that I have retired and spend my days ranting on social media. Thankfully, the reality is very different. I might be a week off my 60th birthday but I’m not finished yet. Far from it.

Indeed, I have actually been quite busy with various projects in 2018 but experience has taught me not to talk too much about anything movie related until there is actually something concrete to announce. Suffice to say that there is quite a lot going on at the moment including work on what will be the biggest budgeted film I’ve ever worked on.

This, in part, explains why I didn’t produce any new books either. It wasn’t always easy finding the time to sit down and actually focus on a manuscript whilst other stuff was going on. However, I am currently beavering away on the sequel to Top Dog and all being well, that will be published in late spring.

I’ve also been working on another project which whilst not directly related to writing, has the potential to make a massive impact in the worlds of both social media and independent film. I can’t say much more than that at the moment as I’m waiting for decisions from various people but the hard work has been done so fingers are firmly crossed.

So that was 2018 and to close it off, I need to thank all the people who have helped me out along the way. I can’t name you all here but special thanks must go to my agent Olav and the ladies at SMA Talent, my co-writers Gary Lawrence and Paul Woolf, producer/director/writer J.K Amalou and most of all, my wife Tina. God only knows how she puts up with me!

Finally, may I wish all of you a happy New Year and all the best for 2019. It’s going to be a blast.

@dougiebrimson

My numerous books including the football comedy Wings of a Sparrow and the #1 thrillers,The Crew and Top Dog are available from both Amazon and iTunes.  

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A new novel, the third in the Billy Evans trilogy, will arrive in spring 2019. News of a new movie (or maybe two) will hopefully arrive before that.

Want to be a writer? It’s money for old rope.

writer, author, brimson, lazy, ebooks, amazon, itunesAs I have previously mentioned, I receive a lot of emails asking for advice about writing. Primarily, these are of the ‘where do I start?’ variety as opposed to the ‘how do I enrich my novel with deep and meaningful subtext?’ sort but that’s fine with me. After all, I’m not exactly DH Lawrence or Dickens and to be fair, most of the time a large portion of my brain is actively tied up with trying to comprehend how I’m able to get away with earning a living as a writer. Although thinking about it, this is possibly why so many people do ask me. ‘If that talentless tosser can do it….’ etc, etc.

So let’s get this clear, writing a novel is easy. You simply sit at a keyboard, tap away at the keys until you have around 75 thousand words and there you go. It’s a novel. Anyone, and I mean anyone, can do that.

Screenplays are even easier. General thinking is that a page equals a minute of action so you’re only looking at about a hundred sheets of A4 which equates to around 20 thousand words. That’s a little over a quarter of the words required for a novel. Absolute piece of piss.

So what are you waiting for?

I am of course being flippant (I know it’s hard to tell sometimes) but trust me, there are people who really do think it’s that simple and in a certain sense it actually is. What they fail to recognise is that the easy bit is followed by the hard bit. Gathering together those 75 thousand words and putting them in some kind of coherent order takes takes time, effort, blood, sweat and tears.

Don’t get me wrong, I am one of those who subscribes to the theory that everyone has a book in them and I would most definitely urge everyone to have a go at writing for all kinds of reasons. As someone who is lucky enough to be able to do it all day every day, I can tell you with hand on heart that it can be hilarious fun, massively therapeutic, hugely exhilarating and even bloody exciting. But it can also be lonely, frustrating, heart breaking and certainly soul destroying.

Yet I wouldn’t have it any other way nor I suspect, would any other writer. Because that’s why we do it.

@dougiebrimson

football, comedy, humour, rivals, derby, soccer, premier league, championship, manchester united, chelsea, liverpoolAll of my books and DVD’s are available from both Amazon and iTunes.

A new novel, the third in the Billy Evans trilogy, will arrive in autumn 2019. News of a new movie (or maybe two) will hopefully arrive before that.

The official blog of author and screenwriter Dougie Brimson www.dougiebrimson.com